Magical Maestro
Magical Maestro
NR | 09 February 1952 (USA)
Magical Maestro Trailers

After he is rejected by the Great Poochini as an opening act, Mysto the Magician gets his revenge by conducting his next operatic performance.

Reviews
Exoticalot

People are voting emotionally.

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ThrillMessage

There are better movies of two hours length. I loved the actress'performance.

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Blake Rivera

If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.

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Billy Ollie

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

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TheLittleSongbird

Love animation, it was a big part of my life as a child, particularly Disney, Looney Tunes and Tom and Jerry, and still love it whether it's film, television or cartoons.Also have much admiration for Tex Avery, an animation genius whose best cartoons are animated masterpieces and some of the best he ever did. 'Magical Maestro' may fall short of perfection, with cutbacks showing in some background art limitations and a few of the characterisations not being for the faint-hearted, but regardless it is so creative, so entertaining and so cleverly constructed with an amazing soundtrack and Avery's unique animation style still coming through that it is still one of his best. The theme of 'Magical Maestro' is a familiar one, but this is one of the best cartoons to use the theme with a wonderfully unlikely duo of lead characters.Besides, there are far worse-looking cartoons than 'Magical Maestro' and cartoons that offend much more. Found myself still admiring Avery's character design and the rich colours and also admiring that the uncut version didn't play it too safe.The two lead characters have terrific comic timing and have the endearment factor, particularly Poochini. The voice acting throughout shows the likes of Daws Butler and Carlos Ramirez at the top of their game.Avery does a wonderful job directing, with his unique, unlike-any-other visual and characteristic and incredibly distinctive wacky humour styles all over it as can be expected.Once again there is nothing sadistic or repetitious, instead it's imaginative, wonderfully wild and hilarious with some inspired transformations and caricatures.Limited backgrounds aside, the animation is colourful with some inventive expressive moments. The music, courtesy of Scott Bradley, is lushly and cleverly orchestrated, with lively and energetic rhythms and fits very well indeed, while the pre-existing music choices (including "Largo Al Factotum", perhaps the most famous operatic aria in animation) are even more amazing and used so well in providing a lot of the humour.In conclusion, musical magic. 9.5/10 Bethany Cox

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jonathan_zuckerman

Presto the Magician is a sapient dog-person who can make flowerpots and rabbits appear out of thin air. He decides, rather impulsively to audition for Poochini, another sapient dog-person who sings "Largo al Factotum" on a bare stage, dressed in a tuxedo. Presto thinks the tenor needs an opening act, and he's the guy to provide it! Poocini rudely kicks him out, and Presto decides to take revenge by impersonating the conductor of the orchestra in order to play tricks on Poochini as he performs. He puts the conductor in a trance and leaves him hypnotized, standing at the back of the orchestra pit, bald, nose less, and in his long johns.Poochini sings and Presto changes him into different styles of singers with comical results. His two rabbits appear on stage to add accompaniment as Poochini changes into a lot of crazy things. When Presto's wig falls off during a high note—Poochini gets his revenge.

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cstotlar-1

If this isn't the very best of all the Tex Avery cartoons, it's certainly near the top of the list. There isn't a second to spare in this constantly inventive cartoon. Everyone seeks out the hair-in-the-projector gag but there are so many more. It's true that some of the jokes haven't fared too well and have managed to offend some viewers these days. Anything that is not praise is somehow bad. The solution to this, I suppose, would be that no humor aimed at any group of people should be allowed, or better yet, no humor aimed at any individual. That's certainly the safe course. No one would be able to take offense at anyone, ever! Thank goodness this was made at a time when people could look at themselves and find humor...and even laugh on occasion. We could ban Elmer Fudd because he stutters or Daffy Duck because he has a lisp. The list is endless. Just imagine - Pepe Le Pew taken out of circulation because he's a skunk with a French accent! How utterly insulting to an entire country and anyone in the world with a drop of French blood...Curtis Stotlar

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kydar

One of the best gags of the toon, IMHO, is the stray fleck on the film. We've all seen them in old films, but nobody would ever expect what happens with this one!

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