Me Without You
Me Without You
R | 01 November 2001 (USA)
Me Without You Trailers

During a long, hot summer in seventies London, young neighbors Holly and Marina make a childhood pact to be friends forever. For Marina, troubled, fiercely independent, determined to try everything, Holly stays the only constant in a life of divorcing parents, experimental drugs and fashionable self-destruction. But for Holly, a friendship that has never been equal gradually starts to feel like a trap.

Reviews
GurlyIamBeach

Instant Favorite.

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Megamind

To all those who have watched it: I hope you enjoyed it as much as I do.

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Mathilde the Guild

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

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Raymond Sierra

The film may be flawed, but its message is not.

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shopping_girl88

Hello! I'm analyzing Me without you and have a couple of questions. Were do you think in the film the conflict between Holly and Marina escalates? I have said when the conflict gets its solution is when Holly threat Marian to leave her and she tells her how see have felt during all these years. What do you think about that? And one more question... What do you think the director want to say with this film? Describe a friendship? That's what I should have said. But maybe he's just want to show how young people acts? I believe there's a deeper thought behind this film, but what do you think? Ihope you can help me! Thank you for sharing your thoughts with me!

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lola541

"Me Without You" is one of those films that's difficult to watch not because it's a terrible movie, but because it has the potential for greatness in its content and ideas but the execution is mediocre. Reading the plot description, I was hoping for the film to dive deep into the chaos that can be female friendships, but instead, I found a film too caught up in romantic subplots to really achieve this goal that it clearly aspires to.The film concerns Marina and Holly, two girls who grow up as neighbors and best friends. The film's episodic structure is separated into five different periods of the women's lives: childhood, adolescence, young adulthood, adult independence, and finally, motherhood. In the early periods, the two girls are inextricably bound, but their relationship suffers as a result of the insecurities of both characters leading to a power struggle between the friends.Marina, the more outspoken and wild of the two, makes a strong first impression, but soon, it becomes clear that her dramatic exterior masks a weak identity. In contrast, Holly is the more subtle and passive friend, but at her core, she is principled, passionate and ambitious in a way that Marina obviously admires but cannot replicate (though she certainly tries).These personality conflicts play out mostly through their relationships with men: Marina, for example, works to keep Holly from pursuing a relationship with her brother Nat, whom Holly has long adored. Also given much screen time is the sexual relationship that both girls simultaneously pursue with one of their professors. The triangulation causes drama with the ladies, further reinforcing their differences.My favorite thing about the film is that it chooses to explore these complex issues. So few Hollywood films really delve deeply into complex, female relationships. This film examines the problematic tension between the friends, rather than sugarcoating their bond like the typical chick-flick.What I disliked about the film was the execution and resolution. Rather than really focusing on the girls, their relationships with men are brought to the forefront. I would have liked to have seen other manifestations of these issues, rather than making men the catalysts for all the trouble. Furthermore, the resolution of the film is a bit weak. The women sever their ties, but little is told of how their break affects them. A whole movie could be written about the fallout of the break, and yet, the filmmakers leave it almost entirely up to the imagination.Thanks to great performances, good subject-matter, and interesting cinematography, the film isn't a complete wash. I'd recommend it to any woman (which mean practically every woman) who has suffered the heart-ache of a dysfunctional friendship.

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bpjanice

I've always been a huge fan of British films and 'Me Without You' certainly didn't let me down. It doesn't only show vividly the agonies and struggles of growing up from a girl to a woman, it also presents the joys in a way that all can identify with. I believe most can empathize with Marina, when she tore up the letter Nat wrote to Holly, or when she tries her very best just so that she can have Holly all to herself. Friel forces us to come face to face with the Marina in ourselves. Williams deserves more credit for her stunning performance in the film. Undoubtedly, her quiet and reserved way of playing Holly has found itself into the hearts of many, especially with her desperate yearning for Nat.To term this epic a 'chick flick' is certainly doing it and its actors great injustice. I walked away after watching it for the third time saying, 'God, I love this movie.' Kudos to the writer and director!

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susan-191

A real look at women with depth and foibles sustaining a friendship- Why is this so rarely done? The details are succinct and amazing. This is what real people look like and act like- when they're tired, confused, angry, jealous etc., etc. No glossing. By showing the 'bones' of the characters' neuroses the evolution of the people themselves and their friendship becomes complex and satisfying. And,hey, the period details are fabulous- I was right back there with them wearing tarty, tatty club clothes and listening to Adam Ant with fake pirates. Loved this movie.

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