Who payed the critics

Such a frustrating disappointment

Excellent but underrated film

The film makes a home in your brain and the only cure is to see it again.

"K-20" is a visually stunning Japanese steam punk epic with a couple of promising ideas that are destroyed with a too ordinary story and a quite instable acting performance.The story takes places in an alternate history of the year 1949 in Japan where the second World war never happened. In the fictional capital Teito, the viewer can observe zeppelins and similar flying objects as well as adventurous machines that work with alternate forms of steam or electricity. These science-fiction gimmicks are what make this movie truly imaginative and fantastic. If you observe closely, you will see many lovely details of that kind in this film.The story is set around the poor circus acrobat Endo Heikichi who needs some money to heal his old and sick master in form of an operation. He is portrayed in a rather weak and horribly faceless way by actor Kaneshiro Takeshi who is one of the reasons why this movie doesn't work as well as it could have been.Meanwhile, the fictional city is haunted by a smart thief who seems to have twenty different faces or masks and is therefor called K-20. The character seems to be a mixture of Robin Hood who mostly steals from the rich, Spider-Man thanks to his great acrobatic and flying skills and of the Shadow because of his appearance. From that point of view, the movie picks the best influences from famous American superheroes which is not very original.This thief comes to meet the poor circus acrobat and gives him a lot of money to take a couple of pictures of the engagement ceremony of the intelligent but cold-hearted detective Akechi Kogoro who has become a local celebrity with the charming, vivid and unconventional Hashiba Yoko. These two characters are well portrayed by the stylish and authentic Nakamura Toro and the charming and beautiful Matsu Takako.The whole thing turns out to be a trap as the circus acrobat gets caught during the event and is now mistaken for the thief with the mask. He gets imprisoned and tortured but suddenly gets some help from a gang of local thieves who liberate him in a quite original way. The acrobat is not very thankful and rather looks for isolation and overtly despises the thieves that saved him. He later realizes that he can flee and must become a smart thief as K-20 is to clear his name and find out about the true criminal intentions of the master thief. This profound change of mind is not very well portrayed in the movie and definitely lacks of passion. Instead of focusing on this important turning point, the film wastes a lot of time with more or less important and gripping dialogues. It's also sad that the thieves that liberated the circus acrobat are promisingly introduced but never seem to appear again in the entire movie.Endo Heikichi meets K-20 again when the criminal chases the young fiancée Hashiba Yoko through the nocturnal streets of Teito. It seems that the young woman's grandfather had developed a futuristic Tesla machine that could be used as a weapon of mass destruction. The young acrobat, the energizing fiancée and her fiancé and detective try to solve the puzzle to find and destroy the mysterious weapon hidden by the deceased grandfather before K-20 can get his hands on the dangerous machine. The thief of shadows though always seems to be faster and smarter during this fast paced competition that builds up some atmosphere and tension but unfortunately leads to a quite stereotypical ending that could have been taken from any Hollywood assembly-line product.In the end, the visual parts and the steam punk elements of the movie are quite addicting. The gang of thieves, the circus crew as well as the charming fiancée are positive elements of this movie. This feature builds up some good atmosphere towards the second half that leads to a fast paced competition between the good and the bad.On the other side, the story of this movie is not quite original and somewhat predictable at some point even if there is a little twist in the end. The main villain is a copy of many Hollywood figures and can't convince. The acting of the main actors is rather poor and leads to some lengths.After all, the movie is worth a watch if you like steam punk elements or if you collect all possible superhero movies in the world but it can't be counted as a highlight of its genre. Anybody else should skip this one and go for the original superhero movies from Hollywood.

When I bought "K20: The Legend of the Black Mask" I believed it to be a Japanese superhero movie, but usually Takeshi Kaneshiro is great in movies, and that was the main reason for buying it, plus it was a live-action Manga movie, so what could possibly go wrong here?"K20: The Legend of the Black Mask" is not a superhero movie, not by a long shot. And the black masked person known as K20 wasn't even the actual main character. The movie is about Heikichi Endo (played by Takeshi Kaneshiro) who is a circus performer getting framed for the crimes done by K20. Out to prove his innocence, Endo teams up with the police in order to take down K20 and clear his name. The story takes place in Japan, and World War II haven't taken place, which was an unusual approach to the story, but in overall, that fact actually didn't reflect much in the story. There were German words seen here and there, such as Polizei and the writings on the Tesla contraption, and they had changed the atomic bombs exploding to another disaster (though still an atomic disaster).The story is actually quite good, and it is well written and well directed. And the people cast for the various roles really did great jobs in fleshing out their characters and making the story come to life on the screen. And the way the story is told is in a manner that keeps you riveted to the chair wanting to see what happens next. There is a lot of action in the movie, but also a lot of character development, which is really nice."K20: The Legend of the Black Mask" really surprised me, and it turned out to be much better than I had initially anticipated. And it was a great thing that it wasn't a superhero movie.The effects used in the movie were really great, believable and in your face. That worked well for the movie. And the props and costumes were also nicely made, lots of nice touches and details, which I like."K20: The Legend of the Black Mask" is a great action movie, and it has a lot of entertainment value right from the very beginning. If you like Japanese movies with lots of action, then this movie is well worth checking out. And it is one of those types of movies that actually have enough entertainment value to be seen more than once.Thumbs up for this movie! Great fun! Great entertainment!

Fairly well done light entertainment movie with good computer graphics and retro set-up. Some reviewer says Japanese stole Batman, but I would like to present some facts here. K20 character was created in 1930 by Edogawa Rampo, a Japanese pioneer mystery novelist. http://en.wikipedia.org/wiki/Edogawa_Rampo This movie is based on a recent novel adaptation by a different author. If you think cape and mask means everything MARVEL, think again and do some basic research before saying anything about "originality". Some other characters like Akechi, and boy-sidekick Kobayashi are also came from Rampo's novels.Retro set up seems like homage to the original author who wrote juvenile fun novels about K20 vs Akechi before WW2, and I appreciate the director's sensitivity.

I've watched this film twice on flights to Japan and enjoyed it on two levels. First, by itself, it is a rousing fun action film--superior to most of the US adaptations from graphic novels. The combination of the CGI vistas with realistic local sets works extremely well: you are reminded that you are in an art deco-influenced alternative reality but the immediate surroundings of squalor in the poverty-stricken lower class sections of the city and opulence in the wealthy neighborhoods are entirely plausible. The action and the fights are great and integrated entirely into the plot, and the performances are solid. The only difficulty is that the identity of the villainous K-20 (and, yes, he IS a villain) is probably too easy to guess, while the hero seems at times too dense.The second level of enjoyment is how the film contributes to an understanding of Japanese culture. The mixed admiration and dislike for the wealthy artistocratic class who dominated Japan during the early 20th century strongly emerges from the film. The depiction of how Japanese people would react to a spectacular, mysterious criminal was also interesting. I could write more, but perhaps someone should try a serious academic analysis. The bottom line is that its fun to watch--much more fun than The Hulk or V--and, at the same time, it is a uniquely Japanese take on the whole vigilante against an unjust society theme. It is definitely NOT a Japanese "imitation" of anything.