In the Name of the Father
In the Name of the Father
NR | 12 October 1971 (USA)
In the Name of the Father Trailers

In 1958 Angelo, a rich and spoiled boy, enters a religious school, where students are tired of its vice-rector, and the strict rules and old-fashioned teaching methods of priests. Soon, Angelo exerts strong leadership among his peers and incites turmoil among them, helped by intellectual Franco and shy Camma. They expel the prefect from the school, organize a Grand Guignol show, and disappear the corpse of an old professor.

Reviews
Micitype

Pretty Good

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InformationRap

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

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Robert Joyner

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

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Taha Avalos

The best films of this genre always show a path and provide a takeaway for being a better person.

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runamokprods

Bellocchio's variation on "If…", is even more surreal and bleak than Lindsay Anderson's vision of a boy's school as a metaphor for larger society. Here it's a school of spoiled rich out of control kids stashed away by their families (fathers mostly) in a school run by dark hearted priests. It's hard to tell which group is worse, as both tussle for control of the school and each other. Beautifully shot (as are all Bellocchio's films). The film has the Church clearly starting to lose it's corrupted influence, but it's not like we have much to be cheery about in the thought of these rich young thugs running the world either. The surprising thing is how much of this is quite funny. The themes may be depressing, but the individual characters and their actions are often darkly comic (sometimes too much for me, one boy's voice has been dubbed with something that sounds like Mel Blanc created it for a cartoon. Amusing at first, then grating). Some will hate this – it is repetitive and grim and adolescent. But then, the young Bellocchio might argue, so is the world and those who run it.

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