I like the storyline of this show,it attract me so much

Yo, there's no way for me to review this film without saying, take your *insert ethnicity + "ass" here* to see this film,like now. You have to see it in order to know what you're really messing with.

I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

This story has more twists and turns than a second-rate soap opera.

"Murderer's Row" (19669), like all four of Deano's Matt Helmers, is so bad it's good.It always appeared as though Dino never read the scripts beforehand, never cared about the plots...just plain never cared. I guess that was part of his and the film's charm. But it must have driven his directors up the wall, including "Murderer's Row's" Henry Levin.The sets are cheesy as hell as is the music by Lalo Schiffrin. But veteran costumer Moss Mabry's creations (especially for the gals) are terrific. Very hip, very 1969 - yet still very cool today.I am not really an Ann-Margaret fan, but she's really good here. And glamorous Swedish actress Camilla Sparv is stunning! Bad guy Karl Malden is appropriately sinister, slightly amiable and yes, bad. And his right-hand man, Tom Reese (Sgt. Velie on one of the great TV series ever, "Ellery Queen") has a cool chrome steel plate atop his head - nifty gimmick.Deano's four Matt Helm flicks, made in between taping his TV show and partying between 1966-69 were all the Andre Champagne of spy flicks compared with Bond as the Dom Perignon.Why is it that I will ALWAYS watch them whenever they're on TV? I mean I'm drawn like a fly to you-know-what. I can't resist them. I guess it's because they're a guilty pleasure. Cheesy but still a lot of really stupid fun.

MURDERER'S ROW is the second Matt Helm movie and just as sloppy and ill-conceived as THE SILENCERS. It's also just about as much fun. Dean Martin, clearly not sticking to any script, has a few funny one-liners and Ann-Margret is Ann-Margret...as a swinging sixties sex kitten, she's second to none. Karl Malden collects a paycheck as the villain and the stunning Camilla Sparv plays his moll. There are a few amusing scenes such as Dean in a line-up with two French peasants and the women's outfits are very Rudi Gernreich without actually being designed by Gernreich. The film, directed by Henry Levin, could just as easily have been named "LONG SHOTS and STUNT MEN" when you consider how few close-ups Martin has during the action sequences.

This is film pretty much fits the formula of the other "Matt Helm" films; lavish locations, fun weapons, beautiful girls and booze. This probably is my second favorite film in the series behind The Ambushers. Dino was pretty much playing himself in the film and it pretty much was an extension of his public image of the freewheeling and boozing womanizer. Ann-Margaret was her usual sexy self as she played her sex kitten image to the hilt. However, the one that really stole the show in this film was Karl Malden. He really stole the show playing Mr. Wall, a villain so campy that it is in direct contrast to his usually serious demeanor. I also liked the fact that it made references to Dino's personal life, especially the inclusion of the Sinatra reference at the discotheque. Dino, Desi and Billy were okay, but they are no Beatles. All in all I would have to say that this is a pretty good entry in the series.

The main title theme song was utterly fantastic, but the movie ahead was a relative disappointment and snooze-fest. After such a great start, what happened? Actually it's not that bad, just blandly mediocre, and not the worst of the series (that title going to The Ambushers hands down).Karl Malden does give a delightfully over the top performance, Dean is his usually breezy self and Carmilla Sparv makes for a sexy femme fatale. I even thought 70s TV stalwart Tom Reese was an interesting henchman. But Ann Margaret is not convincing. She is easily the weakest of the 4 movie Helm female sidekicks. Her character just comes off as silly, like she's still in an Elvis movie.The setting on the French Rivera creates a cool atmosphere and the plot about a kidnapped scientist had the potential to be interesting if not for that nonsensical helio beam angle. There are some cool gadgets, like the gun that works on a delay, but the novelty of them wore away quickly after each was seemingly used over an over. The plot development attempts to string together a loose bunch of disjointed scenes and set pieces so there is never any real tension or suspense. Interestingly enough however, several ideas (the faking of Helm's death, the Hovercraft, disposal of the henchman via magnet) were incorporated into future James Bond movies.In short, this movie was one of potential unrealized and a starlet misplaced. It's worth a look for Martin or 1960s spy spoof fans (I'm both), but most others would find it terribly silly, uninteresting and plodding I'm afraid.