Oh Happy Day
Oh Happy Day
| 25 August 2004 (USA)
Oh Happy Day Trailers

Hannah (Lotte Andersen) is a housewife in a village Zealand, where she is married to the sad Carsten (Mikael Birkkjær). She sings in the mammal church choir along with his outspoken sister (Ditte Gråbøl). A choirmaster in transit - the black Jackson - get fired up during the chorus, as soon singing and joy - and Hannah is experiencing new feelings.

Reviews
Kattiera Nana

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

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Mjeteconer

Just perfect...

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Smartorhypo

Highly Overrated But Still Good

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Sienna-Rose Mclaughlin

The movie really just wants to entertain people.

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endymionng

Fairly low-key depiction of a sort of secular spirituality. A very provincial small-town choir with 7 archetypal emotionally distant Nordic Dane's that receives a dose of spirituality when chance gives them some weeks of training with a professional gospel priest/cheerleader. This leads to life evaluation and changes in various characters, thankfully without the movie getting preachy at all. Nice performances from all who actually does most of their own singing and a good reason for all to start singing in a choir which in my view is a good morale :-) The ending does seem to go against traditional "family values", but then again - why stay in a loveless marriage if your kids are pretty much grown-up? Depends on the person I guess...

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Anker Simonsen

This movie is being sold as a comedy and that was what I expected to see. To my (very positive) astonishment it proved to have a much wider range of appeal. There were very amusing episodes and dialog, but mainly to me it appeared to be a movie about growing up (even if late in life). Hannah's emotionally been on the run since in her youth she backed out on a chance to fulfill a dream of singing publicly. She's pretending to herself that she is content with her married family life, but when she accidentally meets the leader of an American baptist choir and he volunteers to direct her little, amateurish parish choir dams starts breaking in her mind. She (and the audience) is confronted with existential questions of self confidence and faith. This is all dealt with in a way that You start forgetting this is just a movie and not real life. It ends on a feel-good level, but not all conflicts are solved. And when: not always like one would suspect.

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stensson

Has Danish comedy started to repeat itself? And not only itself, also others? It's a little too much running in forms we've seen before. Ordinary people, having ordinary conflicts. They are altogether good, but here they are (of course) hit by "life". They learn something, change their lives and when the film ends, they are much wiser, but still ordinary.Here you find the woman, who hasn't fulfilled her dreams, living in a dead marriage. Then the black Harlem gospel reverend appears and she starts to believe, in her herself, in music, in life and even in God. It's too simple after all. There's hardly more than 1,5 dimension here. Thats's not enough to be called a gospel.

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alex_kj

This movie marries two highly unlikely subjects: Danish small-town life and gospel music.Moses Jackson, leader of an American gospel choir, is stranded in a (very) provincial danish village after his bus crashes - because of Hannah, neglected wife and singer in a rather amateurish danish choir. Jackson decides to work with the choir and takes them on a musical and spiritual journey that enriches everybody's life.A very high feel-good factor, some wonderful dialogue, and the undeniable screen-appeal of gospel music combine to make this a very enjoyable movie.

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