The Age of Commercialism

Terrible acting, screenplay and direction.

Perfect cast and a good story

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

Fugitive Kev (Hugo Weaving) snatches his son Chook (Tom Russell) and takes him on a road trip across Australia. Hugo Weaving is rock solid as a violent man on the run. The kid is also great, and able to switch gears along with the story. Their relationship has great chemistry that evolved with all the complexity.The story moves along slowly but also gets punctuated by acts of violence. My only suggestion is that the violence need to be dramatized much better. The camera stands back too much and dissipates some of the power. I'm reminded of Amy Heckerling who said she had no idea how to shoot the football game in 'Fast Times at Ridgemont High'. It seems like Glendyn Ivin didn't know how to shoot the violence, and so she just shot it passively.

First I must say that this is a drama that can make most people sad, so do think twice about watching this and pick the right mood for it. But the fact that it brings depression does not mean it is not a good movie. On the contrary, it is a brilliant one.A very dark story is what this film presents. It is about a Dad and a son's journey, and the Dad is a fugitive from justice. I do not want to ruin the story but I can conclude that the story is not at all difficult to understand. The audience may have some questions in the beginning but they are answered as the film develops, through recalling of past memories by the characters.The movie is realistic and believable, thanks to an incredible script, well-written dialogue and brilliant performances. The two main characters are very professional and amazing at their roles.This movie makes the audience think about a lot of things. Given by the dark plot is a valuable lesson for us all. There is superb character development. The relationship of the father and the son is indeed the main focus. We see the son's mixed love and hate towards his Dad, and the father's deep concern for his son in spite of his violent nature. It raises a lot of thoughts in our mind, like how parents should treat their kids and what "the right thing to do" is.I would like to point out another achievement of this movie. The film takes place across Australia, and the scenery is simply "wow". This movie does not hold back aspects of the country's natural beauty. The audience has the chance to see a whole lot of wonders: the desert, the forest, mountains, even a frozen lake."Last Ride" is a drama dealing with extremely dark themes and there are scenes that may be disturbing for some throughout the whole movie. This is definitely not the kind of movie that we watch and have a blast, and it is one-hundred percent not suitable for young children. Nonetheless, it is very successful in its realistic portrait and its powerful performances, and is highly recommended as a thought-provoking and touching drama.

Last Ride is well made and well acted. The cinematography is a treat.Unfortunately the script lets the film down. The central character (played by Hugo Weaving) is just a bit too unappealing, just a bit too hard to relate to, just a bit too hard to empathise with, just a bit too selfish.In a way the film could be compared to Clint Eastwood's A Perfect World. Both are stories about the last ride of father and son figures. But where in A Perfect World I felt sympathy for the fate of Kevin Costner's father figure, in Last Ride Hugo Weaving's father ultimately left me repelled. For me the film suffered for that and, for me, the fault was with the script.

I hate rating movies, but I give this one a 10, because it deserves it. I always been a fan of Hugo Weaving and he was twice as rewarding in this movie because he was so good in it, then it seems that he stepped out of the screen and came again to have a chat with the audience with writer, producer and "Max".(as reported being done in Brisbane in an earlier entry but this was in Sydney.I also missed out on the opportunity to get the inspiring book as it was the reward for those who asked questions but I was a little shy about it!) During this time I also learned that the book for once was actually shorter than the movie! So you take your seat and the films starts. The photography is stunning especially as you move, close and personal, into a wonderful Australian outback. No cliché, not too much to distract you away from from the unfolding drama. There father and son seem to learn about each others, but the hard way. Occasional flashbacks help you to understand a few aspects of the present situation. And you continue the ride, warts and all which focuses very closely on these two characters a middle age man who evolved from the school of hard knocks, and his somehow estrange son. We were told by the producer that the "ride" had to end somehow and there were alternatives on how to end this ride. I feel they made the right choice although the alternative would not have been unthinkable. Hugo's acting is very impressive in this work, and his 10 years old co- star is almost equally to the task. "Max" does little but very well too. I can't wait to read more comments from some of these excellent people who regularly share they thoughts here, because I'd be surprised if this does not prompt them to praise and elaborate much more concisely about it. Yes don't miss it