That was an excellent one.

Surprisingly incoherent and boring

It's fun, it's light, [but] it has a hard time when its tries to get heavy.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Adam (William Hurt) is an architect struggling to find money for his latest project. He refuses to accept his aging. While his wife Mary (Isabella Rossellini) is trying to adjust. They are not getting along. And the grown kids notice the friction.It's not a particularly lovable couple. That's my first impression. Nothing in the movie changed that impression. And the ending rang hollow. It felt like it came out of nowhere. I'm not sure if this was supposed to be funny. At least, I didn't get the humor. Rossellini fumbling with her pool noodles was head scratching. The movie really needs somebody with comic timing either in front or behind the camera. This movie had neither. I wish this was a better movie. The two great lead actors deserve a better movie. It just never gel. They really never got the chemistry right.

LATE BLOOMERS (dir. Julie Gavras) A rather tepid film concerning the emotional problems of growing old. William Hurt and Isabella Rossellini play an extremely rich married couple who question what they have done with their lives, and now that they are approaching sixty, time is running out. I find it difficult to empathize with people who have so much money, influence, and power, but feel that something is lacking. They certainly have more than the vast majority of humanity, yet they continue to fret. Why should I care? Of course, many are anxiously concerned if Rob Kardashian will actually make a commercial success of his new line of socks.

Late Bloomers sounds like a good idea: a film about growing old, treated with humor. A director with a well-known name – Gavras – and actors such as Isabella Rossellini and William Hurt. The ingredients are all there and yet the final dish is unappetizing. What has gone wrong? I saw the movie at a special showing in London, with Ms. Gavras present. The theater – Cinema Lumière, at the French Institute - was absolutely full. After ten minutes, I knew it was going to be a struggle to stay to the end. Nobody was laughing. On screen, what should have been rapier wit turned out to be blunderbuss jokes. The approach was obvious and the humor was primitive, to say the least. Isabella Rossellini is Hurt's wife. She realizes one day that they have become, well, old. And she starts a campaign to minimize the effects of old age: she has handicapped kit installed in their bathroom, she buys for her husband a telephone with large, easy to see buttons, etc. This is supposed to be very funny. Worried that the suffers minor memory losses now and then, she follows her doctor's indications and goes to water aerobics, where lots of people in a swimming pool jump up and down, following an instructor's indications. She is out of step and jumps up when everybody else is jumping down. Again, supposed to be very funny. The whole film suffers from "in your face" attempts at being funny, which it ain't. When it ended, we had been told Ms. Gavras – the director – would appear on stage to answer questions and talk about the movie. Half the audience left the theater in a hurry, including my wife and me. We talked to a few of the people leaving the place and they all told us "It was bad enough to watch the movie… who wants to talk about it?". If only somebody like Woody Allen had directed this

Julie Gavras, the daughter of Costa Gavras, the famous French director of Greek origin, was noticed for the qualities of her first movie 'La faute à Fidel !' (2006), a witty coming of age story dealing with the negative repercussions of political involvement on family life. Her second effort in the area of feature films is entitled 'Late Bloomers' and although it proves a notch below 'La faute à Fidel!', this comedy with an edge partly confirms the young writer- director's talent. Her new film, which could be called a "coming of old age story", concerns a couple of people turning sixty. On the one hand meet Mary (Isabella Rossellini), a retired teacher who, wishing very hard to be ready for old age, decides to keep ahead of her future condition and to force this attitude on her husband , trying to make him the diminished person he will become later. On the other, there is Adam (William Hurt), an energetic architect who tends to ignore the weight of years and takes on a new project which may be too big for him. In any event, Adam gets so fed up with his wife's radical approach to old age that he ends up leaving her. But no need to worry too much, this is a comedy and a happy ending is in store for this pair of young/old terrible lovers. As she had already proved in "La faute à Fidel", Julie Gavras has a knack for tackling a serious unsettling subject in a light tone, thereby "helping the medicine go down', as another Julie (Andrews) would have sung. And there is value added in 'Late Bloomers' compared with this first opus since this time the film was made in London, in the English language, with a stellar cast and sparkling dialog. Nobody can say no to witty lines delivered by the delicious Isabella Rossellini, the always reliable William Hurt, the vivacious Doreen Mantle, and many others including 4x20 year-old Leslie Phillips, all excellent. In that context, the first half, a clever mix of biting one-liners and relevant observations on the aging process, borders on perfection. Unfortunately the second half shifts into lower gear as Julie Gavras wastes her time and ours with the stale old trick of boy-leaves-girl-but-still-loves- her-while-behind-the-scenes-others-jockey-to-reunite-them. The final fifteen minutes more or less make up for it but as the saying goes, time and tide wait for no man. All things considered, 'Late Bloomers', although part of it leaves to be desired, remains a satisfying film experience, that will in turns make you laugh (Doreen Mantle's nasty lines ; Simon Callow joyously epitomizing the first attacks of old age through a memorable motto: 'Growing old is not for sissies!' ; and many other eccentricities) and grit your teeth (black humor about becoming old, having to retire from your job, feeling the nearness of death, best summarized by one of the last shots of the films where Rossellini and Hurt in a cemetery look at grave, say "We will be the next to come", embrace each other and finally lie down on the tombstone like two young lovers in the grass). A mix of happy and cruel moments, a faithful reflection of life itself, that is what 'Late Bloomers' can be in its inspired moments.