As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.

I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.

It is encouraging that the film ends so strongly.Otherwise, it wouldn't have been a particularly memorable film

Opening on a horrifying bank robbery with clichéd dialog and much more violence than "Scarface", this second feature gets your attention right away and never lets go. The story of the risks taken every day by Hollywood stunt men and their women who worry makes for riveting drama. The superstitions of their craft leads to paranoia and a few tragedies. A fire sequence on a movie set is horrifying. In a way, the film has a serial feeling towards it. Stars Bill Boyd and Dorothy Wilson are fine, but stuttering Roscoe Ates is utterly obnoxious, first seen in blackface for no real reason. Fortunately, he is off screen for the second half of the movie. The film concludes with a fast paced car chase sequence that requires real skill from the film's real stunt men whom the script honors.

Lucky Devils (1933) ** 1/2 (out of 4) Last month I watched a short called Thrills for Spills, which focused on stunt players in movies and this film here features one intense stunt, which was featured in that short. This RKO film, based on stories by two real-life stuntmen, stars William Boyd as the leader of a group of stuntmen who always tells his men not to fall in love because this will get them killed in their stunts because their minds will be on their wife and not the job. Boys eventually falls for a woman (Dorothy Wilson) who never makes it in Hollywood and his love for her costs a stunt to go horribly wrong. Soon Boyd is without a job and when his wife needs $100 to get into a hospital he must try one of the most dangerous stunts out there for the money. This film is pretty silly but it moves incredibly well in its short 64-minute running time. Boyd is very energetic in his role and the supporting cast is just as impressive. Bruce Cabot and Lon Chaney, Jr. (still using his real name Creighton) plays two of the stuntmen and it's always nice seeing them in these types of roles. Roscoe Ates, the stutterer in Freaks, has a role here as well, which requires him to be humiliated throughout. The stunt scenes are all very well done and it's nice seeing a movie taking a look at these men who never get enough credit.

This is one of the most energetic of the non-Hoppy entries in Boyd's film resume. Here he's Skipper Clark, the nominal head of a group of Hollywood stunt men called, what else, THE LUCKY DEVILS... a bunch of hard drinking, womanizing guys who are full of superstitions. The #1 rule is a married guy can't be a stunt man, which is proven by the death of one of the newly married guys. Enter a beautiful-yet- despondent Dorothy Wilson, easily the best performer in the movie, who threatens the Devil's dynamic. I don't want to give away the plot, but the real interest is the behind the scenes look at early sound movie making. There's several extensive scenes (including a great opener) involving stunt work... many outdoors (along with some obvious rear projection stuff). Lots of talk about safety but you won't see anyone practicing it. Bruce Cabot's seen here as a stunt man, but it he's wallpaper, seemingly saving his voice for his part in then-in-production KING KONG... Creighton (Lon Jr.) Chaney looks 20 years younger than he would just 8 years later in THE WOLF MAN. Enjoy it and add up the felonies Boyd commits in the last 5 minutes of the movie...

A fun romp, Starring William Boyd, (best known as Hopalong Cassidy)about a group of Hollywood stunt men. The story by Bob Rose and Casey Robinson, two of the top stunt men of the era, follows the men through the up and downs of the stunt world in early films. Complete with a rousing song,sung several times in the film, about the trials and tribulations of the Hollywood stunt man, not unlike the "Fall Guy" theme. You get a glimpse of "state of the art" stunts of that time and it ends with William Boyd using all of his "stunt" skills to race from Big Bear back to Hollywood to make the birth of his child. It's fun, and gives a good look at old Hollywood as it plays as the backdrop for the story. Just a look at the size of the palm trees lets you know just how long ago this took place. Enjoy!