Terrible acting, screenplay and direction.

Simply Perfect

Best movie ever!

Unshakable, witty and deeply felt, the film will be paying emotional dividends for a long, long time.

cold, dark, precise. portrait of a serial killer using details and suggestion. a splendid role of Guillaume Canet. and a lot of questions. because it is not exactly adaptation of a case. but picture of society. because it is not presents motifs or excuses , not gives an anti-hero, not use drops of romanticism. it is only a cold image about a man and his crimes. Ana Girardot is a nice surprise. inspired option for remind another kind of Sonia from Crime and Punishment. the images, the dialogs, the story. nothing as part of a classic crime. only as support of reflexion. about universe as puzzle from Ionesco's small crumbs from his plays.

There is no denying the fact that much has been written about serial killers in press especially in the print media. However, when it comes to depicting their crimes and shady lives, cinema has not been able to achieve considerable success. It might be due to the fact the cinema glamorizes their images to such a large extent that it is difficult to sift fact from fiction. French film "La Prochaine Fois Je Viserai Le Coeur" is about a unique serial killer. He is one of those rare serial killers who would flagellate himself in order to repent for crimes committed. One doesn't come across such exemplary behavior from most serial killers. French director Cedric Anger gives a detailed description of a police man (serial killer)'s failed romantic relationship with a married woman. However, his film does not answer numerous questions which begin with a big "Why" of all murders which were the handiwork of a police man. The film starts with an important disclaimer. It states : "This film is based on one of the most strange French criminal stories. The facts described here are, for a large extent, taken from official documents, statements and talks with concerned people". It doesn't prevent anybody from putting a question mark on French gendarmerie's ability to detect that something was wrong within their ranks. Next Time I'll Aim for the Heart is not an entertainment film Per Se despite its strong French box office figures of 490,537 tickets sold. Hence, it needs to be watched for the crucial role it is playing in letting the society know about the patterns of a serial killer.

First, let me explain what a gendarme is, for no french viewers: a gendarme is a sort of military who is in charge of police duty. So, this said, this story is inspired from actual events that occurred thirty six years ago, in the north of France. A serial killer killed many young women, without rape, and it appeared that the murderer was a gendarme, who also investigated on his OWN crimes. Of course, every movie buff will think of Joseph Lewis' SO DARK THE NIGHT, where Steven Geray had the nearly same character Guillaume Canet has here. Guillaume Canet is outstanding in this film. I think he has never been better anywhere else. An astonishing performance. Nothing to argue about the film making or acting. A tremendous piece of work.

NEXT TIME I AIM HEART is the perfect example of what could have been a very good movie: one emphasize at first the narrative pulled by a "true story" then one tells the tale with showing the murders with the at least strange behavior of the killer, a french cop in real life - military side. Exactly thus like a TV documentary which does not possess a point of view, the director tells everything whereas the spectator's guessing facts...What then ? Why this movie would be better that any rag paper as" The New Detective? There is, regrettably, no reason for it because the mechanism of the pathos is played with the regularity of a Swiss clock of one vulgar funny gag of Naked Gun's movie. Not to mention the music which is only re-underlining the drama of the story, in case to we would have understood nothing at all !Nevertheless in spite of these heavy and dumb brass instruments, the performance of Canet is rather good, and does not suffer by any lack of realism, as well as some ones wrote it in the press critics. And then some sequences add curiously to the suspense of the movie climax - for example the scene of pursuit in Peugeot 604. Nevertheless the movie quotes in forest are worth the manual of a perfect boy scout, but on the other hand, are suffering from giant clichés but hold more or less the road, especially if you have already read Baden Powell back in your life: easy to understand, it is all quite black or all quite white exactly like a suburban sky.So, cut off the sound and you'll be feeling in the end watching yourself a giallo more or less made in the 70's, sent only straight to video. And I know what I'm talking about...