No Way Back
No Way Back
R | 12 May 1995 (USA)
No Way Back Trailers

When FBI Agent Zack Grant's partner is killed during a blown-up operation, he attempts to find the person responsible. Mafioso Frank Serlano believes Zack is responsible for his only son's death in the same operation and kidnaps Zack's son to hold as bait. The action gets wild when airline stewardess Mary is taken hostage to add what seems an another insurmountable problem for Zack. There appears to be no way out.

Reviews
Btexxamar

I like Black Panther, but I didn't like this movie.

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Majorthebys

Charming and brutal

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Micah Lloyd

Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.

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Benas Mcloughlin

Worth seeing just to witness how winsome it is.

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Leofwine_draca

My suspicions that the 1990s were the worst decade for film are confirmed with this absolutely atrocious travelogue-cum-thriller which wastes the talents of rising star Russell Crowe in an painfully awful piece of predictable filmmaking. Writer/director Frank A. Cappello is the guy responsible for this monstrosity and I don't know what he was thinking, because as a coherent film it's awful.The movie opens with future starlet Kelly Hu dispatching a room of bland bad guys before Crowe, playing a wisecracking cop, gets involved. His job takes him to Japan and back again while he has to contend with a kidnapping (that doesn't seem to phase him too much) and gets saddled with a stewardess (Helen Slater) who might well be the worst supporting female role ever put in a film. It's not just that Slater is terrible (although she is), but her character is even more irritating than Erika Eleniak's in UNDER SIEGE, and that's saying something.Despite the relative shortness of the running time, the plot meanders along with one cringe-inducing gag after another. The action sequences, despite reoccurring at regular intervals, are terribly handled and watch out for the excruciating bit of FX work when a helicopter crashes. The film increasingly tries your patience as it progresses so that by the end I was half sleep, barely aware of the credits rolling; never a good sign!

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johnny-08

Watching this movie was very boring to me because it's very predictable. There is always one cop, one lady and few bad guys that are looking more funny too me, then dangerous (Michael Lerner and Kristopher Logan). And of course we all know that ending will be happy. It is obvious that we are watching solid B-film with Russell Crowe. Even Crowe had to pass through this kind of action movie so one day he could become an established actor. It is nice to see the beginning of the career for Crowe but the whole movie doesn't presents anything new. Only Russell Crowe's performance is on top, cause he looks like ordinary cop, he's funny and he showed us all that one day he will be star. But path to the stars is always rough.

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toubabs

If you are interested by Russell Crowe's career , you cannot miss this movie ! I find the relationship between Zack and his son Eric is particularly interesting and very touching !

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bob the moo

FBI agent Zack Grant sends a female officer (Seiko) in to the apartment of a mafia boss's son posing as a whore in order to drop a bugging device. However when the agent kills the group and then kills herself Grant finds evidence to suggest that she was working for Yakuza lord Yuji. Grant travels to arrest him but on returning to America finds that the mob have kidnapped his son in exchange for Yuji. However with Yuji claiming innocence and the FBI, police, Yakuza and the mob all after him, can Grant make it to the trade?I watched this film on the strength of Crowe being in the lead – even though I knew that it was made before he `made it' so the quality may not be that great. The plot is a mix of bad guys and good guys all trying to get Grant and Yuji, with Grant just trying to save his son. It isn't a very innovative idea but it is good enough for a video thriller such as this. The set pieces are all reasonably exciting and most are directed with style and energy that belies the standard of the plotting.While it may not be brilliant it is certainly a lot better than most of the video thrillers you'll find on a lonely Saturday night. A big part of this is due to Crowe being in the lead. Years before Gladiator he'd already had some powerful Australian roles and was a commanding lead actor. Here he rises above the material and makes it better – during the action scenes etc he is faultless, it is only his interactions with women and children where he comes across as wanting. Tokokawa's Yuji is a good character – never morally clear until the end and charming and deadly with it. Slater is a bum note but happily she doesn't spoil things too much. Her bubbly comedy sidekick is irritating and the film could have easily done without this part of the video thriller formula.Overall I enjoyed this film much more than I suspected I would. Without Crowe this film still has higher values that I thought it would and is polished and entertaining despite a formulaic plot. With Crowe in the lead the film is raised a notch and he is commanding in an ordinary role that many would have failed to liven up.

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