Look Who's Talking Too
Look Who's Talking Too
PG-13 | 14 December 1990 (USA)
Look Who's Talking Too Trailers

Mollie and James are together and raising a family, which now consists of an older Mikey and his baby sister, Julie. Tension between the siblings arises, and as well with Mollie and James when Mollie's brother Stuart moves in. Mikey is also learning how to use the toilet for the first time.

Reviews
Cubussoli

Very very predictable, including the post credit scene !!!

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Solemplex

To me, this movie is perfection.

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Console

best movie i've ever seen.

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Intcatinfo

A Masterpiece!

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slightlymad22

"Look Who Is Talking Too" is not a sequel to the enjoyable "Look Who Is Talking" it's a clone. A weak, pale imitation clone, but a clone none the less. It was inevitable that following the success of a "Look Who Is Talking" that a sequel would follow. It was also inevitable that the sequel would be of inferior quality. Plot in A Paragraph: Mollie (Kirstie Alley) and James (John Travolta) are together and raising a family, which now consists of an older Mikey (voiced by Bruce Willis) and his baby sister, Julie (Roseanne Barr)All the charm of the original movie is missing, what made the first movie so good was it was new, fresh and original. This is more of the same but without the originality, freshness, and newness. Instead it has Roseanne Barr. My God, her voice is annoying!! The script is weak, Travolta and Alley do not enjoy the same chemistry as in the first movie (which is a shame) Bruce Willis remains fun, but that is about it!!

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ElMaruecan82

Look who's making a sequel now … killing off all the charm, wit and originality of the first opus. In other words: what a shameful disaster.The movie has its moments but it never really gets this awkward feeling off: that the only reason to be of this film is as a continuation of "Look Who's Talking" and nothing else, it's the quintessential needless sequel. What was a charming touch of originality in the first opus became a lame attempt of 'caca-poo-poo' childish humor, what a shame. I don't mean to sound cynical, I loved the first film, but this one had Kirstie Alley and John Travolta in the cast, Amy Heckerling in the direction, but the film has the same level of sweetness as a cotton-candy overdose and, quoting Baby Herman, I would say the result "stinks like yesterday's diapers."It's funny because I've always tried to find redeeming qualities to the film or reasons to give it the benefit of the doubt, but the first feeling has never been replaced. I remember when I saw this as a kid, I was surprised first because I didn't even think the original movie needed a sequel, then I saw it with fear and excitement, and at the end, I was left with a flat feeling. What's with all these 'penis/no penis' jokes? This Toilet-Man thing? Who the hell cares about Rona, Mollie's friend? Where does that Stuart brother comes from? And probably more than anything, what happened to the lovely relationship between Mollie and James? That's probably the less excusable element of the film: it's poorly written, and the interactions between the two pillar characters rely more on a writing decision to create a separation before a final reconciliation, than the true depiction of a realistic evolution. Are we to believe that both would argue over watching a cartoon, and getting angry about the way one's authority is challenged in front of the kids? Are we supposed to accept that Mollie who acts like a germs freak in the first act would be so careless about her brother carrying a gun in the house? And I'm not even questioning the presence of Elias Koteas as Stuart, because at least they had the good taste to vaguely evoke him in a discussion before his entrance, so we know that Mollie has a brother whose only role was apparently to justify the arguments and break-up between Mollie and James, and to close Rona's story arc, as if the character needed any development. She was fun to watch in the first opus, but in the sequel, she was made so embarrassingly 'sexy' and fell in love so easily with Stuart, that we couldn't be more careless about them, and don't get me started on what is probably the worst 'marriage proposal' from any film, so idiotically spontaneous I couldn't believe my ears.Again, the movie has some cute little moments, I loved the little nicknames between Mollie and James, the 'Elvis' dance sequence, but the ultimate result was a failure. Maybe it would have been better if it really dealt with some predictable but sensitive issues like the jealousy between the brother and her little sister, maybe, but then it would have needed the presence of the two parents, some plot devices as inspired as in the first film, less sappy music montages and zero out-of-characters moments, one is embarrassing enough, but the movie is a series of disconcerting scenes. Even as a kid, I cringed when they were singing to encourage Mikey to use the pot, and some years after, I couldn't buy the scene where Mollie was trying to make herself look pretty for James, a lame excuse to show some legs and panty dressing. Shouldn't a character like Mollie be spared from these clichés? And the following scene is another demonstration of extremely uninspired writing, because despite all her efforts, it lead to another fight with James. But at that time, it doesn't really matter, everybody's in the house, Mollie, Mikey, Stuart, Rona, James, Julie, it's so noisy we all wait for the mess to end, aware that the movie had no chances to wow us at the end. Indeed, it kept on the same level, with a weak climax, a weak reconciliation, and nothing redeeming story-wise. When you have no inspiration for a climax, just set the house on fire, and bring a last-minute villain out of nowhere. Does it work? I don't know, at one moment, Stuart is chasing the burglar, letting the kids alone and when James helps him by punching the baddie, Stuart is upset, why? No, frankly, why? I know these are details that wouldn't change anything on the final appreciation, but it's still bugging me, because it's like everything was made to sabotage the film.Many flat jokes, an incredible amount of 'what-the-bloody-hell' scene, some embarrassing humor and even more embarrassing out-of-characters moments, "Look Who's Talking Too" is a messy story that makes you forget it was about Mikey having a sister, when it's more about adult having problems in the beginning and everything getting well at the end. Indeed, the ending is happy ending because we're glad the movie ended, and if it ever had a merit, it would have been to make me love the original "Look Who's Talking" even more. Maybe I should watch "Look Who's Talking Now" again to appreciate the second opus … thanks, but no thanks.

