Good movie but grossly overrated

Fantastic!

The film never slows down or bores, plunging from one harrowing sequence to the next.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

I was delighted when I saw that my husband rented "Labyrinth of Passion". I love Almodovar's films. We both loved the movie. We both couldn't stop laughing. We especially enjoyed the scene in which the transvestite is shooting a photo novel, and while supposedly being menaced by a killer with an electric drill, is told to answer the phone and say, "I can't talk to you right now, I'm being attacked by a sadistic serial killer. If I survive I will call you back". (That would make a great answering machine message come to think of it). We also loved the lady telling her new found beloved, "I went to an orgy after the concert but I couldn't stop thinking of you." (I'm waiting to use that line on Twitter). "Labyrinth of Passion" is a rollicking farce with plenty of high jinks, hilarious dialog and eye candy for everyone. The film has aged well: the 1980s costumes and hairdos add to the wackiness. I would give it a 10 out of 10 rating but I am giving it a 8 for two reasons. The first is the scene which involves laxatives which includes a shot of a lady soiling herself: totally unnecessary, and it brings down the tone of the film to Hollywood gross-out comedy for a moment. The second is the suggestion that Queti is sleeping with her father: shocking, yes, but again, it ruins the tone of the film. Still, I would recommend the film to anyone who wants a sophisticated, spicy, and fun time.

In his two first movies (and I would count the third one too -Entre Tinieblas-) Almodóvar was more a kind of outsider, someone who needed to express himself freely in a country that had suffered a Dictatorship for almost 40 years. Neither "Pepi, Luci..." nor "Laberinto de pasiones" tell any story in particular, at least none that's interesting. They're rather a collection of gags and sketches that are meant to scandalize and to drive up the wall all that right-winged people. Almodovar uses topics such as incest, gay power, Islamic terrorism, drugs abuse... 100% punk attitude, basically. And though Spain is much more liberal nowadays some of the passages of Almodovar's first movies couldn't be accepted by the society. How come? Well, because of the "political correction" stuff (isn't it some kind of censorship too?? I mean, self-censorship).Anyway, this movies have to be understood in the right context (just like John Water's first films). If you don't take that into account you'd better go and watch any other thing.5.5/10

I happened upon a rare copy of this early Almodovar film with high expectations - Almodovar is a prolific contemporary director, I enjoyed his 1988 film "Women on the Verge of a Nervous Breakdown", and I had read one or two very positive reviews of the film. Well, I must have missed completely the humor that the reviewers saw in this film. I just found it incoherent, tasteless, and boring. Yes, there are plenty of innuendos, people in drag, and crude sexual situations, and yes, these elements may have shocked audiences in 1982 (which was almost certainly Almodovar's intention), but much of the shock value has probably eroded over the years, leaving a limp storyline. Beyond that, the whole movie seemed very chaotic, none of the characters were particularly sympathetic, and for a "comedy" - even a dark one - I just didn't find this film funny. I suppose it is possible there is a VERY select audience for a film like this, but I'm just not part of that audience, and not sure that I want to be.

I agree with both comments above but wanted to emphasis what a fun insanely gleeful movie this is. Very camp and sleazy. A movie about being young. Worth viewing for Almodovar and Fanny (Fabio) McNamara's horrendous pop group 'performing' 'Suck It To Me'. Drag queens worship Fanny and you'll see why. A sort of Madrid Liquid Sky with humor and a decent plot. Very cult and very 60's mod. Pure fun.