Such a frustrating disappointment

Sorry, this movie sucks

A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

Poesy or pure boredom? I confess that, by the middle of the film, I was in doubt. It's certainly an experimental film, far away from Hollywood or even most European movies.Far from anything, as long as my experience in watching films is concerned. Maybe Andy Warhol is something near, or some eastern movies. But yet so simple it may make us cry. Why is the American experience so harsh? Why there comes a moment when separation, for those 'lucky' ones that enter college, comes as inevitable as the moment of coming of age? Two kids, happy together and boyfriends since they were four, are seen this moment approaches. One copes well with mathematics and college requirements. The other can't solve simple algebra problems. We know he could enter through the door of physical abilities, but he doesn't want. He can also easily understand musical notes, as we see in his ability to play poignant, sad music. By the way, all is very sad in the movie. 'Don't you want me to go? Say it, and I won't go'. But he won't say it. The experience of someone is a particular one, one shouldn't deny the person the chance to try. Or so does America thinks. All I can say is, had I had a love like this, I would have already entered Eden. I wouldn't leave it. Certainly a movie I'll see again. Poetry, pure poetry.

A beautiful, evocative, complex movie. Possibly to have the full emotional impact on the viewer, it must find resonance in the store of memories of the viewer. I cannot say whether someone who grew up in an urban setting or in a different culture would be as affected, but there should be some degree of universality to the experience of bonding to another in childhood and facing the prospect of separation and the imperative to follow separate paths.The young actors who play Jonah and Luke do a superb job and the few supporting cast are good, but the greatest superlatives go to the director, the writer and especially the cinematographer. The visual presentation with accompanying sounds, is almost overwhelming in quantity and effect. The surrounding woods and greenery, rain falling, polished wood floors and furniture, weathered wood out buildings , church bells, chiming clocks, a passing freight train and the sad sound of its horn, wind chimes, metal surfaces, the boys together, all stir memories either real or imagined. Its nuanced subtlety is far more powerful than would have been achieved through a series of more deliberate actions and excess dialogue. Rob Reiner's "Stand By Me" was a wonderful film that stirred memories of childhood and the coming to terms with inevitable change, but it pales in emotional impact compared to "Last Summer."Luke carries the label of "slow learner" and is repeating some classes in high school in order to be done with school, but has no idea what he will do next. Outwardly he is at peace with himself, is resigned to Jonah leaving for college, prefers remaining in "the shade of his own backyard," but beneath the surface he is deeply saddened at the prospect of separating from Jonah. At one time he tells Jonah he only wants to be with him and suggests the optimistic possibility that Jonah could return one day. "This place isn't going anywhere. I'm not going anywhere." But inwardly he knows full well that Jonah will meet new people who will love him and will never return. Jonah asks Luke several times to tell him not to go, but Luke refuses. Luke tells a teacher that Jonah is too good for all this … recognizing that "Some people feel so comfortable in one place, and others feel trapped." His love for Jonah and a mature understanding of their different natures and abilities prevents him from asking Jonah not to go. Jonah is equally conflicted by his love for Luke, his sense of happiness (when he learns he was adopted) that he was never meant to be in this place, his fear of change and his need to escape from the small town trap where he feels unrelated to everyone and to everything about him, aside from Luke.A wonderful film that is sure to stir memories and emotions for many … and I suppose fall flat for those with entirely different experiences or those who disdain sentiment. Certainly anyone who feels a good movie must have car chases, special effects and zombies will be disappointed. I was going to give it a 9 since a 10 would imply perfection, but even after a second viewing I could think of nothing that would justify the loss of a perfect rating.

"The truth is, I idolize him."Welcome to Arkansas, where it's hot and you want to nap... a lot.Emotionally accurate narration accompanies fanciful camera-work and the blissfully quaint lives of Luke and Jonah who have grown up together, developed a symbiotic and romantic relationship, and are facing a looming hurdle as Jonah prepares to leave for college and a seemingly more exciting existence than the dronings on of their rural Arkansas hometown.. but what of Luke?Jonah idolizes Luke, while Luke claims Jonah is good at everything - expressing shared authentic admiration. Luke and Jonah battle their burgeoning feelings toward each other whilst coming to terms with Jonah's eventual departure.The script, on its own, could barely fill a short essay yet adds a clash of diary- esque poetry to the film's reflective visuals. The visuals mirror the complex emotions shared between the leading roles in an impressionist fashion. Picturesque views, extreme closeups, and an emphasis on capturing faint, easily missed yet charming moments of every day interaction are emphasized for effect.Not your typical, abrasively expressive gay-themed film.. This is a still, whispering romance of a gentle kind. Deep stares, hand touching, shared nature walks, and napping embraces dominate screen time.The film takes on a slow pace, yet remains on plot while oozing a simple yet heartfelt charm.

Last Summer is about two teenage boys, Luke and Jonah, during the summer after their last year of high school in a small town in Arkansas. They have been best friends since they were toddlers and lovers for an unspecified amount of time - presumably since puberty made it possible. Their families and everybody they know knows about and supports their relationship.Jonah is a gifted student, artist and musician, while Luke isn't good at anything except sports, so they complement and help each other. They will be parting for the first time in their lives at the end of the summer, when Jonah goes north for college and Luke stays.This is a blissful, idyllic fantasy that feels completely true. If I didn't know that boys like these would NEVER receive such support in such a town (they even sit together in church), I would believe it was a true story, even a documentary. Although rationally I know it's impossible, it's so real and true emotionally that what ends up being impossible is NOT believing in it.Nothing much happens in this movie. There's some voice-over narration and some dialog, but it's primarily a sensual movie, a series of exquisitely beautiful visual and aural images that are impossible to describe adequately. Images of nature, of the boys in extreme closeup, many abstract images that are unidentifiable but powerfully evocative of the quiet, sensual, languid world in which the boys live. The score - when there is a score - is lyrical piano music by Beethoven and Schumann.Last Summer is like a poem - about love, about beauty, about peace, about perfect harmony with the natural world. It's extraordinary and indescribable.I never recommend that straight people watch gay movies, because if a gay movie is acceptable to straights it's by definition a failure. But this movie is so beautiful that I'm breaking that rule. Whoever you are, your life will be enriched if you see it.