Mr. Mean
Mr. Mean
| 01 December 1977 (USA)
Mr. Mean Trailers

With Fred Williamson as director and star of Mr. Mean, is there any question as to the identity of the title character? Williamson plays a former Cosa Nostra henchman who seeks greener pastures. Hiring himself out as a hit man, he immediately lands a job. His mission: wipe out his old boss. Filmed in Italy, Mr. Mean certainly fulfills audience expectations

Reviews
Solidrariol

Am I Missing Something?

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Livestonth

I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible

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Mabel Munoz

Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

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Erica Derrick

By the time the dramatic fireworks start popping off, each one feels earned.

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tnlamonica

I rented this movie many years ago and since then I have told many people about this movie because it is SOOOO funny. I try to take into consideration that this movie was made in the 1970's and probably had a budget of $1000.00 but still. There are so many mistakes, tacky scenes, and just plain bad scenes that you should rent it just for a laugh. It's kind of like James Bond meets ghetto. Rent this movie at least once for a good laugh.

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DrSatan

One would think that a Fred Williamson star vehicle, with Fred having the director's chair and the Ohio Players on the soundtrack would be a highly entertaining film. One would be wrong. This film is cluttered, boring, incredibly poorly acted. The villain is one of the least menacing I've ever seen-he's basically a pudgy shmuck. The only redeeming scene in the whole film involes Fred's giant medallion saving his life.

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Fred Sliman (fs3)

In the mid-70's, Fred Williamson began his own productions away from the big and mini-major studios that had been home to his best (and worst) films. After the Jesse Crowder duo and the really bad Mean Johnny Barrows, this one had a nice feel, good music, lots of smart and tough lines, and good action. Can it be stilted and rough-around-the-edges at times? Of course, but overall it's one of the better Hammers from his company and maybe the best of his directorial stuff.

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