Who payed the critics

Good start, but then it gets ruined

brilliant actors, brilliant editing

Close shines in drama with strong language, adult themes.

Someone missed the boat here, but I'm not sure where it all went wrong. Ronald Reagan, Viveca Lindfors, Broderick Crawford, Rosemary DeCamp and Osa Massen star in "Night Unto Night," a 1949 psychological drama directed by Don Siegel.The story concerns a scientist, John Galen (Reagan) who rents a house in South Florida owned by a widow, Ann (Lindfors) who believes she hears her husband's voice. She continues to mourn her husband and can't embrace life; Galen has been told he has epilepsy and has taken the house to work and try to deal with his situation.Filmed mostly on sets, despite the beautiful cinematography, a lot of scenes look fake. The photography does give the film a brooding atmosphere.There are some interesting metaphysical, "today" ideas tossed around in the script, but the dialogue is pretentious, not at all like normal people speak. Also, epilepsy here seems to be treated as almost a death sentence or at least a communicable disease. Perhaps back in 1949 that's how it was viewed.Reagan, a pleasant actor, didn't have a great range and was much better in comedy. He seems miscast here, and the role didn't play to his main assets, which were charm and a genial presence.Viveca Lindfors was brought over from Sweden as the next Ingrid Bergman; it came as a surprise when husband Don Siegel made a name for himself when he directed "Invasion of the Body Snatchers" when she was supposed to be the star. Despite being beautiful and a wonderful actress, she never made it to the top tier. The actresses who were part of the foreign influx post-war: Alida Valli, Valentina Cortese, Maria Schell, Hildegarde Knef, Mai Zetterling -- all met similar fates. Of all of them, Lindfors was the only one who stayed in America and worked, in film, television, and on the stage - until her death in 1995.A bizarre film, with spirited performances by Lillian Yarbo, Rosemary DeCamp, Osa Massen, and Broderick Crawford.

I was a young teenager when this film came out. I couldn't recognize a set from the real outdoors and, of course, knew nothing about plot and character development, pacing, conflict resolution, etc. But now, viewing it with a more critical eye I can see its weaknesses. Still I need to make one comment. In the film there is a romantic interlude that takes place at night on the beach. It culminates in a long, lingering kiss. For some reason the technicians, especially the lighting technicians, took a great deal of time setting up the scene. The amount of time and effort even became part of what little lore remains about the picture. Well, to a young, impressionable lad, that was my first sense of the warmth of romance in films. Before this, my only interest were comedies and adventures. Now I sensed their potential for romance--and I liked it.

"Night Unto Night" - really don't understand what the title has to do with the plot, but it sounds nice. Director Siegel does what he can with a very weak script from Kathryn Scola...she must have a writer who helped doctor other scripts. The movie was not long enough to really get such a heavy plot off the ground. Yet, I enjoyed it, after watching "Kings Row" preceding it.......one of TCM's all-day-all-night "tributes" to Ronald Reagan ("John Galen"). "Kings Row" was far better, because Reagan was much younger for that role. Still handsome for "Night," the couple of scenes in which he had a happy demeanor were not strong enough to convince us that his helping a lovelorn lady back to happiness were enough.Viveca Lindfors ("Ann Gracy") was very good in the movie. None of the other commentors mentioned the age-old cure for ALL love-problems is that itself: love. She found it quickly for "Galen", but Reagan didn't have the ability to portray his morbidity and suicidal intentions, although he was in love with her. The house he rented - in which she heard her dead husband's voice, at the beginning - would make almost anyone with neurotic problems quickly descend into deep funk.It didn't help any with nasty vamp Osa Massen ("Lisa") throwing herself at "John", especially she being "Ann's" sister. I liked Broderick Crawford ("C Shawn") as a neighbor-painter; Rosemary DeCamp ("Thalia Shawn") was her usual, complete character. Art Baker ("Dr. Poole"), was on the scene to help "John" with his illness (epilepsy); his role was well-played.The moody cinematography was very appropriate for this intended-to-be dark story....the tale just didn't get dark enough. With what we know now about hurricanes (Southerners have known about them forever), they don't just blow-up all-of-a-sudden. With all the characters - even the kids - assembled for a dinner party, the storm battered the old house right on the seashore. It was also during the storm which "Ann" gives her life-saving love-plea, and "Night Unto Night" quickly ends with the lovers in each others arms. Both cured, I guess....not good, not bad.....gives an older person an indication of Reagan's descent from a robust President of The USA, in real life, into total dotage. Sad.....

Long before Dirty Harry, you can see the excellent film-making, where Ronald Reagan gives what I feel is an excellent performance-not corny, not the "super nice guy" that everyone remembers him by. This is a hard edged film.Broderick Crawford alone should be enough to get you to watch this one, but Vivica Lindfors and others are standout performers. SPOILER: Not to give too much away, but the film starts with Ronald showing up in Florida, to rent a home, so he can deal with his affliction, for which there is no treatment. Meeting Dr. Altheim, his first day there, almost floored me. The name is erie when heard, for me, as Mr. Ragan had just passed away when I saw this film.