Plenty to Like, Plenty to Dislike

The best films of this genre always show a path and provide a takeaway for being a better person.

The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

So disappointed. The movie went no where and was very confusing. It was such a waste of time and money.

This film appears to be some kind of sequel with the opening showing the past and numerous flashbacks to a film I don't recall. Could be my bad, I don't know. Ruth (Marci Miller) is pregnant and sets fire to a corn field to get free. We catch up with her 13 years later with her son Aaron (Jake Ryan Scott) on the road. She has not been able to leave corn country in that time and ends up in a small corn town named "Luther." More flashbacks, kids, people die, want son...to no surprise. Slow moving, poor dialogue, boring. Low budget rip-off. Guide: Near sex. Brief nudity (Molly Nikki Anderson). Don't recall any swearing.

I've purposefully kept away from this franchise as I wasn't too keen on the original sequels, as they just reeked of profit making. However, I found this to be a decent follow up on the original. Though, after reading the reviews on IMDb, I find I may be the minority. I also have to admit to having a sense of dread when I saw it was directed by Gulager and written by Soisson, This is because I've recently put myself through the trial of watching the Hellraiser films again. Though the first four are superior and are a vague continuation... the rest is just money making fodder... and Gulager acts in the latest, "Judgement"... and Soisson wrote "Hellworld". Luckily my panic was unfounded. This is the story of Ruth (Millar) and her son, Aaron (Scott) who are trying to survive in an unfriendly and troubled rural America. Years before, Ruth had been a member of the cult worshipping "He Who Walks Behind The Rows". Then when she found herself pregnant she took drastic measures to save not only herself but her unborn son; so she burned the corn and the children living within it. From then on, she kept to small towns and villages, sleeping in her truck and trying to make enough money to stay alive. Though free from the horrors of the cult she is nonetheless scarred by them and her actions. Suffering from a form of schizophrenia she suffers from visions of the murderous children. These can be brought on at any time by a sight or a sound, especially the sound of locusts. Then one day she turns up in the small town of Luther and ingratiates her way into a job working for a local mechanic, Carl (Andrews III). Though there's something wrong in Luther... There's a little girl skipping through the village leaving a deadly bloody trail behind her.What I liked about this film was the slowness of the story. A lot of the reviews on IMDb claim this film to be boring. Though, I think that the Director Gulager uses this inactivity to build the atmosphere of the town. This is a place where very little happens and where there's very little to do. In this township, this has created a kind of quiet loathsomeness. The customers in the diner like to whine and moan; most eat and sit by themselves. Even the scenes at the school you notice that the kids don't run about or play happily. This type of atmosphere can create hatred and bigotry, so it's not too much of a stretch to believe that the only coloured guy in town is despised and disliked. Then when his true nature shines through you can understand a little about why he's unpopular. This actually added a deeper underlying story that made the film for me.The other nice thing is the dream sequences. This adds a jaggedness and a slight confusion into the normality of things. Knowing a little about schizophrenia, this is about as close as you're likely to get to some of the visions a sufferer may have, depending on their "phobia". To be in the real world one second and then something triggers your mind to throw in a false vision the next... I wouldn't want this to happen to me.These are handled superbly by Gulager. I really did love the diner massacre, even this is done in ultra slow motion... it's nearly still photography, though not quite. For a vicious and violent scene, it's beautifully constructed and shot. Much respect to the Director and the Special Effects guys and gals. There are also grainy shots of barren wastelands and barbed wire. I initially hated these as they appeared pointless. However, by the third one, I realised they were actually helping me to feel bleakness of the mood, as well as the bleakness enshrouding the village.Then there's the acting which is well above par for a horror movie these days. It was nice to have a cast who portrayed their characters well. There are no minor roles in this film. And I have to give credit to both the Director and the actress Sara Moore for making Pretty Girl a really eerie character... even though she's the most smiley and happiest person on screen. Very nice transposition. This, in turn, makes the second climax, which happens while the end credits play even more creepy.I would recommend this to all horror lovers, especially those with a penchant for quiet and slow boiled horror. If you like action-packed films then stay away...

Children of the Corn: Runaway (2018) 1/2 (out of 4)Ruth (Marci Miller) is a member of the killer children but when she discovers she's pregnant she burns the other children and heads off with her unborn child to give it a better life. Thirteen years later Marci and her son are trying to start over in a new town but pretty soon she begins to feel that the children are after her.You know, I love horror films and I especially love horror series. Sure, the majority of them don't deliver as many good films as bad ones but I still get a thrill whenever a new sequel is announced to a series. One could really argue that the entire CHILDREN OF THE CORN series hasn't turned out any good films but sadly this one here is without question the worst yet. It's really too bad that this film turned out to be so awful but there's very little here to enjoy.I'm really not sure what director John Gulager and writer Joel Soisson were trying to do with the picture but it's one of the most boring films that I've seen in recent years. The problem with the screenplay is that we're given a lead character that is downright boring and it's someone that the viewer simply doesn't care for. Another major problem with the screenplay is that there are way too many dream sequences and these just get rather tiresome after a while. Heck, I'd even argue that it seems the two are trying to make something other than a CHILDREN OF THE CORN film but were forced to throw that subplot in to sell the film.I really hated most of this movie with a passion. I hated the characters, the setting and the story. There wasn't anything here that I really enjoyed and even the short running time seemed triple what it really was. I'm not sure if the director was trying to deliver some sort of psychological movie but it doesn't work. There's a minor issue with the lead character working for a black man and a local principle causing some trouble. What was all of this about?The one saving grace to the film was Lynn Andrews III who plays the black boss. Again, I'm not exactly sure what the screenplay was trying to do with his character but the actor was very good here and I hope to see him in other projects. CHILDREN OF THE CORN: RUNAWAY has the perfect title because you really should runaway from this film and avoid it at all costs.