SERIOUSLY. This is what the crap Hollywood still puts out?

Self-important, over-dramatic, uninspired.

I saw this movie before reading any reviews, and I thought it was very funny. I was very surprised to see the overwhelmingly negative reviews this film received from critics.

Unshakable, witty and deeply felt, the film will be paying emotional dividends for a long, long time.

I will try to be gentle here . . .Have worse movies ever been created in all of known human history? Possibly, but as a sort of comparative reference, the all time "worst movie ever" classic - Plan 9 from Outer Space - could be rated as a seriously produced example of fine filmcraft.This film Lying is so odd, completely lifeless, thrown together attempt at something possibly resembling a plot, that it deserves its own rating category.Not only is the film itself beyond ridiculously awful, but on the DVD there is the added "interview" with the director, conducted with such serious, way over the top pretentious self absorbed pseudo importance supposedly associated with this production.This is the extreme outer edge of unintended comedy . . . a Monty Pythonesque parody - only this was actually intended as a serious interview.The rating category of 1 (awful) isn't low enough to actually represent the rating of this pathetic non-entity attempt of filmcraft.I would suggest less than zero, perhaps somewhere between -3 to -5.The one positive thing I could say for this film? It could be a good cure for insomnia . . .

I am giving this movie a 2 because it had good set design and the make up artists did a pretty good job.This movie was awful, my girlfriend wanted to rent it and I would not bother writing a bad review if it was just some chick flick but this is not the standard girls get together and discover themselves or learn to love each other. Nothing happens in this movie, the interaction is dry and frankly unbelievable, everyone acts like they are on some kind of hardcore anti-depressant.Honestly the people who like this movie are the people who have never seen a good art film before. The scene with the babies was pretty funny but other than that this film cheated to get that 5.8 rating it has because no one in their right mind could rate this as a 10 unless they are trying to bump its rating up.You will feel blue-balled after watching this movie

LYING is a fey and contemplative film which attempts to examine the various levels and applications of deception. Megan, played by Chloe Sevigny, is a young woman who is obsessed with control. She honestly feels that if she is allowed to dominate and dictate events, everyone will benefit from her machinations. Her behavior is certainly neurotic, but her intent is not malevolent. The story is set on a beautiful country estate in upstate New York, and on an Indian Summer weekend, Megan invites three friends to relax and work on a short film project. The entire weekend is predicated on several falsehoods which the girls must accept in order for the prevarication to become real. Megan's actual mission is to see if she can induce her guests to enter a hypothetical world of her construction. The film is paced very slowly, almost hypnotically, and information is divulged sparingly which tends to heighten the effect of never knowing exactly what to believe. This film is not for everyone, but gradually and by degrees, LYING does enable the viewer to contemplate the art of manipulation. If you liked the classic Australian art film, PICNIC AT HANGING ROCK, you will probably appreciate what M. Blash, the writer/director, has attempted in LYING.

I recently had an opportunity to see "Lying" written and directed by M. Blash (What's with the M. btw). I was initially attracted to this film because of Chloe Sevigny, Jena Malone and Leele Sobieski, all of whom I'm a fan of and none of whom disappointed in this film. Lying is an effortlessly realistic depiction of what it would be like to go on vacation with three other people you hardly know. The "organic" conversations; sparse, almost awkward dialogue which shows how women interact with other women who are basically strangers. The tranquil countryside setting is so beautiful, and it is a perfect backdrop to the storyline.As a viewer, I felt like I was on the vacation with these women; drinking wine, eating home-cooked meals alfresco, and exploring the nature that surrounds the spectacular home that they are visiting.The cinematography is very well done. It is simple, yet elegant. The emphasis on the mundane; such as making coffee, truly makes this film appear that it is following some of the neo-realist aspects of film-making. The shots are well put together and thoroughly thought out. The use of natural light makes the movie really come to life. The rose colored sunsets, the bright yellow sunrises, etc.The performances are so understated, that they are completely realistic. Chloe Sevigny gives a truly magical performance as Megan. She floats through the scenes, breezing through the light conversations as if these were words that she would just be saying anyway. Her performance is utterly natural.At the end of the day, the film is about coming to know other people's intricacies. It is a slow-paced journey through a sublime weekend in the country.I would absolutely recommend this movie. It is the perfect summer film to watch while drinking a glass of wine and reclining on your chaise lounge.