Moss Rose
Moss Rose
NR | 30 May 1947 (USA)
Moss Rose Trailers

When a music-hall dancer is murdered, a moss rose marks the page of a Bible next to her body. Luckily, another chorus girl saw a gentleman leaving the lodgings. She approaches him directly, saying she'll go to the police if he doesn't meet her demands, but he brushes her off contemptuously. When he learns she's dead serious, he tries to buy her off with a thick wad of pound notes. But it's not money she's after; all she wants is two weeks at his country estate, living the life of a lady.

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Reviews
Hellen

I like the storyline of this show,it attract me so much

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Laikals

The greatest movie ever made..!

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Tockinit

not horrible nor great

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Raymond Sierra

The film may be flawed, but its message is not.

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gridoon2018

A distinguished cast (including a pre-horror stardom Vincent Price as a police inspector!), a clever "voice recognition test" sequence, and some plot surprises make "Moss Rose" worth your while, although it's quite slow-moving and somewhat derivative. The mystery resolution has some daring psychological implications. **1/2 out of 4.

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JohnHowardReid

Peggy Cummins (Belle Adair), Victor Mature (Sir Alexander Sterling), Ethel Barrymore (Lady Sterling), Margo Woode (Daisy Arrow), Vincent Price (Inspector Clinner), Patricia Medina (Audrey Ashton), George Zucco (Craxton), Rhys Williams (Evans), Carol Savage (Harriet), Victor Wood (Wilson), Felippa Rock (Liza), Patrick O'Moore (Gilby).Director: GREGORY RATOFF. Screenplay: Jules Furthman, Tom Reed. Adapted by Niven Busch from the 1935 novel by Joseph Shearing. Film editor: James B. Clark. Photography: Joseph MacDonald. Music: David Buttolph. Costumes: René Hubert. Producer: Gene Markey.Copyright 8 June 1947 by 20th Century-Fox. New York opening at the Roxy: 2 July 1947. U.K. release: 22 September. 7,374 feet. 82 minutes.COMMENT: One of my favorite mystery thrillers of the 1940s, this is an incredibly lavish production from Fox's "A" unit, brilliantly handled by up-and-down director, Gregory Ratoff. In a gripping plot, raised against a fascinating Victorian background, and laced with deft dialogue, a group of compelling characters are enacted by Price, Barrymore and yes, Victor Mature, giving the all-time best performances of their lives.

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PrairieCal

Various internet sources state that the film "Moss Rose" was based on the Joseph Shearing novel, "The Crime of Laura Sarelle." This is simply not true as any reading of that novel will clearly show. The 1947 film "Moss Rose" was based on the 1934 Joseph Shearing Novel, "Moss Rose." And although the film plot varies greatly from the novel, the basic story is quite similar and many of the same character names were used in the film. The novel was based on the 1872 murder of a London prostitute, well before Jack the Ripper appeared on the scene.Incidentally, Joseph Shearing was one of many pen names used by Marjorie Bowen (another pen name) who was born Gabrielle Margaret Vere Campbell and later married Arthur L. Long. She wrote many thrillers, romances, and novels of the supernatural, all under various pen names.In any event, the film "Moss Rose" exudes Victorian/Edwardian atmosphere and suspense and is well worth watching. Truly, they don't make them like this any more.

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ottoflop

Gabrille Margaret Long, writing under the names of Majorie Bowen and Joseph Shearing wrote many fascinating novels based upon actual murder cases using her own interpretations as to what actually happened and who was really guilty. This novel and film "Moss Rose" is based upon an 1873 murder of a prostitute named Buswell, which was never solved. Other Shearing novels turned into films around this time are "Blanche Fury" and "Mark of Cain ("Airing in a Closed Carriage" based upon the Maybrick case).Shearings novels are very hard to adapt and the film "Moss Rose" differs very much from the novel. So much so, that outgside of the basic idea it is almost a complete revision of the novel. Nevertheless, this film is very well produced with the sets and costumes capturing the late Victorian ambiance and a outstanding performance from England's Peggy Cummins. She captures the spunky cockney persona of "Belle Adair", while showing the vulnerability of a young woman alone in the world and making her way during an era of very closely defined social classes. Even when she is blackmailing a aristocratic family, she is still likable.All in all, very well done and well worth watching.

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