This is a tender, generous movie that likes its characters and presents them as real people, full of flaws and strengths.

The film makes a home in your brain and the only cure is to see it again.

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

Three astronauts (Richard Crenna (in charge and tries to hold a steady resolve despite what his three man crew is up against), Gene Hackman (who spends an exorbitant amount of time holding onto his sanity), and James Franciscus (seemingly always held together, calm, and confident despite the obstacles before them)) are stranded in orbit around the earth after a mechanical failure to their retros leaves them stranded in space awaiting a hopeful rescue mission before their oxygen runs out. It will be up to an experimental craft (piloted by David Janssen who is vocally outspoken and assertive in his desire to save the astronauts which earns the ire of his superior, played by Gregory Peck) and a Russian cosmonaut in a capsule if the astronauts will have any chance of surviving. Peck, as the NASA man in charge of the space mission, encounters a number of ensuing crises he will need to avert in order to be successful in rescuing the three men trying to remain calm and docile so they conserve what little oxygen still available to them.I think Apollo 13 (1995) will come to mind when viewers watch Marooned (1969) as the plots are similar in ways. Astronauts "trapped in space" while NASA scientists and the "think tank" try and come up with a plan of action to save them is a ready-made plot which should be, you'd think, an easy sell for an audience. I have to say that I'm one of the majority critical of the laborious pace and clinical approach to the rescue mission; this film, as directed by Sturges, never quite finds that gear which engages and capitalizes completely on the suspense plot that might have, in different hands, been a home run. Still, the special effects and NASA assistance bringing an authenticity to the material (and presentation) are incentives to see the film. I think there's a good 100 minute movie dying to break out of the 130 minute running time. I think the cast is uniformly good…no breakouts, but I think the actors properly convey the frustrations, fear, and anxiety that come with the difficult situation that presents itself. Crenna's fate as he leaves the shuttle to make a "repair to the engine" (a share of dialogue between him and Peck imply more to this than what is presented on its face), Hackman's mental breakdown while talking to his wife, Franciscus' laid-back, all-smiles, psychologically sound astronaut who seems to take matters a bit more sufficiently despite the peril that remains an antagonist, the three wives (Lee Grant, Nancy Kovack, and Mariette Hartley) trying to keep their composure during what is a horrific ordeal, Peck and Jannsen butting heads over what to do to save the astronauts, the 42 hour rush-job to scrape together a ship capable of leaving the earth and meeting the shuttle in space, a developing hurricane which might cause the rescue mission to be halted, and the astronauts in the shuttle trying to hold it together although they have every reason to be distraught provide plenty of melodrama that help to bring a respectability to the film, keeping it from being a total disappointment. This being made during the height of the space program during the 60s gives it some gravitas, and I think the dialogue and inner workings of those involved in sending men into orbit and trying to get them back safely is handled efficiently by the direction and screenplay. I think the film's main hurtle for newcomers is the running time and pace…it just shouldn't be such a chore and bore, considering the plot.

The best thing about Marooned is Lee Grant. She's really wonderful in a tiny role as the wife of the commander.The worst thing about Marooned is that it's dated. Here's a sample line of dialogue that made me cringe: "Celia and I have been in this business 10 years. We learned that the best thing is for us girls to keep our feelings to ourselves and let the men get on with their jobs. Right, Celia?"This is a dramatic story about three astronauts stranded in orbit. Richard Crenna, the spacecraft commander, and James Franciscus, the science systems astronaut, are very good. I especially liked Franciscus. Unfortunately, Gregory Peck is kind of stiff and stoic as the man in charge. Gene Hackman is the Apollo guidance pilot and as he gradually goes crazy, I'm not sure if I didn't like his acting or I didn't like his character. Anyway, I did not enjoy watching him.The makers of this movie went to great lengths to be very accurate in their depiction of mission control, the Apollo capsule, costuming and such. Great production values all around. The storm looks really authentic too. It won an Oscar for best visual effects in 1970.David Janssen plays an Air Force colonel who wants to launch a rescue mission against all odds. He's the heroic senior astronaut on the ground who wants to fly the X-RV into space to save them. It's never before been flown into space so there are some inherent dangers. When it's finally launched, it's actually a pretty thrilling sight. It's a very quiet movie and the pacing is kind of slow. It's not bad, but overall, the movie had too much technology and perhaps too much realism - it needed a bit more storytelling and drama.

Interesting and ambitious NASA what-if tale that builds in tension as it unfolds. I liked never-handsomer Gregory Peck as a space agency director who knows a rescue mission would be perilous and outrageously expensive, but PR and the president demand that he try.Gene Hackman, Richard Crenna, and James Franciscus do well as stranded spacemen who struggle from oxygen deprivation, temporary insanity, and the perhaps unlikely rescue tactics of a Russian cosmonaut bearing a flashlight and a US Air Force rocket ship.The film is extremely dated in its treatment of the astronauts' prim and demure wives, but it seems prescient in its handling of the ethics of space rescue. Weren't some of these questions discussed after foam falling from the Challenger caused its destruction during reentry?

This creepingly slow space drama was mainly conceived, I'd posit, as a showcase for the acting talents of the four leads: we're treated to Hackman, Crenna and Franciscus playing the astronaut trio trapped in space, and Peck as the no-nonsense controller back on the ground whose attempts to return them to Earth make up the bulk of the running time.Sadly, 'bulk' is right when it comes to this movie: it's way overlong, with much of the length consisting of repetitive dialogue sequences or scenes which add little to the narrative. In some cases, it actually feels quite stodgy, especially during the lengthy mid section. I was often looking at the clock and wondering how much more of this I could sit through.Invariably, the special effects are quite dated and often look laughable in this day and age. Yet despite these detractions, the film does have a special kind of timeliness to it (considering the year it was made) which adds significance to the production. And I'll admit that things do get quite thrilling in the last half hour, when we're treated to the kind of suspense that should have been present all the way through.The actors are the main reason to tune in these days: it's hard to fault any of them, but I think Crenna gives the best performance of the lot as a compassionate family man. Hackman is almost unrecognisable in comparison to the later tough, mannered character actor he became, and as always Franciscus seems to me to be underrated. Peck is very good too, but then that's a given.