People are voting emotionally.

A Masterpiece!

It's a mild crowd pleaser for people who are exhausted by blockbusters.

Good films always raise compelling questions, whether the format is fiction or documentary fact.

I'm a Pakistani and I know quite well what the people here laugh at. When I came to know about this film, I got interested in it. It was funny at times but it could've been way better. The fun part was also added by the Indo-Pak enmity, but still, there was too much that was missed which could've made it amazing. But a very original idea and good attempt for someone who doesn't know much about this region. This could've been quite popular here if proper research could've been done to actually know what people laugh at in the Muslim world, as it's really easy knowing about all this; it's very clear. But again, good attempt at an original idea.

Originally published on Jan. 16, 2006:In an inspired cinematic premise, especially in these times, Albert Brooks plays himself as a comedian asked to find out what makes a large portion of the world laugh.Of course, execution of this concept leaves a bit to be desired, but it does have its fairly funny moments, especially in the opening moments, when Brooks aspires to be the lead in a remake of "Harvey." He fails to impress the director (Penny Marshall) with his desire to be "the new Jimmy Stewart," and Marshall's phony, "I liked your work in 'The In-Laws'" doesn't help his ego, either.At home, he receives a letter from the State Department asking for him to be part of a special commission deigned to found out what Muslims construe as comedy. He goes to Washington DC, meets former Tennessee senator Fred Dalton Thompson (TV's "Law & Order"), and agrees to travel to India and Pakistan to see what makes the population laugh (despite his assignment to write a 500-page report on the topic).He leaves his lovely wife, Amy Ryan ("Capote," 'War of the Worlds") and cute-as-a-button daughter, Laura (Emma Lockhart, "Batman Begins") for a month's adventure - not for money, but for the opportunity to be awarded the Medal of Freedom ("the nice one - with the colored ribbon").Brooks makes the point some might bring up that India is basically a Hindi country, although over 100 million Muslims reside there (also, it's doubtful Brooks, as a Jew, would have been welcome in some of the more militant Middle Eastern countries).Anyway, he soon begins his patented celebrity whining on the flight to New Dehli, as he and his two State Department escorts, Stuart (John Carroll Lynch, "Gothika") and Mark (Jon Tenney, TV's "The Closer") are forced to fly economy class, and are then stuck in a rundown office. During these interior office scenes, Brooks keeps passing a roomful of phone operators ("There are two spin cycles on that machine," "Welcome to the William Morris Agency," "This is the White House, how may I direct your call") in another funny bit.After hiring a lovely Indian woman, Maya (Sheetal Sheth), Brooks begins asking people on the street what makes them laugh. He is given answers from "I don't know," to "I don't speak English and please don't touch me," to a long and involved joke about being happy and laughing. Not garnering anything from this effort, Brooks decides to put on a comedy concert for about 300 Indians. This segment is pretty funny, as well, as few in the audience understand the comedian's humor (he tells a lame Halloween "Gandhi" joke, does a really bad ventriloquist act and the old "changing the improve" bit) and have little or no reaction to it.Later, he sneaks into Pakistan and does the same routine for a group of stoned "budding comedians" who do not speak English (it's a huge success), accidentally starts an armed conflict between the two countries and is offered a part as a Hebrew man who moves into a mostly Muslim apartment complex in the inaugural situation comedy from al-Jazeera, "That Darn Jew." The bottom line of this movie is that Muslims really don't laugh a whole lot, especially if the jokes are not funny (I guess that could be said of most anyone) and they do not get the subject. It could have been even more biting and daring, but I suppose Brooks (who wrote and directed, as well) didn't want to rock the boat too much.I've liked most of Brooks' work (he was great in "Broadcast News" and deserved his Oscar nomination; and "Defending Your Life," "Lost In America" and "Real Life" were terrific films), and while some jokes fall pretty flat here (as does the weak subplot of Maya and her Iranian boyfriend), this is still decent work.Yeah, I would have liked to have seen him do his stand-up in Iran, Jordan, Kuwait, Egypt or even Saudi Arabia, but I understand his reasoning (sort of). Plus, I laughed more often than not, so, as a comedy, it did its job for the most part, at least in my opinion.

This is in many ways a thematic "sequel" of sorts to Brooks' first feature, 1978's "Real Life" -- Brooks essentially plays a version of himself, using his own name, and is making a documentary/essay type film -- so it's best to get comparisons out of the way quickly. It's not as good. But since Real Life is to my mind one of the funniest films ever made and along with Brooks' next three films, a masterpiece, this isn't exactly damning.I hate using the phrase "acquired taste", but if those words do have any meaning then surely Albert Brooks' works as writer-director-star all qualify for the adjective; his reviews have always been divided, the box office always mediocre-to-poor, his fans though as fiercely loyal as any. I count myself as one and am happy to report that after the disaster that was "The Muse", Brooks is back on firmer, funnier, and generally more interesting ground. The satirical premise here is that the US State Department, in trying to find new ways to open dialogs with those angry Allah-worshiping folks, have commissioned a study on what makes people laugh in the Muslim world. Right away Brooks is in his element as the simultaneously arrogant and egotistical, yet self-deprecating and depressed paranoid entertainer -- he learns very quickly that he's hardly the country's first choice for this mission, something that gets repeated often throughout the film. It's all the more humorous and (coincidentally) fitting that the head of the project is played by none other than 3rd-tier recent presidential candidate Fred Thompson, and that Brooks is first sent to predominantly Hindu India (I guess we'd like to know what makes the Hindus laugh too, they're important and they might hate us some day).If you know Brooks, you'll know that much of the humor from here on out will be subtle, low-key, and most of it at the star's expense, but the larger issues of American and Hollywood arrogance in the face of a different culture are never more than a moment's thought away. The bulk of the film has Brooks and his comely multilingual Indian assistant interviewing people on the street (the vast majority of whom speak excellent English, but strangely don't know Brooks' work at all, apart from Finding Nemo, staging a pretty unsuccessful standup show, and illicitly visiting underground Pakistani comics. Some of the best scenes involve Brooks' assistant's boyfriend, a jealous and insecure lover with both a suspicion of and fascination with western culture that is mirrored in Brooks' complex fears of him – as a potential terrorist (for no reason at all) and just as a boyfriend with a potentially dangerous misunderstanding.This all gets a little stale and wraps up rather unconvincingly, alas, but Brooks fans shouldn't fear, the man still has it – he may need some new ideas or insights to bring him back to the level of Modern Romance or Defending Your Life, but at least he's got me laughing again.

I really disagree with the Americans who thinks they can make fun out of anything anytime. I watched the movie from the beginning till the end. But it was such a pain in my brain. No funny scene at all. No acting, no technique, No nothing. I beg you people. If you adore the English "Coupling" series and really think that the American copy version sucks, then you can fully understand me about what I'm trying to tell here. American comedy scriptwriters, actors and directors are really successful when they are working on something original, something genuine like "The Mask". They do it great when they are the master of the situation. But if you don't know so much and learn about it in order to make a movie, then there is so much thats missing.