Best movie of this year hands down!

This Movie Can Only Be Described With One Word.

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

Like the man's life, this doc is too short (I thought for some reason it was going to be a feature). The material is the basic stuff of a retrospective and tribute with interviews by collaborators and fans (and certainly some names you probably heard of: Pacino, De Niro, Streep, Sam Rockwell, Philip Seymour Hoffman, Sidney Lumet, uh, Brett Ratner, sure why not) that go into what this man was like as they knew him from being in person (Streep was married to him for a brief time, she's actually his widow) and from simply watching the Godfather parts 1 and 2 five hundred times.But, man, what an actor and what a career! Sometimes in those luckiest windows of time and in opportunity (don't forget the luck part of it), quality trumps quantity, and in this case Cazale had one of the major careers in 70's American cinema. It must be akin to one of those early rock and rollers from the 50's (Buddy Holly or the Big Bopper or whoever) who you know when listening to their music it's so pure and raw and emotional and that so many others have borrowed from them, and it's a true tragedy from the abyss of nothingness that they're taken so young.Good stuff though, again, I wish it was a little longer, like even a short feature instead of this long-short film stuff. But some wonderful breakdowns of these scenes he had as Fredo and the long-haired WTF in Dog Day Afternoon and even the sadness he brought to his small role in The Conversation. A lot of time actors try to go big or go home, or take on roles that will show off what they can DO on CAMERA. Cazale never did that, and one wonders this man in dramas in the 80's and 90's and beyond.

The biggest shock to me when viewing I Knew It Was You: Rediscovering John Cazale was coming to the realization that this actor, who I had been watching over and over again in some of my favorite films ever, had actually only made five films. Five! The greatest period of American Cinema is undoubtedly the "Hollywood Renaissance," spanning from the introduction of "Easy Rider" up until the blockbuster phenomenon created by films like "Jaws" and "Star Wars," and all five films John Cazale appeared in were made during this creative period in which writers and directors had more to say about what happened in a film than the studio heads. "The Godfather," "The Conversation," "The Godfather Two," "Dog Day Afternoon," "and "The Deer Hunter," the five films that make up the John Cazale catalog, are some of the greatest and most memorable films ever made in this country. And if you don't know who John Cazale is by name, then perhaps you know him by at least one of the five characters he played on screen, most likely the frail, weakest son of the Corleone family in The Godfather, "Fredo."Just about anyone and everyone that ever acted or worked with Cazale appears in this documentary, including Al Pacino, Robert Deniro, Gene Hackman, Francis Ford Coppola, Fred Roos, Sidney Lumet, Carol Kane, Jon Savage, Richard Dreyfuss, Israel Horovitz, Olympia Dukakis and Meryl Streep, who we learn had a longstanding love affair with Cazale and was with him until he died of lung cancer at 42. Younger actors like Phillip Seymour Hoffman, Sam Rockwell and Steve Buscemi, who grew up watching Cazale's films, also contribute, helping to articulate Cazale's relevance. With this caliber of contributors, this film quickly gets to the crux of who Cazale was as actor, as well as a human being. And though this documentary is only an hour long (It was made for HBO), it is still a dense, powerful story of a man, an actor, that was able to make a permanent mark on American Cinema that will resonate for as long as movies exist.READ MORE REVIEWS at theumpteenthtimes.com"Reel" Film Reviews for Real Moviegoers

John Cazale was a lanky and sad-faced character actor who specialized in portraying weak guys and wasn't afraid to dig deep into the pain, anguish, darkness, and vulnerability that defined these guys. He only acted in five movies, but they are all uniformly superb pictures that are now correctly regarded as classics: The first two "The Godfather" films (in which Cazale is simply astounding as the hapless and pathetic Fredo), "The Conversation," "Dog Day Afternoon" (he's both funny and scary as the volatile Sal), and, his cinematic swan song, "The Deer Hunter." The middle of three children born to a wholesale coal salesman and a homemaker, Cazale made his debut debut in the amusing comedy short "The American Way" and acted in various Off-Broadway plays prior to securing the choice role of Fredo in "The Godfather." His peers Al Pacino, Gene Hackman, John Savage, and Robert De Niro remember him as an intense and diligent actor who was a great inspiration, asked a lot of questions, and gave a good give and take. Playwright Israel Horovitz notes that John was one of those rare individuals with absolute integrity and reads a beautifully poignant and eloquent eulogy about his untimely passing from lung cancer at age 42. Meryl Streep relates some especially touching stories about Cazale and stuck right by him to the very end (Cazale was terminally ill when he acted in "The Deer Hunter" and died prior to the movie being completed). Admirors Steve Buscemi, Sam Rockwell, and Phillip Seymour Hoffman are all quite warm and generous in their appraisal of Cazale's extraordinary work. First and foremost, John was the sort of remarkable transformational thespian who elevated the quality of all those fortunate enough to work with him. Moreover, we also learn that John had beautiful girlfriends, chainsmoked cigarettes excessively, and had a really raunchy sense of humor. An excellent, affecting, and illuminating tribute to a consummate actor's actor.

John Cazale only made five films - but all classics. The Godfather, The Godfather II, The Conversation, Dog Day Afternoon, The Deer Hunter. A superb actor, he died early and has largely been forgotten.However this touching and incisive tribute goes some way to addressing that. Showing footage from his films interspersed with talking heads of film critics, colleagues (Coppola, Pacino), former fiancée (Meryl Streep, who is gracious in her praise), this profile is excellent, highlighting his theatre career and his influence on those who worked with him or saw his performances.There is little doubt that Cazale had the makings of greatness, despite being unconventionally good-looking. He's always been an actor I've noticed, particularly as Fredo in The Godfather and Sal in Dog Day Afternoon. This film hints at what could have been had he lived.A short but sweet documentary, 'I Knew It Was You' is well worth a look if you are a fan of classic cinema, whether you're aware of Cazale's work or not.