Model Shop
Model Shop
PG-13 | 11 February 1969 (USA)
Model Shop Trailers

While trying to raise money to prevent his car from being repossessed, George is attracted to Lola, a Frenchwoman who works in a "model shop", an establishment that rents out beautiful pin-up models to photographers. George spends his last twelve dollars to photograph Lola, and discovers that she is as unhappy as he.

Reviews
Diagonaldi

Very well executed

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SeeQuant

Blending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction

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AshUnow

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

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Phillida

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

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Danny Blankenship

This film often airs from time to time late night on TCM's and I must say that "Model Shop" is one of the better and more underrated films of the late 60's. It's in a way a love story however it's not without an emotional struggle of decision and choice in a time of an uncertain world.Set in Los Angeles, California Gary Lockwood is a young man named George Matthews and he's a little hopeless as he's broke and about getting ready to be drafted into war. As his only fun is the sunny California beach and taking cool rides in his nice car. On the side he has a sexy colored bra wearing girlfriend Gloria(Alexandra Hay)who he really wants to leave.Now if you think that's enough on Gary's plate wait till he meets Lola a well to do French divorcée and it's like love at first sight he's fallen for her in uncertain times . It's now choices and decisions and as in life Gary will have to live with the consequences good or bad. Overall well done film for the late 60's really an underrated B classic.

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tentender

I note the many laudatory reviews here and the general tone of those on amazon is similar. I'm sorry, but don't make me laugh! This is a stinker from the word go, that is unless you want to overlook the two most basic elements of film story-telling, to wit: (1) a coherent and preferably imaginatively dialogued script and (2) competent acting. As a follow-up to the brilliant "Lola" and the virtually undisputed masterpiece "The Umbrellas of Cherbourg" -- in the sense that all three films have characters in common -- this is shocking. I think perhaps it will suffice to say that Jacques Demy (who is not only director but co-writer) was not quite comfortable with the English language at the time he made this, his only American film. The same can obviously said of Anouk Aimee, giving a perfectly ludicrous performance (the "model shop" scene, especially, where she gets into supposedly alluring poses for her client's camera must be seen to be believed). Alexandra Hay, however, has no such excuse. She is simply dreadful. As George Cukor unflinchingly said of co-star Aimee, "The lady simply can't act." But I have given this film two stars, and there are two reasons. One: co-star Gary Lockwood (really the top star, though second billed; there is not a frame of the film in which he does not appear), though not a very skilled actor, tries his best, and watching his stuff flop around in his tight jeans (no underwear, as is made clear when he puts his pants on in the first scene) is at least something to concentrate on. He also has a very, very cute butt and looks damn good with his shirt off as well (two scenes). If that is enough for you, then you may enjoy this film. The other reason is that an excellent late 60's rock band, Spirit, not only wrote the soundtrack (supplemented by a number of Classical selections), but appear in the film in one brief scene. They can't act, either, but it's a nice documentary moment, catching them just as they were making their mark. It's rather endearing. My final complaint: Sony's insulting packaging -- super ugly, too.

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Arlene Bowman (Dinehfilmmaker)

Just viewed the Model Shop, 1969 last night but not all of it because I suddenly switched it on TV, Ted Turner Classics on cable. I liked it a lot. I have not seen a lot of the other films Demy made, but I've seen the other new wave films made by other filmmakers. I really like that period of film-making. Luv it. Someone's comment said, he or she didn't the romance between Lockwood and Aimee, that it was chilled, but I liked it because of that. I liked it's slowness, the late sixties time, the long takes as Gary Lockwood drove his car around LA, the whole look. I lived in LA, not in early 70's but during the late 70's-94. I miss LA a lot. Sometimes I hated it living there for several reasons, but sometimes I really liked it. Seems like I grew up there in my adult life. I knew most all of those streets or was familiar with a lot of the the streets I saw in the film where the character Gary Lockwood drove around.

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writers_reign

Jacques Demy has one hell of a sense of humor; he took Anouk Aimee to California and signed up a team of Sequoias to play opposite her, in support of Gary Redwood (oops, sorry, Lockwood). This has to set some kind of record for the most wooden screen acting EVER. By comparison Lola, the earlier Demy film featuring Aimee as the same character, was a masterpiece to rank alongside Citizen Kane. Actually Lola was a pretty good 'small' movie and it's nigh on impossible to believe that Model Shop is the work of the same man. Aimee is, of course, a fine actress and was well established at the time she made Lola but here it's a case of one filet mignon and a handful of low-grade hamburgers. Don't waste your time.

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