How sad is this?

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

Blistering performances.

"Love In Thoughts" is a beautifully made, yet ultimately pretentious, German drama based on an event in the life of the author, Paul Krantz (who published under the name of Ernst E. Noth).The film focuses on Paul's friendship with Guenter and his love for Guenter's sister, Hilde. This scenario is further complicated by the fact that Hilde is having an affair with Hans, a man that Guenter also loves. Paul and Guenter discuss taking their own lives, and those of their lovers, when their love has reached "it's zenith". Over the course of a weekend, Paul and Guenter are rejected by the objects of their affection and they reach the point where they have to decide whether or not to go through with their murder/suicide pact.My biggest objection to the film is the treatment of Paul and Guenter's fatalistic view of love. Their actions are treated as grandiose and tragic. Personally, I'm not sure what is particularly heroic or romantic about two losers who turn homicidal/suicidal when their imaginary lovers reject them. This problem is compounded by the fact that Hilde and Hans are so unappealing. Hilde is the town bike, who not only disrespects her brother's emotions but is also rude to her best friend. Hans, on the other hand, is a chef with bad teeth, who doesn't appear to have anything going for him at all.Despite the film's general pretentiousness and self importance, it does have many things to offer. Firstly, the actors. I enjoyed Daniel Bruehl's portrayal of Paul. He is a little bit pouty but the subtlety of his performance is a huge relief in comparison to August Diehl's hammy turn as Guenter. The film offers the chance to view another fine actor in Thure Lindhardt, who plays the creepy Hans. Furthermore, the film looks absolutely fantastic. The cinematography is stunning. The landscape is captured beautifully and a scene in which the teenagers get high on absinthe is wonderful filmed.This is an accomplished film but by no means a great one. Despite its significant beauty, "Love In Thoughts" is ultimately hollow and insubstantial.

'Was nützt die Liebe in Gedanken' ('Love in Thoughts'), while based on a true incident in Berlin in 1927, is a story about the confusion of adolescent hormonally driven needs and desires brought to the screen by director Achim von Borries based on a dramatization by Hendrik Handloegten, Annette Hess and Alexander Pfeuffer of the Steglitz Student murders. It is as much a tale of the decadent 20s in the Berlin that would breed the Nazi Party as it is a stirring thriller. And if think back to the times of this story, a similar theme was being played out in this country under the names of Leopold and Loeb! Strange crossover...Paul (Daniel Brühl) is a student poet from a working class family who makes friends with Günther (August Diehl) who is a gay and wild romantic from the wealthy class. Their common thread is their sense of rebellion against their families and the need for Byronic defiance in a world they find shallow. The make a 'suicide pact' - that once they discover true happiness in love, and knowing that true love cannot be repeated, they will commit suicide. The two lads go to the country home for a weekend party of drinking and carousing. Günther brings along his love Hans (Thure Lindhardt), a kitchen worker clearly not in Günther's social class, who begins having a sexual liaison with Hilde (Anna Maria Mühe), Günther's lusty, superficial, hedonistic sister. Paul is in love with Hilde, but at the party he observes her acts of sexual freedom and turns to plain Elli (Jana Pallaske) for his initial sexual encounter. When Günther realizes he has lost Hans to Hilde, the options of the 'suicide pact' play out in a gruesome way. Paul is left to tell the story, later becoming a novelist (condemned by the Nazis and thrown into exile).Achim von Borries manages to recreate this sick tale with all the feeling of Weimar decadence. It takes a while to get the characters straight, but once they are in place the development of each has a fearsome momentum. The young cast is excellent. It is refreshing to see a film that includes a gay main character whose sexuality is at the core of his life but at the same time the story is not focused on the gay character so much as being focused on all youth in a cumbersome time in history and in adolescent physiology! The film is in German with English subtitles and presents the actual events of the case in writing on the screen after the story is completed. Very Effective. Grady Harp

Three words would best describe this movie - an incredibly beautiful drama! And although the director might've made a better use of the camera, this doesn't spoil the whole movie at all, for it has some very good actors and a brilliant story to boast with.The most promising young actors of contemporary German cinema - Daniel Brühl (as Paul), August Diehl (as Günther) and Anna Marie Mühe (as Hilde) - all make wonderful performances and tell the story of extremely tangled relationships, where love and happiness, pain and rage twist and turn their lives.Paul falls in love with Hilde, who, however, appreciates sex and fun more than love. At the time she seems to be much more interested in the ex-boyfriend of her brother - Günther, who himself is still in love with him, though, so, when the three of them decide to spend a weekend in their parent's summer house drinking and having fun and the ex eventually turns up, the passions simply get out of hand.Substantial for the further development of the story is a suicide club, that Günther and Paul found, based on the idea that we can be really happy only once in our lives and afterwards we're punished for that one moment of immense happiness by having the bitter memory of it. And since they consider happiness to be the essence of life, they decide that once this moment is over, they should kill themselves and the person who took them their happiness/love away, as well, before they feel miserable. And Günther does that.The beautiful scenery and the unobtrusive but still remarkable score make just the perfect finish to this beautiful story.Some viewers might find the paste rather slow, but I think that this is the only way to really get close to the characters and understand their motives. In conclusion, I wouldn't recommend this extremely poetic movie to everyone, but only to those lovers of the European cinema, who would appreciate something very deep, sophisticated and demanding.

"Was nuetzt die Liebe in Gedanken" is a very slow and intense film . The camera is awesome and the actors are doing a really good job. Although the film is set in the 1920th its focus is not set on historic details but on the timeless story of young men being in love. It's based on real incidents - Paul and his friend Guenther are in love. Paul with Guenther's sister and Guenther with his sisters boyfriend. Because they feel that their love will not be repeated they decide that once both are happy - they are going to commit suicide. During the whole movie there is that dark feeling creeping through the extremley beautiful pictures. It's a truly wonderful sad and elegant movie about unfulfilled love and the confusion of youth.