To me, this movie is perfection.

Don't listen to the Hype. It's awful

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

An old-fashioned movie made with new-fashioned finesse.

When Nelly, a woman being just divorced, meets by chance M. Arnaud, a mature salesman just retired, begins a strange and special relationship between the two personalities.Director Claude Sautet (1924-2000) has really been a force in French cinema. Many -- most? -- of his movies are already considered classics, at least among those who appreciate foreign film. (Among the average viewer, his name probably does not mean much.) For me, though, he will always be associated with "Eyes Without a Face", even though he was the writer and not the director.In "Nelly", we get one of Sautet's last big films. Definitely not my favorite, but then again, I already mentioned that I love "Eyes", so how could this compare?

Silence, Talk, Silence, Talk and the again Silence, occasional dinners at different restaurants, the daily meeting to edit a book manuscript, routine and the mass of exception that goes along with it and the humans that meet in-between.Nelly & Monsieur is all that and more. It's about humans leading their lives as good as they can, they care for each other but in the end they all live their own quiet desperation. This probably sounds much worse than it is. Through the routine they get close to each other, express tenderness and affection for each other, but the exceptions never seem quite big enough to top what the routine gives.Still Nelly & Monsieur Arnaud is a delightful movie. It's a slice of life drama which isn't quite drama or really slice of life.During the entire movie something builds up, the yearning for a big leap of faith. When Nelly leaves her husband at the beginning of the movie it seems to be nothing much, it's over in about a minute and her husband does not claim much more of the running time. That's how it goes during the entire movie: What should be big changes in Nelly's life are written off as nothing much. In fact what triggers most emotional response from her are the routinely meetings with Monsieur Arnaud, a man perhaps 40 years older than her. In these routinely meetings they edit the book he wants to publish and they talk, they talk about themselves, their lives, their past, but also about the book... clearly something is building up… and this is where I'm going to tell you: "go see the movie to find out!", it's much worth a watch or perhaps some more.The conflict is clearly there, yet the movie never becomes overly dramatic, in fact it's quite restrained and that's what makes it so delightful. We witness all the characters meetings and their talk which is often comic, not in the way that you would loudly laugh, much rather in a way that could make the characters themselves chuckle, and in fact, they do. There's never done too much to drive the point home, that's the slice of life aspect about it. What makes it not so much slice of life is that it's actually about a very special part in both Nelly's and Monsieur Arnaud's life; both of their lives change drastically after their meeting.Nelly & Monsieur Arnaud delivers the atmosphere of all the afternoons when you're doing something rather unexceptional but still have a fine time. This movie will be a delight for people fond of such an atmosphere but even people who might not be especially enthralled by the atmosphere might still find joy in the careful treatment of the theme.If nothing convinced you yet I have to note that the acting of both Emmanuelle Béart (Nelly) and Michel Serrault (Monsieur Arnaud) is absolutely exceptional. Emmanuelle Béart delivers everything with her face, especially with her eyes. Michel Serrault has a stunning presence; he sustains a sense of mystery around his character without ever becoming sentimental.It's 8,5 from me and I deem it a great last movie for any director. Even though he was over 70 when he made it, Sautet still very much had it.

Emmanuelle Béart is the beauty personified and the main character in this modern French film. Wish I had still photographs of certain scenes with her in this film. Amazing eye movement by her as well as Michel Serrault, who also acts very well. Well crafted, well acted, very good ending... Not a single piece of music till close of the end; could have been more of that I think. Almost the whole movie is filmed indoors, and pretty much in the same locations, a lot of talking, ... I liked watching it, but mostly because of Béart. Otherwise it was only moderate captivating and exciting.3,5 / 5

I am a fan of Claude Sautet and I saw all his movies, except this one, which came to me with a junk of oldies brought by my new cable arrangement. That was his last one, made in 1995, and, although eight years old, the movie bears no wrinkle and seems to have been made yesterday. Alas, everything belongs to the untold (non-dit), in spite of the good script, good settings and excellent performances by Serrault and Lonsdale (I never liked Emmanuelle Beart). Having seen CHICAGO the very same day, it was interesting comparing these two movies, one very secret and the other full of noise and furor, both hiding the same emptiness. No wonder Sautet couldn't get any other commitment for the last full five years of his life. But we have so many other imperishable souvenirs from him... harry carasso