A Masterpiece!

Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

Copyright 3 August 1944 by Columbia Pictures Corp. New York opening at Loew's Criterion: 2 August 1944. U.S. release: 3 August 1944. Australian release: 15 February 1945. 7,315 feet. 80 minutes.U.K. release title: ARMS AND THE WOMAN.SYNOPSIS: Wife objects to her husband cutting a gate in his backyard fence so that he can reach his shop on the other side. She insists that he walk around the whole block.NOTES: Robert Mitchum is in this movie as one of Winkle's instructors I believe, but you'll certainly have to be mighty quick to catch him. I've seen the movie at least three times and I've never spotted him.VIEWER'S GUIDE: With a nagging wife constantly browbeating her meek little good-Joe hubby, the kids will think they're right at home with this one. Suitable for all.COMMENT: It's odd to find a luminary like Edward G. Robinson starring in a B-grader - especially in a B-grader like this one. It's the sort of movie that gives old black-and-white films a bad name. Despite its very middling entertainment value, it does have remarkable staying power. It enjoyed a successful theatrical release (in Australia it was in continuous circulation until the mid-1950s, when almost all Columbia's other wartime product had disappeared) and has been frequently broadcast on Oz TV - as recently as April, 2001. Perhaps its homely theme, its little guy rejecting books and making good with his hands, is what appeals to many audiences. Certainly Wilbert Winkle is a character with which many people can identify - and he is portrayed with ease, skill and sympathy by Edward G. Robinson.But everything else about Mr Winkle Goes To War is second-rate. The cornball script not only runs a predictable course, but that course has quite a few unbelievable holes, and the running takes far too long. True, the central idea is promising, but it's resolved in a typically small-budget way with the producer making a virtue out of the necessity of bypassing the expensive "Welcome Home" parade. Yes, the action climax and the training scenes are reasonably lively, but all the trivial domestic guff between Robinson and his insipid partner Ruth Warrick, and all that sentimental tosh with Ted Donaldson's helpful orphan could stand considerable trimming. The dialogue is often slow and tedious and most of the players have a hard time with it, particularly Robert Armstrong, though Lane registers okay as the sergeant.Technically, Mr Winkle is equally undistinguished. Green's direction has occasional spurts of energy, but is mostly slow and mercilessly routine. The music score is strictly Mickey Mouse, aggressively underlining every "comic" and "dramatic" development. Even the photography is so flat and unattractive that for just this once we wouldn't object to "color enhancement". At least that would give the whole movie a much-needed lift from the "B" doldrums.

Mr. Winkle Goes to War (1944) ** 1/2 (out of 4) Edward G. Robinson plays Mr. Winkle, an elderly, out of shape man who gets drafted for the war and shocks everyone when he passes everyone's expectations. I really wasn't sure what to expect from this war comedy but it turned out to be a fairly delightful little film. The story is as thin as a sheet of paper but its heart is in the right place and Robinson is great as usual. It was a lot of fun seeing Robinson playing a weak soul and watching him turn into the hero was very believable due to the actor. The supporting cast includes good work from Bob Stanton, Robert Armstrong and Richard Lane. Robert Mitchum has a very small part and I only noticed him during one scene. The war time scenes are rather cheap but look pretty good and the ending is predictable but nice.

Meek and mild Edward G. Robinson (as Wilbert Winkle) decides to quit his bank job and do what he wants, open a "fix-it" repair shop behind his house. Mr. Robinson is married, but childless; he has befriended local orphanage resident Ted Donaldson (as Barry). Young Donaldson is an eager workshop assistant, and sees Robinson as a father figure. Robinson's nagging wife Ruth Warwick (as Amy) is unhappy with Robinson's job choice, and conspires to return matters to her idea of normalcy. Their lives are further disrupted when Robinson is drafted.The war also disrupts what might have been an interesting story, as Robinson's character struggles against a domineering, unsympathetic wife. Possibly, filmmakers are showing how war can save marriages and positively redirect lives. Robinson and Donaldson are a likable team. Robert Mitchum has an inauspicious bit part. The ending "trick" played by Ms. Warwick and Donaldson is predictably staged.

Edward G Robinson is wonderful as Wilbert Winkle. A meek and short man that has several problems. A personality that is timid. An office job in a bank that curtails any creativity. A wife that is not very supportive. No children. A man so timid that he actually asks his boss if he can quit. A man that just exists and never makes a difference in this world. Could that change?Winkle decides to make a difference. He quits despite his boss. He wants to be "mr. fixer-upper." He has a boy by the name of Barry that he wants to help. A boy that is from a home-for-boys. Barry becomes the partner in the new business. Yes, life will be a challenge. Little did Winkle know just what was ahead in his new life.World War II needs men. Strong, tall, able men even short, old and timid men. Poor Winkle, his business and Barry will have to wait. His wife will have to wait, but then his wife didn't have much time for him anyway. Men die, men are wounded, would this happen to Winkle?A fine acting vehicle for Robinson to display that he can act. A film that you will enjoy!