Heaven and Earth
Heaven and Earth
| 24 November 1990 (USA)
Heaven and Earth Trailers

Warlords Kagetora and Takeda each wish to prevent the other from gaining hegemony in feudal Japan. The two samurai leaders pursue one another across the countryside, engaging in massive battles of cavalry and infantry. Younger and less brutal, Kagetora must find the strength to be as brutal as his opponent, but at what cost?

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Reviews
GamerTab

That was an excellent one.

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Aedonerre

I gave this film a 9 out of 10, because it was exactly what I expected it to be.

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Bergorks

If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.

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Clarissa Mora

The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

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gehapatin

Very impressive depiction of ancient Japan. No modern behaviour as most of the recent film of ancient

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doug1717

This is primarily a film for hardcore Samurai film buffs. But that's it. About a half hour into the movie you sort of just realize that NOTHING IS HAPPENING. They build up to battles and NOTHING HAPPENS. Nami dies but they don't tell you why because NOTHING HAPPENS. The battle scenes are oversold by the write ups I've seen. The sword play is lacking in skill and excitement and the battles are just skirmishes. When the big battle finally happens, it is handled clumsily and slow. Takeda sends in reinforcements and they turn out to be a bunch of chicks beating a huge drum, on a platform carried by unarmed dudes who march past some riflemen who gun them down. Some attack! This film is NOT Braveheart or Last Samurai. If you want to see Samurai fighting watch "The Seven Samurai" or "Throne of Blood" or "Ran". Disappointing for all but the most eager Samurai fans. 3 out of 10.

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Doug Galecawitz

Having just watched this movie on a whim I was quite impressed with the scope and choreography it must have taken to organize the battle scenes, which are of course tremendously filmed. I am however a prototypical american, and it's nice to see a little blood in battle scenes. I was often thinking while watching about the battle scenes in Braveheart. I wouldn't say that need necessarily be that bloody, but a war without blood seems to miss the point of war. Nothing in this movie looked painful. War just looked like a game of people riding horses in different directions. I found the non battle scenes in the movie to be a nice balance though the charecters could have been worked on.....why are Kagetora and Nami in love???? What reason? Because she's there?If this review is coming off negative then I'm not making myself clear. I did enjoy the film and have very little knowlege of 17th century Japan so as not to know of any historical flaws. I find it a bit amusing that it was filmed in Canada....donuts anyone, eh? But all in all pretty much any movie is cool if it has one samurai. When you have five or six hundred you're in for a good movie. I'd recommend this to people who hate black and white too much to sit through the three and a half hours of the Seven Samurai. 8/10

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JimB-4

It is difficult to imagine a more visually stunning film than this one. The landscapes and skies are beyond beauty, and the massive battle scenes dwarf anything I've ever seen, even perhaps Bondarchuk's "War and Peace." This is one of the first films I've seen that conveys a believable sense of thousands (rather than hundreds or dozens) of soldiers in simultaneous combat, and the color-coded armies are both amazing to consider as fighting entities and astonishing to watch as masses of moving color and light. The final half hour is one of the most amazing feats of logistics and color ever put to film. Now if only there were a story worth following. Basically, there are two armies and the two armies fight or pursue each other. There is a minor attempt at personalizing the leaders of each army, but it all seems merely a formality, and a very unsuccessful one. There are no characters such as found in the great war movies, either in small films like "A Walk in the Sun" and "Nobi" ("Fires on the Plain") or in epics like "Ran" or "The Longest Day" or "Lawrence of Arabia." No, we're just told (I repeat told; I refer to the English-narrated version) that these people have enmity one for the other and that there is reason for battle. Then we watch the battles (or more often, the planning sessions). When battle comes, it is spectacular beyond expectation. But in the end, no one, not even the filmmakers it seems, cares who won or whether anyone did.

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