Why so much hype?

It's funny watching the elements come together in this complicated scam. On one hand, the set-up isn't quite as complex as it seems, but there's an easy sense of fun in every exchange.

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

A man called Nevada is on the run from both the law and some outlaws. He was involved in a shoot-out with the latter over a crooked card game and is wrongly accused of murder by the former. The real killer is a crooked mining boss who assassinates the father of a prospecting family who live on silver-rich land that he wants for himself.It would be fair to say that Nevada is only really notable for one thing and that is as the film where Robert Mitchum was given his first starring role. He isn't much remembered nowadays as a western star though. The genre wasn't suited that well to allow him to play to his own specific strengths. Nevertheless, he is certainly good enough here and it's a pretty decent performance. The movie itself is a fairly formulaic B-western – a film designed at the time to fit into a cinematic programme as the second highest billed feature – although it's still an enjoyable enough effort. It's paced well, with decent enough characters and story. While Nevada hardly breaks the mould, it's still good fun.

To the casual viewer, this loose, low-budget adaptation of a Zane Grey-story may not appear to be worthy of any particular attention, but NEVADA did have a significant impact on the career of a young "Bob Mitchum," as billed in the opening credits. Prior to this, Mitchum's later so iconic figure could only be glimpsed here and there in bit parts, but after four years of struggle, he had apparently impressed RKO enough to be considered a valid replacement for their B-western star Tim Holt, who'd just enlisted in the army. It's not hard to grasp just why the company sought Mitchum. Though some of my impression may be colored by his later output, he's definitely got a certain "something" about him also at this early point, charismatic even when the main focus is not on him in a scene. In private, Mitchum was by this time was a married man and a father, and must have been relieved that his career was finally going somewhere.Even so, it shouldn't be illegal to note that NEVADA proved a limited opportunity for Mitchum as far as showcasing the range of his talent was concerned. Granted, Mitchum may not have been quite confident as a leading actor himself at this point, so a ginger debut as this western was, perhaps, fitting in a sense. But one is almost tempted to encourage Mitchum, while watching the film, to go further with the role; as noted, some of the unfailing charisma is definitely present, but one finds little of the dry, ironic wit (or simply "coolness") which was to become a vital part of Mitchum's style and image. Then again, the script, which does not seem to regard Grey's original novel as much more than bare bone material for a story, hardly calls for nuanced characterization (the inevitable brevity of the film certainly contributes to this as well).However, it would be ridiculous to judge NEVADA out of context; if accepted as what it is, a low-budget western telling the tale of a not supremely law-abiding but honest cowboy, who is wrongly accused of murder, it works just fine. There's a smooth interaction between the suspense and the more humorous bits, typical for westerns of the era. Guinn Williams and Richard Martin appear as a sort of sweet comedy team (possibly in part to emphasize Mitchum's masculine appeal), and the scene involving young Harry McKim doing a terrible job at faking that he's in pains actually had me laugh out loud. Robert Mitchum would go to much greater heights than this, both in and outside the western genre, but NEVADA remains an entertaining enough way to spend an hour on a rainy day.

Once again a well-made RKO Radio Picture from yesteryear provides a fine entertainment in a summer when TV is a total washout and there are no movies at the multiplex for grown-ups over 13.This noteworthy formula western introduces Robert Mitchum in a story that moves along fast while focusing on the early days of the Comstock Lode in Gold Hill, CA. The story is good, the acting fine, the cinematography just great. They got the history straight and everything is on-the-level except that the real Gold Hill is on a steep grade, not flat; and that's the only flaw in the movie. Filming at Lone Pine, CA certainly fooled me, as the terrain is exactly the same as around Carson City, NV and Gold Hill.They knew how to make westerns in 1944; they don't in 2007. Unlike 3:10 to Yuma, this one doesn't turn stupid in the final 16 minutes.Look for NEVADA in recent DVD release. Then look around the house for an old $20 Gold Double Eagle minted from Comstock gold in 1870 at the mint in Carson City. It'll be worth $200,000 in poor condition; lots more if it still looks pretty.

It's always interesting to speculate on how different careers turn. RKO Pictures needed a new B western star because Tim Holt was going in the service. So this guy Mitchum was spotted in one of the Hopalong Cassidy films he played a bit role in and in fact Mitchum had done other parts like Thirty Second Over Tokyo, etc. So he got signed to a long term contract with RKO for this to be the first in a series of B Westerns.To show how much he was supposed to be a Tim Holt stand-in, Mitch was given Richard Martin who played Chito Rafferty the same part he played as Holt's sidekick. He also got a second sidekick in Guinn Williams. And the billing for Nevada read "introducing Robert Mitchum."The western itself is standard fare, nothing truly spectacular about it. It's source was a Zane Grey story which is a plus. But even then you could tell the camera loved Robert Mitchum. It's a must for Mitchum fans of which I'm one.The thing I wonder about though is if William Wellman hadn't spotted Mitchum and given him that career making part in The Story of GI Joe, would Mitch have continued as a B western star with his career petering out in the mid 50s or earlier. Food for thought.