I like the storyline of this show,it attract me so much

Just what I expected

It's an amazing and heartbreaking story.

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

It gives me great hope as a director to know that Damien Chazelle went from ... This... To an amazing film like La La Land in only 7 years. An impressive improvement. The music for this film was definitely the strong point, with some numbers working well. But the attempt at the realistic dialogue was unfortunately ruined by the actors. This film felt like it was trying so hard to be so unique, yet it seemed like the movie had confidence issues.

The defamation and exposure of Chazelle's dirty little secrets continues. This film is another rip off of Jacques Demy's work. He rips off the restaurant dance sequences straight from Young Girls of Rochefort. It's also another two character romance story that rips exactly off of Umbrellas of Cherbourg. Why is this guy allowed to make three of the same movies about the same message: obsession with art and ambition, while making the same three remakes that rip off of a true artist? Picasso truly has ruined art. This is embarrassing how this guy has manipulated everyone into thinking he is some original genius, but he is just as much of a hack as Tarantino.I give this film a fat 0/10.

I definitely sought this out because of a particular reason- Damian Chazelle and Whiplash. Whiplash is an amazing film, intense, full of passion, and so I wanted to see his debut. It's a solid debut, if unremarkable and sort of dull at times. It's very natural and there's really nothing that would indicate the strong intensity in Whiplash. The only similarities are really that instruments and music are at the core (just like, also, the film he co-wrote grand Piano). Yeah, I could see many not liking this at all or liking Whiplash, or even, liking this or not Whiplash because both are so different in style so there's no telling which way the passion will go. I recommend it slightly, but it's not totally recommended and not a home run by any means

Shot in black and white on a hand-held 35 mm DXL Supreme MP, Guy and Madeline on a Park Bench is a period piece without a period, a beautiful glimpse into a world without beauty, a heart-rending portrayal of the heartless. The film swings (no pun intended :)!!) between tortured silences and undistilled brassy mirth, with a fantastic debut performance from trumpeter and lead man Jason Palmer.Chazelle's entrance onto the scene is nothing short of momentous, an omen of good things to come in a struggling industry. He brings art and subtlety back to a genre that has recent been diluted by big Oscar grabs (Chicago, Dreamgirls, Cadillac Records) and will be sure to make an impression at Tribeca.This film would be a perfect ten, were it not for Bernard Chazelle's somewhat tepid makeout scene. Go for it, man! When else will you find yourself with a beautiful and eager girl half your age ... on camera?! Other than this one shortcoming, which will be sure to draw a few tsk-tsks from the monocled section at Tribeca, the film is FLAWLESS.Bravo.