Why so much hype?

Simple and well acted, it has tension enough to knot the stomach.

The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.

The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

In this B-movie, you might notice that although Mickey Rooney is in the film that he's billed as 'Mickey McGuire'. This is because from the late 1920s into the mid-1930s, Rooney played Mickey McGuire in several dozen films.The story begins with two motorcycle policemen on the job. When I guy comes barreling down the road at 70 miles per hour, they cops give chase. One of them is deliberately knocked off the road and he's killed. When his surviving partner brings in the driver and his passenger, he expects justice....but due to some perjury, he's acquitted of manslaughter. And, not surprisingly, the cop is furious--his partner and best friend was killed....and no one seems too concerned that a known gambler and racketeer is responsible but won't be punished. What's next?This is a mildly enjoyable B-movie that is worth seeing but isn't exactly a must-see. Decent enough when it comes to acting and script, it's not bad...just not exactly inspired either.

"I find that I like my daughter", a powerful judge tells the police commissioner when she changes her testimony after clearing a ruthless gangster of manslaughter after the accidental death of a highway patrolman. Swift chase scenes through the Santa Monica mountains lead to the officer's death which lead to socialite Lila Lee plagiarizing herself out of fear. But upon seeing the dead officer's mother (Florence Roberts) and young son (Mickey "MacGuire") Rooney, Lee has a change in heart which leads to the possibility of political scandal as she tries to make amends with the dead man's partner (Monte Blue). While this gets a bit creaky in some of the dialog scenes and is at times sappy, this ranks as one of the better B programmers that have ended up in the public domain and easily available. An early scene has the two officers driving down Hollywood streets (long before it was built up) that results in a humorous sequence with a Spanish speaking truck driver. This is followed by the touching seen with young Rooney followed by the intense chase that leads down Sunset Boulevard and back into the hills right where the Pacific Coast Highway begins.This comments on the apathetic feelings of the upper-crust haves to flat feet cops (a popular term at the time) and the two timing gambler who is obviously using the rather naive Ms. Lee. Frances Rich is very amusing as the socialite pal of Lee's who takes delight at her drama, making light of it even in front of Lee who is obviously despondent. Robert Ellis is downright hissable as the playboy gambler while in a tinier part, Seena Owen is equally nasty as the unfeeling mistress. It's pretty predictable where this will end, but there's more than just a few moments that will make you take notice. The photography alone adds this to my top 100 films of 1932.

Lovely Lila Lee is the top-billed female, but she is generally upstaged by pert Frances Rich, who is given a juicier, if smaller, part.Both deserved a long and well-paid career. Alas, today they are unknown.Monte Blue had a very long career, though he too is not very well known today. He had looks and talent and did keep busy as long as he wanted.Mickey McGuire didn't exactly disappear: He became Mickey Rooney, one of the biggest stars of the century. Deservedly. Here, as a child, he was probably the best actor on the set. Until he got just a few years older, he was controlled and in control, always perfectly under-stated and perfectly believable.Alas, later, he needed firmer directorial hands than he usually got and he was too often over the top.Again, here he was perfect, one of the finest actors in motion picture history.He had a partner in the child part of the story, Jackie Searle. Young Mr. Searle was another extraordinary actor, but one who never reached the heights he also deserved.They and a generally very good cast had a slow-moving story that still keeps one's attention in a taut drama that seems about to let the bad guys win, as is so often true in real life."Officer Thirteen," or "Officer 13," is a low-budget but more than adequate entertainment, one I can recommend, even in the not-so-hot print at YouTube.It might have more historical than entertainment value, but it does have both.

Very creaky film about two motorcycle cops and best chums. While chasing down a speeding car one day, one of the cops is purposely knocked over an embankment that ends up being a hit and run murder case when the officer dies. His pal, "officer 13" Tom Burke (played by Monte Blue), chases down the car as it speeds away from the accident and arrests the driver, a gambler. Unfortunately, they can't get a conviction for the gambler, because his passenger in the car that day, Miss Dane (Lila Lee), commits perjury during the court trial saying it was all an accident. When Burke gets angry during the proceedings he is punished by being given officer duties in "the sticks". Interesting to see some of my silent era favorite actors in this, but as a whole, the film is very weak. There are two different scenes involving vehicles running off the road and the filming of theses scenes is pretty poorly done, not making it convincing enough that there was even a collision involved. It is fun to watch some of the scenes though, filmed on the sunny streets of early 1930's Hollywood. Lila Lee looks pretty and her acting is fine, but while I like Monte Blue a lot in his silent era films, his acting in this is just not up to snub. I enjoyed the performance of Frances Rich as Lila Lee's gal pal Joan, wisecracking and always seems to be on the lookout for getting herself another cocktail. A very young Mickey Rooney pretty much steals the show in this as the dead officer's grieving son.