Wonderful character development!

Very disappointed :(

Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

Richard Cocciante and Luc Plamondon's comedy musicale is one of the finest world musicals I have seen. The thing about foreign musicals is they do not carry subtext and thought provoking material in the songs, but within the staging and visuals. Don't expect Stephen Sondheim. The great thing about these types of musicals is that you can think about what's going on while you watch it, and just enjoy the music on CD. The performers are fantastic. I've long been a fan of each of them, Julie Zenatti being one of my favorite solo artists. Garou OWNS the role of Quasimodo, and the rest of the cast is pitch perfect as well. All of the songs are melodic and romantic, and the french language is the icing on the cake. The story is much more accurate than the Disney version, and includes one of the most gorgeous songs ever written, "Belle."

I knew music was beautiful and it makes me feel better but I do not really enjoy listening the music and especially classical music such as opera, Beethoven, Chopin, Mozart's music and philharmonic orchestra. I knew it was all wonderful music but whenever I listening to them, I will definitely go sleep. So I wouldn't enjoy it. I can only enjoy part of the music. For example, the movie 'The Shawshank Redemption' when Andy go to the prison's announcement room and then playing the opera(I believe this is one of the best scene in all time.), it was beautiful music.But, I do like watching musical bit childish way because I would like to watching classic Disney cartoon movie such as Beauty and the beast, The lion king, Aladdin and so on.I watched 'Notre-Dame de Paris' about 1 or 2 years ago and that time my English wasn't that good enough to understand the subtitles and interestingly I don't even remember what story is about so I don't have any idea what to say about it.And then a few days ago I have been listening the some musical album such as Les Misérables and Cats. Surprisingly, I realised that how much I enjoyed their singing and playing. This is the what happen when you watched best movie or performance. It's out of nowhere it came to my mind. I don't even know what they talking about or what this story is about but I was so badly wanted to watch it again and listen to music again.I must give rate for 10/10 because I don't even understand what they were saying or talking about but I still want to watch it again.This is extremely powerful and beautiful performance and energetic and splendour musical. It doesn't matter whether anyone likes musical or not so I highly recommended to anyone.

... but the trouble of this production is that it's very far from a good musical.Granted, one can't always expect the witty masters like Sondheim or Bernstein or Porter; yet the music of this piece makes even Andrew Lloyd Webber look witty. It's deadly dull and uninventive (with one or two exceptions) and just after I watched it I couldn't recall a single significant melody - which is rather tragic coming from someone who learned the whole Another Hundred People from three listenings.It is also strangely un-theatrical. It takes place on an incredibly large stage (one really has to feel sorry for those people in front rows who broke their necks in order to see something happening 50 meters on the right or 100 meters on the left) and does absolutely nothing with it. When there's supposed to be one person singing on-stage, that's just what you get - and the rest of the enormeous stage is empty. For me as an aspiring theatre director it was almost painful to watch.The fact remains, Cole Porter seems to have captured the French culture in his works better than these no-talents can ever come close to. And I'm puzzled by the popularity of this would-be-legendary musical.

Conventional wisdom has it that the French don't like musicals. Not true at all, as the success of this show demonstrates. Plamondon and Cocciante have concocted a masterpiece that perfectly captures all the important parts of Hugo's novel, and magnificently transports the whole thing to the stage. The handful of young unknowns who star in this production on the video tape (most of them from Quebec) are almost overwhelming in their talent as singers, dancers, and dramatic performers. Bruno Pelletier shines as the anguished, tortured priest. Hélène Ségara (the only French star in the cast) totally captures our hearts as the doomed Esméralda, and Garou (the name means "Werewolf" in French!) demands and receives all our sympathy as the hapless Quasimodo. Incredibly powerful supporting performances by Patrick Fiori as Phoebus, Julie Zenatti as Fleur-de-lys and Luc Merville as Clopin round out a cast that can do no wrong.Imagine Riverdance on steroids, "West Side Story" meets "Cirque de Soleil", or a Paris riot set to music, and you have an idea of the scope of this incredible show. The choreography is the most energetic, not to say frenetic, I have ever seen, and the most imaginative. It's hard to decide, at times, if we are watching a dance or a gymnastics exhibition.If you can't get to Las Vegas, Montreal or Paris to see the show live on stage, this is the next best thing. For me it totally eclipsed every rock opera and musical which preceded it, to become the definitive musical of the 20th century. And I believe it will be at least another generation before anyone can come up with a way to surpass it.