It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

If you enjoy watching two clinically depressed, alienated people whine and endlessly process their situations in life, you'll like this film. They don't even seem to enjoy the sex they engage in which is a major early scene. The sex does seem to fit into the film organically to a degree although it's not all that interesting itself.In an alternative script I can imagine both characters would do well to get some psychotherapy/drugs and then make a stab at actually doing something about the situations they hate. That's never easy but I'll bet it would beat moping, dancing drunk and stoned in raves, having serial sex with strangers, getting repeatedly fired from work, etc. But then that wouldn't be an emo film about feeling alienated and depressed. I gave the film 3/10 because the acting was pretty good; so was the cinematography.

This movie was very engaging. It focuses on the dialogue between two people. It is very intelligent, shot well with a great script. The music helps to tie everything together. I think it would be a great date night film with your significant other. This movie also proves that a film does not need to have a big budget and lots of special effects to work. This one works great with limited resources and it still seems to work. The whole theater was impressed and so was I. Check it out on a rainy night when you and your partner are looking for something to watch that isn't too engaging but yet tells a beautiful story.

Much more a short story than a novel, but Nuit #1 has some very powerful moments, especially during the latter half so stick with it (it takes a good 20-30 minutes to truly establish itself). Well acted and shot, with some good music here and there. Deep, frank monologues dominate, sometimes reminiscent of Rohmer, yet the subject matter more often recalls the themes of Michael Winterbottom (i.e. drugs, sex, music, the outsider, despair, etc...). Definitely worth seeing if you like either of these fine directors. Bravo to all involved in this film, esp. Anne Emond and Catherine de Lean. Similar films: Candy and Morvern Callar.

I recently saw this at the 2012 Palm Springs International Film festival where writer/director Anne Émond was on hand at my screening for a Q&A following the film. Clara (Catherine de Léan) and Nikolai (Dimitri Storoge) go to Nikolai's apartment after meeting at a rave club for a one-nighter. Strangers to each other but each, no stranger to late night sexual romps with people they have just met. This film plays out like a three act stage play with the passionate sex as act one, his story as act two and her story as act three. They open up to each other in frank tell-all discussions about themselves and their thoughts and views on life and love. Mathieu Laverdière skillfully works the camera shots as cinematographer capturing the angst and disregard of the actors in tight and shots and confined spaces. Mathieu Bochard edits. The role of Clara as an elementary school teacher by day and cruising the city bars by night for multiple sex partners in one night stands is reminiscent of the 70's film Looking For Mr. Goodbar, although Émond has never seen that film. Clara ultimately gets audience sympathy as a lost girl trying to get back on the right path bu Nikolai has little hope in his future. Some great acting by these two veteran Canadian television actors with lots of dialog. I would give this film an 8.5 and recommend it. There is no violence but there is a lot of sex and sexual language that may offend some. An excellent debut feature film from a short film director.