Let's be realistic.

Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

It is interesting even when nothing much happens, which is for most of its 3-hour running time. Read full review

It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...

Neely (Chelsea Altman) is a struggling stage actress in Manhattan. Even though all of her acting teachers proclaim her talent, she doesn't get many gigs. Fortunately, her chef boyfriend, Tonio (Demian Bichir) is patient enough to wait for her big break, although he longs for them to reside in his homeland of Mexico. One day, after a heartbreaking audition, Neely puts up a white flag and tells Tonio to start packing for Guadelahara. But, just as they are to board a taxi to the airport, a treasured friend tells her of a soap job that is casting that afternoon. So, off Neely goes, in glasses and grubs. But, unknown to her, the leading actress on the show, Heartbreak Hospital, is Sunday (Diane Venora) and she doesn't want any competition in the looks department. Thus, Neely gets the job after spouting only a few lines. Oh, but Sunday hasn't seen her spiffed up! When Neely has her hair in place, contacts in and dresses in nice outfits, she's a looker and may be in line to snag the leading man's heart! He's Milo (John Shea) and he places the beefcake doctor on the serial. However, he already has another, too-fervent admirer, Lottie (Patricia Clarkson) who just happens to be Neely's neighbor. Having built an apartment "altar" to Dr. Jonathan, wait until she finds out that Neely will be kissing her dream physician! Green eyes will be flashing and, maybe, more. This is a nice little take on shows like General Hospital and also that roll-of-the-dice profession, acting. Luck seems to be the biggest factor indeed. Venora does a nice turn as a narcissistic small screen star, as does Shea. Meanwhile, Altman and the great-looking Bichir provide a nice foil of reality. Clarkson, a fine actress, plays a one-tone character as well as she can. No, the sets, costumes, and other film amenities are nothing to write home about while the script and direction are average contributions. However, if you adore romantic comedy and have scads of time, Heartbreak Hospital might do for a couple of hours.

An actress (Altman) lands a gig on a soap and soon finds that her life's become one -- particularly when she discovers her neighbor (Clarkson) can't distinguish television from reality.Strangely, this newer film appears to be in public domain (I found it in the dollar bin and there's no copyright notice displayed anywhere in the movie), or I most likely wouldn't have seen it. I've come to like Patricia Clarkson and assumed from the packaging it was an old TV movie with her. I was quite surprised to see a newer film with a widescreen transfer for a buck... and I was again surprised to see that it FELT like a TV movie...The premise of the film has been done before, and done better, most notably in "Soapdish." At least that film knew its genre. "Hospital" bounces between hard drama, broad comedy, parody, and at times even touches on camp. Writer/director Ruedi Gerber seems to have great skills as a director. There are some really good visuals and he got great performances out of the cast. It's his writing that needs improvement.Perennial TV star John Shea gives a pretty over-the-top performance as an emotional actor who's defined his entire life by the doctor he plays on TV. His performance is rivaled by Clarkson, who absolutely devours the scenery as a psychotic, TV-obsessed fan... though Clarkson's character and performance is infinitely more interesting and layered. She seems to carry the film, which is strange since she's a secondary character (for fans of Clarkson, the film is a must-see). The leading lady is really Chelsea Altman, who gives a fine performance as an actress whose life is turned upside-down -- but it's her character that often drags the comedy into drama. I can't blame the actress for the film's shortcomings -- she shows a wide range of acting abilities -- but rather the unevenness of the script. Diane Venora is also notable as the aging diva soap star and she lends a lot to the camp aspect of the film, but her character has far less screen time than she should. The film doesn't really take off until late in the second act, following a contrived whodunit. The movie's better for it, but the resolution's pretty predictable and a little flat.All in all, it's not a bad film, but mostly mediocre. Soap opera fans might get a charge out of its absurdity, and fans of the actors should certainly seek out a copy.