Instant Favorite.

I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

After playing with our expectations, this turns out to be a very different sort of film.

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

We have a young couple: Jerry(Robert Wagner) and Barbara(Barbara Bates), with baby, living with her parents Hugh(Macdonald Carey) and Mariam(Claudette Colbert), whose divorce will be finalized shortly. The daughter would like to continue living in her parent's house for some time, taking advantage of Miriam's expertise and energy in raising a child, and remaining in a familiar setting. Toward this goal, she tries to promote a reconciliation between her parents(Perhaps, Miriam, who will get the house, is more opposed to their remaining in her house). On the other hand, Jerry wants to move out as soon as possible into an apartment or house, to prove himself. Along comes millionaire Victor, an old flame of Mariam's, proposing marriage as soon as the divorce is finalized.Now, we have a huge inconsistency which is never explained. Victor and Miriam, after a day of fun, are in Victor's apartment. arguing about the advisability of a marriage. Miriam is adamant that she will never remarry. She can do without a man in her life, at least as a husband. Dating as friends might be OK. Victor has always been a bachelor, and she doubts he would be happy tied down to one woman. Finally, she's still miffed at his sudden disappearance from her life 20 years ago for no apparent reason. Perhaps this would repeat itself....Next, we switch to Mariam's house where the young couple are waiting anxiously for Miriam's return. Mariam bursts into the house with the news that she's going to marry Victor. What happened to make her change her mind?Another key inconsistency: When Victor keeps putting off their shotgun marriage because of a changing schedule of meetings in far off Washington D.C., Mariam eventually decides to call off the marriage. Any reasonable couple would have put off the short-notice wedding until after Victor's career-defining trip was over. Miriam got the idea that she would play second fiddle to Victor's career. She had had enough of this treatment with Hugh's addiction to gambling and babying his many prize rose bushes. When Hugh learns of the cancelled marriage, he renews his campaign to reconcile with Mariam. At first, she adamantly says no. But, after Hugh explains that he used loaded dice in his crap shoot with Victor to determine which would continue dating her, she suddenly softens and the implication of the fade out is that they will reconcile. Hugh further claims he will stop gambling to please her. Well, I don't know about that. It's a wonder she put up with his gambling for 20 years, except that he seems to do well, hence they aren't living on poverty row. As long as Mariam is mightily bothered by his gambling, I think they would be better off living as singles, dating one another occasionally. Of course, too many films of this era wanted to force a happy ending after an hour and a half of turmoil. In many cases, I wouldn't give the reconciliation much of a chance of sticking. Claudette, at age 48, playing a woman 10 years younger, is still very much a knockout. Cary(Hugh), as well as Scott(Victor) were both tall and aristocratic-looking. Cary mostly played leading men and second leads in "B" pictures. Later, he starred in the long-running TV sitcom "Days of Our Lives". Scott somewhat reminded me of Clark Gable in looks, with his moustache. He was mostly a leading man or second lead. I most remember him as the lead in "The Southerner".Barbara Bates was very shy as a girl. Despite winning a beauty contest and a Hollywood contract, she became increasingly insecure and despondent over time, made worse by the death of her husband and agent, whom she was very dependent upon, psychologically. Some years after a failed suicide attempt, she succeeded, at age 44. Interestingly, her character here seems insecure in dealing with her baby, heavily dependent on Mariam for advice and help, and not wanting to leave the house that had always been her home. At this stage, Marilyn Monroe was still a bit player, serving as eye candy. Of course, like Barbara, she would exhibit increasing mental instability with age, eventually apparently succeeding in a suicide. Here, her character is inconsequential to the plot, briefly appearing 3 times. She wants Hugh to help her get the attention of Victor, as a would be gold digger. She's always seen with Hugh, even dancing with him, but with no hint of a romantic attachment.Currently available in the Marilyn Premiere Collection, with 16 other films.

The two main male characters are both pursuing and fighting over the older woman (Claudette Colbert) and ignoring the charms of the young bombshell (Marilyn Monroe)! Surely that is a progressive and unusual story line for 1951, maybe for any era. Colbert and the two men do fine work, and Monroe looks great and does a few funny physical bits in her small role (it is absurd that the DVD is promoted as a Marilyn Monroe movie). Great period costumes, decor and language, too. This is an entertaining, sometimes funny '50s film with a strangely progressive bent, a strong older-woman lead, and some interesting character quirks (how can you not love a guy whose passions are horse betting and rose cultivation), plus a Marilyn Monroe cameo.

I bought this DVD at cut price and only recently watched it. Had no ideas about it - Marilyn was on the front of the case but as has been mentioned before, that was dishonest marketing as she is a minor supporting actor. The main stars, Claudette Colbert in particular, shine and it's a lot of fun. Yes, the story is silly - it's a 1950s comedy - and the acting would not win Oscars, but it's a 77 minute smile that turns into a giggle now and again. The clothes are divine and the story swims along merrily, with a highly likely ending. Pity about Macdonald Carey, he was like an American Carey Grant, and could have done well in movies, but seems to have concentrated his career on TV.

It's not beyond the realms of possibility that some future Cultural archaeologist will note the large percentage of timber amongst actors of the late forties and fifties. God knows we had our share in England; Keiron Moore, John Gregson, Richard Pasco, Laurence Harvey, Michael York, but the virus was just as active in Hollywood, John Derek, Wendell Corey, John Ireland, Gary Merrill to name only a handful. Hugh Marlowe even managed to luck into two 'classic' films in the same year (1950), having featured roles in both All About Eve and Twelve O'Clock High. Here we have another in the shape of Macdonald Carey. Sending him in as leading man against Claudette Colbert is like sending in Banksy against Toulouse Lautrec. The poor sap hasn't a chance. You're never wasting your time watching Colbert (well, hardly ever, Texas Lady anyone) but apart from a roster of mostly uncredited 'character' actors she's the only decent thing in this piece of cheese albeit it was co-written by Izzy Diamond and directed by Richard Sale. Robert Wagner is an embarrassment, Barbara Bates a disaster, Zachary Scott walks through it and ... oh the hell with it, cross it off your list.