Unshakable, witty and deeply felt, the film will be paying emotional dividends for a long, long time.

A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

Great movie. Not sure what people expected but I found it highly entertaining.

Worth seeing just to witness how winsome it is.

I get the feeling that this "Hellboy Animated" movie only materialised to cash in on the popularity of the live action movie.This seems to be a prequel to the first Hellboy movie, but it lacks the sense of grandeur that the first, or Golden Army, had. It feels like a "just another day on the job" accounting of one of Hellboy's more interesting paranormal cases, which in this case involves a plot by some Japanese demons to enslave the world and the key to stopping them lie in the form of an ancient Samurai Blade. Fair enough. It sounds quite good. I bet it sounded better on paper than the end result we see on screen. The plot weaves in and out, cutting between Abe Sapien and Liz Sherman responding to some anomaly in the ocean, 2 BPRD agents tracking down a possessed Professor and Hellboy lost in the Japanese backwoods with the Samurai Sword. It gets a little hard to follow at times and many scenes just seem unnecessary in advancing the overall plot. The producers tried to throw in some very unique monsters and threats for Hellboy to face, based on many ancient Japanese myths. A noble move, but unless you are already well versed in the old folklore from the land of the Rising Sun, those monsters(that apparently the production team painstakingly researched) would just come across as generic supernatural threats with some quirky designs.In the end, The whole resolution to the story is possibly the weakest aspect; a real let down. There is a romantic subplot involving an ancient samurai and his ghostly lover but it is not like the romance in the live action movie, more closer to Saturday morning cartoon style of romantic relationships. It is cheesy and would easily make one shake his head in disbelief that the script writers would throw in something like that into an otherwise well written script.The animation for the most part is also relatively weak. As a direct-to-DVD animated feature, Hellboy Animated's animation does not stand up well to other animated feature adaptations of comic book superheros It is stiff, with bland camera angles and uninteresting storyboarding. The visuals are painfully simple, along the lines of animated TV series much less a animated feature. One would think that Mike Mignola's streamlined art style, minimalist colouring and dark, grim and quirky visuals form the comic book would be easy to adapt to animation. They were able to capture Mignola's art style perfectly with "The Amazing Screw On Head" that was released a month earlier from Hellboy Animated. Alas, the production company chose not to stick to that look and went with another stylised look that, in my humble opinion, looked absolutely horrible.The character designs looked like a splicing of Kim Possible, Danny Phantom, and some of the worst looking episodes from the 90s Batman animated series and Transformers Animated. Body Proportions are almost laughable and the overall look comes across as cheap and lazy. This show would not have looked out of place when aired on Saturday mornings after Spongebob Squarepants.Thankfully, a highly enjoyable script and excellent character chemistry saves this show from being a utter failure. Dark Humour, witty comebacks and entertaining banter among the characters. The movie captures the quirkiness of the comics very well and the actors from the film reprise their roles, lending to the feel of continuity. This one is really a mixed bag. If you can get pass the overall under-budgeted look and cheap-o feel of the animation then make your way through one mess of a story smelling like cheese, you got a really entertaining animated movie on your hands. Fun to watch, but little else beyond that.

Hellboy: Sword of Storms is in the quality of animation no more or less the standard one might see on the average program on Adult Swim (Cartoon Network, of course). Which means it's always eye-catching, if only on a kind of wacky 2-D level that is left in the dust in these days of cinema going the way of CGI. What makes Sword of Storms significant, if only in parts, is that Mignola, Del-Toro and company start to introduce a lot more surreal imagery than was seen in the first theatrical feature. Hellboy gets swept up this time in a pretty convoluted (or just seems that way, turns out it's actually painfully simplistic in terms of the Japanese folklore played out as drama), with monsters and demons all under the control of a sword that if broken spells doom for the Earth. As usual he does his job well at whacking around creatures like a big turtle/lizard creature, and at the start even tackles a big beast that, until Liz- as kind of a running un-funny gag- blazes fire all over the place till the job's done- but that's not all.This time the supernatural is accentuated in the world of what is a cross between Noh theater and, well, the average Hellboy comic-book. It doesn't matter either way how much the writers and producers researched Japanese history and creatures and such (though I'm sure they did their share). What matters is how effective it all is, and in the end Hellboy is also a dark comedy- how is it to see Hellboy, after spending an uncomfortable night with some unpleasant Japanese fellows, to awake to find that they're heads have been disconnected from their bodies, and are attacking him viciously! It's even better, of course, to see the fate of the heads, pleading Hellboy to tell where their bodies lay. I also liked the little asides with the talking fox, the old lady, and of course the big-ass demons, who allow one or two quips from Hellboy as he has to tackle them any way possible. On top of the fighting heads, there's a crazy possessed researcher, which in and of itself could make an interesting issue in the comics.Only the conventions of the story (the psychic has been seen in countless permutations of the annoying side character who's only there for moments of sudden exposition for another side character who isn't as annoying; plus the ending with the Japanese ghosts going through a redemption moment) drag the film really downward. Aside from that, it's from cartoony viewing, and it should appeal to anyone who's somewhat a fan, and mandatory for fans of the books; lord knows there's only so many times we can see Hellboy in the whirlwind of samurai dreams.

I'm a fan of Hellboy. I'll get that out of the way first. But the Live Action movie was painful. So I wasn't surprised when I liked Sword of Storms better, but it was still sorely lacking.While I like that Hellboy got to swear occasionally, and I love the dialog, a lot of this movie seemed to fail to live up to the award-winning style and substance of Hellboy as a comic book. For one thing, the animation was a little childish to me. It seemed too much like they were watering down the Hellboy world to make it appealing to kids. Unfortunately, they then include a lot of blood and some swearing to make it inappropriate for kids. The dialog seemed very forced in some places, like the voice actors were just reading lines and not interested in the characters at all.Some of the little "episodes" that Hellboy goes through, though, are enjoyable. The scene where he faces the disembodied heads is almost straight out of the comic books, and the real highlight of this otherwise disappointing tale. What really damaged this movie for me, though, was the clumsy attempt at characterization. Liz Sherman woes about being pyknotic, the psychic guy is thoroughly annoying, and the big bad demons at the end are more reminiscent of stereotypical anime theme villains than actual threats to the world. While I applaud the attempt, this one just didn't work for me. I do hope they work a little harder on the next ones and really develop the potential they have here.

I was looking forward to this, and yet was still surprised to see it on TV so soon. I love the Hellboy comics and associated spin offs. I thought the movie was great, too. This cartoon version did a great job of bringing the feel of the comic to life, and as a bonus, Ron Perlman and Selma Blair from the movie version do the vocal work of their characters, respectively Hellboy and Liz Sherman. I was also pleasantly surprised to see that Doug Jones, who played Abe Sapien in the film but did not get to voice his character, which was done nicely by David Hyde Pierce, actually provides the voice for Abe Sapien here, and does a great job, too. The story is good, and much like the comic, focuses on the paranormal aspects of myth and folktale, in this case involving a Japanese sword. The animation was great, reminding me both of the comic art by Mike Mignola and the Batman, Superman, and Justice League animated series. I was very entertained. If you like either the comics or the movie, you should check it out, and if you like stories involving the paranormal a la the X-Files, you may very well love Hellboy, who brings a neat twist to investigating the paranormal.