Such a frustrating disappointment

one of my absolute favorites!

if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Disgruntled cop Kris Kristofferson (looking good sans beard and mustache) protects a sassy teenage girl (Drew Barrymore) from the killers who just did away with her sister, a professional ballerina who was killed during a performance. Barrymore's character (named "Tinsel"!) is tough to take, with lots of whiny outbursts and tantrums, but Kristofferson is decent and supporting players Martin Landau, Dey Young and O.J. Simpson are each very good. The slim production values render this a B-movie (maybe even a C-movie), but it isn't terrible. Richard Danus wrote and directed, and while the shabby-looking picture doesn't exactly showcase a hot, promising new talent, at least he gets the job done. ** from ****

A good cast cannot save this one from poor direction, poor production values and some of the stupidest background music ever. The story is predictable, the characters seem to be reading their lines, and the action is contrived. Having said all that, how bad can a movie be that features O.J. Simpson in a story about a slasher?

Here we have an example of the sort of movie for which the terms 'run of the mill' and 'formulatic' were invented. I'd believe this was made for TV if not for some nudity at the very beginning, but I can't imagine that it was released in theaters. My guess would be it went straight to video, especially as it was shot at the very beginning of Drew Barrymore's comeback and stars Kris Kristofferson. She is Tinsel, a 14-year-old who the cop played by Kristofferson must protect. Her ballerina sister was murdered, and it looks like she's next. I sort of enjoyed the beginning of the movie, as Tinsel shows some admirable spunk and self-reliance, but it veers quickly into soppy searching-for-family bunk as it is revealed that the cop's wife and daughter were killed in a car accident and the ballerina was Tinsel's last living relative. So of course neither of them has anyone and they bond, culminating in a scene sure to set just about anyone's eyes rolling. There's also some weird, boring, sort-of subplot about the police chief's involvement with some elitist secret society. It's supposed to be a testament to the great humanity of Kristofferson's cop, but the only thing this flick is a testament to is how far Drew Barrymore had fallen, and how far she has come.

Before going any further, I should note that I caught this on cable, so it may have been, and probably was edited to tv. I rather think they may have trimmed some minor nudity. The movie starts off okay, but it quickly becomes a formula movie about a tough, but good-hearted cop in disgrace, and a teenage orphan in fear of her life, running from a super-secret underground organization that killed her sister. If this had been a made-for-tv movie, I would say it was a little better than average, as a big screen movie, it was somewhat weak. The problem is mainly in the run-of-the-mill story, not the acting or direction.