I like the storyline of this show,it attract me so much

The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.

There is definitely an excellent idea hidden in the background of the film. Unfortunately, it's difficult to find it.

A bio-pic about Valerie Solanas, a disturbed writer who shot and wounded artist Andy Warhol.This is one of the best films of the 1990s, showing a different side to the often romanticized era of the 1960s. This is not the peace, love and flowers of the hippie years, this shows the underground of low life New York, in it's seedy hotels, dirty diners among drugs and sex trade. Solanas is brilliantly played by Lili Taylor, an underrated actress who deserves a better career. Jared Harris makes a believable Warhol, showing him as the shy, awkward artist who finds danger from his naivete about this sick woman he befriends. There is a great scene of a party in the Factory, it looks very authentic. Warhol's circle of friends are not portrayed as just eccentric artists, they are humanized with all the flaws of any else. They are capable of cruelty, cattiness and prejudice like anybody else. The director Mary Harron does an excellent job with the story using flashbacks and black and white sequences where Solanas spouts her crazed rantings. There are some interesting music of the era used here, such as Walk On By by Dionne Warwick, Grazing In The Grass by Hugh Masekela, Do You Believe In Magic by Lovin Spoonful and Summertime Blues by Blue Cheer.This is highly recommended to anyone interested in true crime stories, pop art and seeing the tough brutal side of the decade.

Although 'I shot Andy Warhol' might not be everyone's cup of tea, it is a nice, slick film that grabs the viewers' attention right from the start. It is however Lily Taylor's performance that makes the movie. She commands every scene and displays her brilliance as an actress whether she comes off as angry, confused, ignorant or naive. The film flows very well except for the party scene which drags on slightly. The only negative piece to it is that the watchers never learns the fates of all those involved in this crazy time. Otherwise, 'Andy Warhol' is an intriguing drop into the world of one woman's insanity and it's resulting effects.

A movie about Valerie Solanas, 1960s radical feminist who worked with the pop artist Andy Warhol and - you guessed it - tried to kill him. Sewer-mouthed tomboy who works as a whore and hates men and femininity, she writes SCUM manifesto - no, not her biography, albeit the name is apt, but militant feminist ramblings - and tries to do the murderous deed. (No, it is not really a spoiler, it is mentioned in the title.) Albeit suffering later from paranoia and mental illness, which is always a tragedy, her totally disgusting personality makes her anything but sympathetic. Not that other characters would be more interesting or likable. Blech.

Lili Taylor plays Valerie Solanas, an educated loose cannon, guerrilla female activist and self-described 'bull dyke', who was taken into custody in June 1968 after shooting and wounding Andy Warhol at his New York City office/hangout The Factory. Good-looking movie investigates a hazy chapter in history, yet leaves some unanswered questions in its wake (I wasn't aware that apparently an assistant was also shot, though the film makes no attempt to explain what happened to him). However, this small-budgeted film captures a decadently apathetic, coolly indifferent time and place quite vividly, as good as any post-'60s movie has yet managed. Taylor is appropriately forceful and ungainly in her role, which is more complex than one might think, and yet hers is the least interesting or intriguing character on display. Stephen Dorff does a pretty terrific job as transvestite Candy Darling, Tahnee Welch is unrecognizable as Warhol's most famous starlet Viva, and Jared Harris is flawless as Warhol (he nails it). Terrific art direction and composition, but the film lags a bit in the narrative department, with Solanas meeting an anti-bourgeois activist which doesn't come to much and has a facetious, puzzling relationship with publisher Maurice Girodias which seems half-baked. **1/2 from ****