Touches You

If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.

By the time the dramatic fireworks start popping off, each one feels earned.

It's 2018 right mow and I never saw a movie like this. It's a real story, real pain and I felt it with all my body. I have no words, this movie is EXCELLENT!

The movie follows its intention rightfully, honoring its very title—Lost & Delirious. You get lost, you get delirious, and yes, just by watching the pungent storyline, pungent being the uniqueness, rather aberrant conundrum of the script. The spell gets lost, however, with debilitating performances of the cast, and particularly Piper Perabu (Paulie,) who got awry whenever it came to intense situations. The other actresses (Jessica Pare (Tori), Mischa Barton (Mouse)) didn't have very intense situations so it worked fine with them. Paulie, however, undermined the very serious notion of the movie, and while the script continued to hit audiences with vigor and might, her performance wasn't exactly congenial to it. By the way, Piper now is a wonderful and much better actress now than she was back then, so that's perfectly fine.Some very peculiar elements, like the raptor, the gardener, and the English Literature classes, and the very liberal and open-minded teacher, together with contradiction of thoughts and behaviors, for example, Victoria's recognition of intimacy with Pauline, but failure to go on with her because of family's inclinations, such as personal attitude and religious affiliations, are all very much applicable to real life, so that's a perfect insight of most high-school, and college students. And that's mainly why the movie continues to serve such profound individualistic influence amongst people so well bound under the society as a whole. And practically even, there's no way out, except private affairs, which again, come under the retaliation of conservatives, and thus, individualistic preferences are subdued with extreme prejudice for subcultures and down-the-road likenesses. The point is, Lost & Delirious tremendously inflects on subtle necessities and feelings of humans, and highlights the various turns, U-turns in fact, that cross them all, to simply relinquish possibilities of artificial success. So what it's really trying to say is that human is his own enemy. Artificiality kills the man. Our own traditions, lifestyle choices, cultures, and trends are the biggest traitors. They themselves are swords, which slowly penetrate our minds and senses to deprive us of the very happiness. Pauline, for example, is struck in awe of Victoria, and Victoria knew that her family is orthodox, but she continued the same-sex relationship anyway, but when she feared exposition, she turned away. Such is the impact of societal patterns. And I'm not being judgmental here, mind you, I'm only pointing out to the vulnerability of humans to their own decisions, but that's how it goes, and will for decades, and there's no bettering that. Not everyone is a bloody heretic.I understand that this review is being very unconventional, so much so that you wouldn't call it a review at all, but believe me, the storyline, although lacking numerous editing and refinery skills, is just heart-rending, and deliberately and undeliberately, I'm forced to take this detour, and mostly as a catharsis. It has this conscientious impact on me, and, presumably, on all of us. Lost & Delirious is the perfect vow to castigation of the very phenomenon of "tranquility." Mary's dad didn't come to the school function, Paulie got f**ked by Tori, Mouse had blood rushing through her veins (probably from the third party's frolicking,) Miss Fay was over-dramatically sensual in her reading of plays, everyone else were the typical dumb and judgy freaks about how lesbian relationships are stains on society. This among several other things—probably "seven deadly sins"—is what Lost & Delirious devotes itself to. I'm not saying that there was nothing wrong with the movie, there sure was, but everything was in the execution and certainly not in the moralistic aspects of the movie itself. So that's the bottom-line: Despite the six, this easily stands as one of the most memorable experiences I've ever had.

This movie would really make you feel sad and sorry for Paulie because she is over thinking the fact Tori broke up with her just as they were found out in bed together. I mean Tori shouldve taught her sister that anyone could fall in love regardless who it is unless they were people that are extremely evil and do wrong things! Could she have not thought of that?I was so hoping that Mouse and Paulie would be lovers with each other to calm her love sickness for Tori and think about themselves. Mouse had that golden heart for Paulie and I mean they should've kissed! I would have loved to have seen that and she wouldn't have sadly committed suicide! Its just so heartbreaking, really and truly :'(

I came across this film whilst channel hoping and so wasn't expecting very much; however, I was soon enthralled by it. The subject matter could have easily been exploited and the filmed turned into something seedy, but instead it is a sensitive portrayal of the difficulties of overcoming loss and rejection. The fact that the two main protagonists are female is incidental to the story of love and heartbreak and tragedy that unfolds. It is very well acted by all the cast, but Piper Perabo and Jackie Burroughs deserve particular mention. The ending is poignant and heart-rending, one can not failed to be moved by it. This film is everything that "Blue is the Warmest Colour" tries and fails to be.