Waste of time

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

The first must-see film of the year.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

LUST IN THE DUST aspires to be a Western spoof, but the fact is that it's just not that funny. Divine plays Rosie Velez, a former dancehall girl who embarks on a journey to Chili Verde. Along the way she meets Abel Wood (Tab Hunter), a mostly silent gunman who is clearly meant to be a parody of Clint Eastwood's "Man with No Name" character. The first half-hour of the movie is OK and had some good one-liners, but once the plot kicked in the movie got really boring and hokey. The drive for the plot is a stash of gold hidden somewhere near Chili Verde, and people have been looking for it a long time. Also included in the mix is an outlaw gang and a "cantina" owned by Marguerita Ventura. All of these people are after it, and all they have to go on is a limerick that's been passed down for 30 some-odd years. Despite the obvious flaws, there were some positive elements be had. Among them are Divine, who does play a more subdued character than usual, but still gives an interesting performance. There was also a small role early on with Henry Silva playing a Mexican, although the humor derived from him was mostly due to the ridiculous accent he puts on. There was also a couple of songs, each sung by one of the leading ladies. Other than that, the movie was a mess plot-wise, and the ending was entirely too convoluted and drawn out. It's a shame that Divine didn't live longer because it was at this point that she really came into her own as a (semi-)serious actor. The material she was given to work with wasn't too great, but it's worth at least one viewing for her fans. For everyone else, it probably isn't worth your time.

LUST IN THE DUST (1985) is a very entertaining campy B-western from the 80s. It is just another reminder of how much fun movies were back then. When a campy movie comes out now, it's either unintentionally so, or even if it's intentional, it's BAD camp that's almost unwatchable because the filmmakers overdid it. With this movie, they really seemed to know what they were doing, so Lust in the Dust is GOOD camp! Director Paul Bartel made a completely confident-in-itself sleazy, gritty Western parody and it is a total winner! This was easily his best directorial effort. The dialog is actually very sharp, tongue-in-cheek, and witty and the film itself is a hoot! The actors really do a great job of playing the winning script to the hilt. I think this movie contains the best role of all of the main actors involved. Tab Hunter perfectly essays the "Clint Eastwood" role of the film, the quiet, tough loner who says very little and conveys a tough-guy reserve. The infamous transvestite Divine is at his deadpan best playing the key role of the voracious and bombastic Rosie. And Lainie Kazan is incredibly sexy and funny as the hot, luscious, and lusty (pun intended!) cantina owner Marguerita. I don't think Kazan was ever this sexy before or since this movie! The supporting cast plays their roles extremely well also: Geoffrey Lewis, Nedra Volz, Gina Gallego, and the iconic Cesar Romero. Also, groundbreaking Western legend Woody Strode gets a cameo! The actors' dedication to their characters is commendable.Lust in the Dust is an extremely FUNNY movie with more laugh-out-loud moments and dialog than many a mainstream A-level comedy. There are 2 absolutely hysterical singing bits done by Divine ("These Lips") and Lainie Kazan ("South of the Border") that are a real treat. A true B-movie in every sense. Highly recommended.

They sure don't make them like this anymore - A comedic musical western about two buxom women, each with part of a treasure map tattooed on their butt. As a cultural oddity of the 1980s, Lust In The Dust stands alone as a truly bizarre collision of the mainstream and the underground.Lust In The Dust owes much to the then emerging popularity of John Waters and his Dreamland players. I don't think it is a coincidence that the film reunites two of the stars of Polyester - transsexual goddess, Divine and weathered heart-throb, Tab Hunter. However, while Polyester merely tested the waters of the mainstream, Lust In The Dust jumps right in with a cast of recognisable actors and a comparatively inoffensive plot line. The result is sometimes awkward and occasionally frustrating, but also frequently hilarious and utterly compelling.Paul Bartel could not have chosen better leads. Divine was really at the height of his powers as Rosie. Rosie is a luscious siren, who positively steams up the screen. Divine was a master at physical comedy and Rosie's facial expressions are priceless. Lainie Kazan more than meets the challenge as Rosie's rival, Marguerita. Lainie, now better known for mush like My Big Fat Greek Wedding, shows why she is one of the best cult actresses in the business. Marguerita is a wonderful creation and her rendition of "South of the Border" (... "but north of my garter") is truly a showstopper. Lust In The Dust also provided Tab Hunter with a memorable role as Able Wood. Tab is smart enough to underplay his part in the presence of these two larger than life ladies and is all the more effective because of it.Lust In The Dust is a wonderfully offbeat example of the imaginative work being produced by cult directors in the early 1980s and holds up as a great testament to Divine's inimitable talent.

This movie aims for low humour, and it hits its target. Against all odds it entertains from beginning to end. The key to its success is that it proudly steers clear of anything resembling class or good taste. As far as cheap laughs go, you could do a lot worse. Oddly enough, by the end of the movie I was convinced that Divine should star in every single movie ever made.