Fantastic!

This movie was so-so. It had it's moments, but wasn't the greatest.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

There's a more than satisfactory amount of boom-boom in the movie's trim running time.

October 1, kudos to Babalola the script writer, had all elements of a detective story woven around when Nigeria jostled for her independence from the British crown who had subjugated her for years, exploiting her resources to build her commonwealth.Back to October 1: there was a perfect crime (s), wrongly accused suspects, a believable and intelligent detective and good red herrings that smelled so good the best detective from the future would be derailed. BUT...The culprit's motive for murdering his victim's were far fetched. Chrissakes, what was he (the writer) thinking?A child, with others, was sexually abused by a Roman Catholic priest, he matures into an adult, has a good life (?) and he returns to his native land to start kiling young women... A plausible thing would have been that he takes out his revenge on Roman Catholic priests, or even luring innocent men into his trap and kills them. Not women. But it's the script writer's story, he decides everything in the creation of his.Howbeit, October 1 was okay.

After having this in My List on Netflix for probably a year, I finally decided to watch it, being a skeptic of all films made in Nigerian. I hate Nollywood and their repetitive nonsense films about love, in laws and general foolishness about money. And don't get me started with the bad camera work and sound/sound effects. Enter October 1st, the films is simply everything I wanted plus more. A good detective film, a love story without too much emphasis on the love, a country's last journey through independence from the white man and the very good play on the stereotype of the different tribes that makes up the Fedral Republic of Nigeria. I spent the first 10 years of my life there and still have and love the vivid memory's however often forget, lest I am reminded by films like this. Culture, language, food, palm wine and of course the British. The film was well acted, very well directed, you knew who the perpetrator is from the get go, but due to everything that made up the rest of the film, I didn't care that it took a while to get to him. It also had plenty of Yoruba spoken in it which is my first language, so this is one I will be recommending to all my fellow Nigerians. I will be looking out for more work by Kunle Afolayan. Well done!!!

I liked this murder mystery from Nigeria. The film cinematography almost felt like a filmed play at times.....but that is just my observation.The plot was thick and readable part way in but far enough in to keep my interest.I really liked the setting, the clothing, and the characterizations. The best obviously, is the old inspector. This gave me a feel for what I hear is an up and coming Nigerian film scene.The mixture of culture and language was very interesting. Some English, mostly subtitles. Some British influence, mostly Nigerian.Cheesier parts like the murder scenes and investigation of murder scenes at really real locations sparked my interest.....I guess. On the whole, the nature of these just added to my interest in the film.

Nigerian movies are renowned for poor story lines, bad acting, many errors, etc. But this one actually proves that the Nigerian movies industry can deliver great movies to the global audience.I thought I would sleep while watching or pause it at the quarter to watch the rest later. But the movie actually gripped me. October 1, paints a whole lot about Nigeria in the 1960s.The storyline was superb. Didn't know that Nigeria could actually have a serial killer story that can be compared with major Hollywood blockbusters but Kunle Afolayan did it.A must see, if you like thrillers and diversity.