New Blood
New Blood
R | 09 May 2000 (USA)
New Blood Trailers

Alan White is a desperate man; his daughter must have a heart transplant to live. He gets an unexpected visit from his adult son, Danny, a criminal who hasn't spoken to his family in years. Danny lost track of a man marked for death and is afraid to face his merciless crime boss. In Danny's plight, Alan sees a way to save both of his children, already prepared to die in order to donate his heart to his daughter, he will stand in for Danny's escaped hostage.

Reviews
Nonureva

Really Surprised!

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Exoticalot

People are voting emotionally.

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Majorthebys

Charming and brutal

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Janae Milner

Easily the biggest piece of Right wing non sense propaganda I ever saw.

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Amar

I dont agree with other people's comments about this movie, well maybe that they're dumb and dont understand the plot of this movie which is not very hard to understand and very interesting. This movie keeps you in a suspence until the end and u feel good at the same time when you're shocked. Excellent acting, casting and dialogs, its worth a watch. i'll give it 8/10

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Scott Marcus

Trying to follow all the plot twists made my brain hurt. A day later, I still can't figure out what really happened, with all the lies told along the way by the characters.I *think* there are some plot holes; if things really happened the way it turns out they did, then some things don't make sense. Either that, or the plot is just too convoluted for most people to follow.Either way, the film left me feeling a bit puzzled. While the acting was good, the film as a whole was disappointing. I voted it 4 (out of 10) for the IMDB.

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Killer B-2

So bland I barely managed to sit through it. A combination of the most dull cliches from every true-crime movie I've ever seen. Predictable plot goes nowhere verrrry slowly. Joe Pantogliano is excellent and barely recognizable. Unfortunately he barely appears in this movie. Carrie-Anne Moss is more feminine and interesting than she was in The Matrix, but she gets about 5 minutes of screen time and less than 10 lines. John Hurt is pretty good in basically the same role he always plays. His character was sort of interesting, for a while. Everything else about the film is breathtakingly average. Even the gunfights are absolutely basic, bare-bones and old hat. Don't waste your time, watch The Matrix or Blade again. And if you just want to see Carrie-Anne naked, go hunt for The Soft Kill, because you won't see that here (the one thing that could have given it SOME value).

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morpheus-113

This was not a terrible film. It was merely a poor execution of current noir film styles. The pacing was slow. The script was melodramatic in places. It is unfortunate that the dramatic pause has become an overused device. The lighting was film school quality at best. Just because the subject matter is "dark" doesn't mean that I should be unable to see the actors. The editor seemed to be overly entertained by nifty but superfluous techniques. Much like a verbal pause, the film pause can become tiresome and overused. I cannot blame the actors for their flat delivery, I have seen them all in other films giving dynamic and believable performances. If the actors were doing what they were told, then we have to blame the director. The plot was very contrived. It took elements from a number of hit movies (Usual Suspects and City on Fire among them) and smothered them. A number of clichés were employed in an attempt to make us care about the characters. They all failed. In a three dimensional world, two dimensional plots get you nowhere.

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