Pretty Good

It’s sentimental, ridiculously long and only occasionally funny

There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

The film never slows down or bores, plunging from one harrowing sequence to the next.

"North Dallas Forty" can rightfully take its place among the greatest of sports based movies. It's an intelligent, unflinching look into the world of professional (American) football, and the assortment of characters that inhabit the world. There's no need for flashy filmmaking here; the drama is strong enough to carry the story, along with some completely authentic performances. People unfamiliar with this movie will note that there's not necessarily a lot of game action; the concentration is on the action taking place off the playing field.The pivotal character is Phillip Elliott (Nick Nolte), a weary seen-it-all veteran of the game, a top notch receiver conscious of all the punishment that his body has taken over the years. Phillip knows the game very well, but he's not too interested in playing a different sort of game, with the hard-driving coaches (G.D. Spradlin and Charles Durning) and the greedy team owner (Steve Forrest). Fortunately, he does have one good friend: star quarterback Seth Maxwell (singer Mac Davis).This is scripted by director Ted Kotcheff ("First Blood"), producer Frank Yablans, and author Peter Gent, who wrote the semi-fictional novel on which the movie is based. Based on the Dallas Cowboys team of the early 1970s, it takes its time telling the story, contrasting the more philosophical and low key nature of Phillip with gung-ho defensive players like O.W. Shaddock (real life football star John Matuszak) and Jo Bob Priddy (amusing live wire Bo Svenson). We feel completely sympathetic towards Phillip, and can also practically feel the pain that he experiences after every game. There are several key emotional scenes, especially towards the end.Nolte is excellent in the lead role, and as one can see, the supporting cast is full of rock solid actors (also among them is Dabney Coleman as Forrests' younger brother). Nolte and Davis have very fine chemistry and one can buy them as friends. Dayle Haddon, as a love interest for Nolte, isn't terribly effective because she comes off as just too aloof.Compelling material, even for people who aren't necessarily football fans.Eight out of 10.

"Better football through chemistry" is a line of Nick Nolte's as he's being shot up with painkillers before the big game. When I first saw this in 1979, I found it amusing; now I find it prophetic. Sure it has it's sexist moments, but those are mere reflections of the times. The theme is that of abuse. These are modern gladiators, and we watch this sport as did the Romans. It's our bread and games. The new findings that NFL teams sent injured players into games full of drugs gives this film new meaning. Head injuries now show concussions that were untreated, and old players now have addictions and crippling arthritis. This was an amusing movie in it's day, but it's not as funny anymore.

This is one of those films people rarely talk about, so a lot of people, especially those under 40, have never heard about. Unless I am wrong, this is the 1st film that introduces the darker side of pro football and NDF does it extremely well on both as commentary and as a film. If you ever thought sports were "just a game" then this film will flip that viewpoint on its end. The casting is odd yet superb. Mac Davis ( yes, the Country Music crooner and ace songwriter) as the sagacious jaded insider QB could not have been better played. He and Nick Nolte's presence is dominating and multi-dimensional. Dayle Haddon is the ultimate love-interest for Elliot. You get it from all angles in this film: from the team's owner, the doctors, the players, the coaches, the social cling-on's, and the uninformed bystanders. Truly a well balanced piece of film making, that to this day, still will casts some negativity in the minds of the football fan. Great lines in this film:[ Elliot to Maxwell] " You know everything, don't you?" [ Maxwell] " That I do poot.... that I do"// [ Shaddock to Coach Johnson] " Every time we call it a game, you call it a business, and every time we call it a business you call it a game!!"// [ Elliot to Coach Strothers] " You are right about one thing, B.A., it IS time to put away childish things." Please read other quotes listed here. Films that are cutting-edge as this one, also tend to be time-sensitive, and NDF is no exception as some things will undoubtedly seem old-hat to most viewers, but there is still plenty of meat left on the bone to make seeing this a priority. Don't pre-judge it as just a sports film, its much more, deeply moving, just in a very different way than say Rudy, Hoosiers, Field of Dreams, or Pride of the Yankees. Don't miss the opportunity to see this one.

This movie is the best "football" film ever made. Along with "The Natural" - baseball, and "One-on-One" - basketball, these are an outstanding trilogy of the three best pictures representing our primary American sports, and all have interesting multi-dimensional stories as well. Pete Gent was a maverick in his NFL career, but it would seem his alter-ego, Phil (Nick Nolte), while possessing this same nature, is significantly more accomplished in his pro career (even if on the coach's "secondary list" in the film). Gent played six years, 48 games, with only 68 overall receptions and four touchdowns. These numbers and his yardage (his average per catch was pretty good) would comprise a good single season's stats. The primary "athletes" in the film - played by Nolte, Davis, Matuszak and Svenson are realistic, interesting, tough and bawdy. Matuzsak's distinguished career was as a defensive end, and Svenson also possesses more of the physical characteristics of a defensive lineman. The fact, though, that they played offensive linemen in the film was obviously a necessity to the drama - both off- and on-field, where all four prime leads had to be on-screen simultaneously. As I mentioned in commenting on "One-on-One," where the great G. D. Spradlin was the basketball coach - coupled with this film, he wins the award of the "all-time horse's ass coach" hands-down. Durning was hilarious as the vacuous assistant coach. Anyone familiar with Gent and Tom Landry can see that Spradlin's coach Strothers is modeled - at least in part - from the latter. Although similar in appearance, and more "professorial" than most coaches, and probably often a bit distant -- Landry did not seem to possess the extremely negative traits displayed by Strothers. In the film, with the level of talent Nolte's "Phil" possessed, it is unlikely he'd have been as neglected by the coach as depicted, even in view of Strothers' compulsive devotion to his computerized statistics, and distaste for Nolte's persona. I suspect that this relationship has similarities to Gent's with Landry, but, again, Gent in real life was not as productive or talented as Nolte on film. Steve Forrest was excellent as the smarmy, wealthy team owner, and Dabney Coleman as his even smarmier, completely unctuous younger brother. {Has anybody, EVER, in the history of the motion picture industry (t.v., too), done "smarmy" or "unctuous" as well as Dabney???} This one's a "10" for both sport and drama.