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TBJCSKCNRRQTreviews

A poor sequel to a movie the very existence of which was just barely warranted, if at all, much less deserving a follow-up(and it didn't even end here). Granted, the end of the first did pretty much mean that they had to do at least one more, and the addition to the gimmick as well as the new pun of equally questionable ability to amuse, but couldn't they at least have used the same female actress? She (name withheld so as to not spoil the surprise) would have been fine, heck, just about anyone would have. But Roseanne? They had half of the Earth's population to choose from, and out of all those options, out of every woman on the planet, they picked... her? This is one of three pieces of... entertainment? no, that's not it, this doesn't qualify as that... that I've seen her in, and were her parts permanently taken out from all three, it would not exactly reduce me to crying in the fetal position. The reaction it would produce from me would rather be in the other end of the spectrum. Various cast-members return, not all having anything to do. More nightmare sequences, one misusing a master in comedy. Gilbert Gottfried is brought in to perform his shtick, but interjects no laughs. So is Damon Wayans(Wayans', I'm sure, need to do no acting to play kids, or their voices, anyway). This time around, the couple fight. Their differences are yet again set up against each other in a manner that I would presume is meant to entertain. So is most of the movie, one would guess, but it tends to inspire boredom and restlessness, instead. More scenes that seem to have no other purpose for existing than to bring the running time close to 90 minutes(though this didn't even make it to that... thank goodness). Pro-gun people take a pounding. At least the kids stop talking after this one. I recommend this to... I don't know, people who can stand Roseanne and/or needless sequels. 4/10

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dmw61003

While, "Look Who's Talking Too" doesn't contain the snappy one-liners that "Look Who's Talking" is famed for, it should still be merited as a great family movie.I loved how the movie displayed all the aspects of family life. This movie shows how marriage, children, money, violence, and natural disasters affect the course of family life.One particular point of the movie that was moving was the dream sequence where in Mikey dreams that he is taking Julie for a stroll and the big bad bully boy takes away her pretzel. This is just one of the many heart-felt moments that displays the family presence in this film.Regardless of the love/hate relationship between Mikey and Julie, the performances of the young children truly define the typical love/hate relationships between siblings everywhere.John Travolta accurately depicted the role of the underpaid and under-appreciated spouse.Kirstie Alley does a great job as the wife-left-behind. And as the "One" in the middle, in regards to being caught in the middle between spouse and sibling.This movie mirrors reality in many areas. One specific thing that happen in real life every day is sad tale of the children blaming themselves for their parents problems. And blaming their other siblings. This film showed how that is not true at all.Overall I give this movie an 8 out of 10. The only matters in which it lacks is their should have been more compassion between parents.Kirstie Alley gets a 9 out of 10 John Travolta gets a 10 out of 10.

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