Who payed the critics

This Movie Can Only Be Described With One Word.

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

Mostly, the movie is committed to the value of a good time.

The film begins with a man going to his ex-wife's apartment to deliver some frozen meat. However, after looking over her place twice to see if there were any clues as to where she was, he finds her--dead. Apparently she killed herself--and did an amazing job organizing her life for the family. For example, all the food that the family would need for Passover was there--made and labeled in the refrigerator. But, the story has a few hiccups. First, the ex-husband really despised her in many ways. For example, although she was a Jew, he deliberately finds her in a Christian cemetery and with a VERY Christian coffin--talk about passive-aggressive! Second, although I never knew it, apparently some Jews look upon suicide much like many Catholics see it--like it's a mortal sin and you cannot bury such a person in consecrated ground! Really. But, there is one more hitch that unexpectedly develops--something the dead woman did not anticipate--a stray photo.To me, this is a great example of a film that is expertly crafted but lacks one very important thing--a story. So, while I can really admire the acting (particularly Fernando Luján) and the director had a really deft artistic touch, the story itself left me flat--very flat. The biggest problem is that I kept expecting all the story elements to come together into something magical--something that would make this film worth while. But, unfortunately, it just never came. The sum of all the good parts just couldn't outweigh a story that seems like it should have seen at least one more re-write.

The scene is Mexico,modern times. A divorced woman,Nora, is getting things ready for Passover Seder (ordering the food,invitations,and every thing else). She then takes a fatal overdose of sleeping pills. Her ex husband,Jose,who lives directly across the street gets the box of meat for preparing,instead of Nora. When Jose takes the package of meat to Nora's flat,he discovers that she is dead in her bedroom. Jose, a weary,bitter man,makes calls for his son to come over & get things cleared up. Things only get in state of chaos when a host of folk arrive to deal with the deceased (various Rabbi's,Nora's long time domestic,other family members,etc.). The family for Nora to have a traditional Jewish funeral,despite the fact that she committed suicide (an absolute no no in the Jewish religion,where life is regarded as sacred). Problem is,Jose has become something of an atheist in his later years. All of this,and more,make for a sparkling black comedy that has a surprise element in the end (I'm not saying)that makes for a life affirming film. Mariana Chenilla writes & directs this film from her own screenplay. Cinematography by Alberto Anaya. Edited by Oscar Figueroa & Chenilla. The cast include:Fernardo Lujan as Jose,a somewhat unlikable soul (at first)that experiences a transformation of sorts. Silvia Mariscal as Nora,Enrique Aireola as Moises,Ari Brickman as Ruben,and Veronica Langor as Tia Leah. With Marina De Tavira,Max Kerlow,Juan Pablo Medina & Vanya Moreno. Well worth seeking out. Spoken in Spanish with English subtitles. Not rated by the MPAA,this film contains some rude language & brief sexual content

This is, without a doubt, one of the best examples of what talented Mexican filmmakers can achieve. Excellent plot, impeccable script, outstanding actors and an amazing director's work. No big sound effects or different locations are needed to tell a deep story that leaves you wanting to know more (Ms. Chenillo, please tell us there will be another film about Jose's life!), as a matter of fact, it takes place inside an apartment in Mexico City, for the most part. Certain aspects of Jewish beliefs and traditions that many viewers would not understand are seamlessly integrated in the dialogs, and yet there's no saturation, no "over explaining". It's a very clean story, almost unadorned, and yet there is so much beneath it! As a viewer, you never lose interest, on the contrary, you get more and more intrigued as the story unveils -flashbacks are a smart element that adds to the anticipation. A thought lingers on after the movie ends: humans beings, regardless of faith or heritage, are rich, complicated and fascinating beyond the limits of life. Standing ovation!!!

Excellent film, a mixture of comedy and tragedy, with outstanding acting and a well-carved script.Tender, nostalgic and very witty, with good camera angles. Check for the music, and for the fact, that almost all the 92 minutes of the movie, is shot in the department of Nora.The movie has been presented in the Lima Cinematographic Festival in August 2009, includes a rather sarcastic point of view of the Jewish belief, as well as the depiction of such important characters as Nora's ex husband, the cousin, the maid and the rabbis and all the Jewish characters that appear in the movie. Is worth to note, that the flashbacks are very well decided, but you never truly understand the love the the ex husband still had, or the reason why Nora decides to take her own life.