Fresh and Exciting

Excellent but underrated film

Best movie ever!

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

Guns for San Sebastian is directed by Henri Verneuil and adapted to screenplay by James R. Webb from the novel "A Wall for San Sebastian" written by William Barby Faherty. It stars Anthony Quinn, Charles Bronson, Anjanette Comer, Sam Jaffe and Silvia Pinal. Music is by Ennio Morricone and cinematography by Armand Thirard.An outlaw on the run is mistaken for a priest by peasant villagers who are at the mercy of bandits and Yaqui Indians.Something of a multi euro Western, Guns for San Sebastian latches onto the Spaghetti Western coat tails whilst attempting to put something new in the wardrobe. Undeniably the critics who said it's pedestrian in pace are absolutely right, the first two thirds of the piece asks for a great deal of your patience, whilst simultaneously demanding you buy into the various themes trundling away.With a surreal sub-plot at play, a jokey romance and some atrocious dubbing, it's not hard to dismiss it as purely fun cannon fodder. Yet there's some strengths in the piece, literary wise and from a thrilling stand point as the last third brings the thunderous siege - cum battle stations. Quinn throws in a good turn, the Durango locale is superbly photographed, and Morricone offers up one of his tonally astute scores.It's all very Magnificent 7 et al, but nothing wrong with that, that is on proviso you can get through the labours of the first hour or so. 7/10

Once one gets over the poor attempt to conceal Anjanette Comer's rather Hollywood sex appeal in a Hispanic makeover (they had tried before with Sidney J. Furie's "The Appaloosa" (1968) with Marlon Brando), Anjanette's forte was comedies like "The Loved One" and "Quick Before It Melts", and also Charles Bronson's rather cheezy blending into a half-breed Indian that detract from the movie's realism, I was rather pleasantly surprised by 1968's "Guns for San Sebastien." The index I checked before ordering the film prepared me for a rather tedious exercise which turned out to be totally unwarranted and thanks to my knowledge of the reputation of Henri Verneuil, who had done so well with "The 25th Hour" the year before and star Anthony Quinn, I was treated to an exciting and enthralling assault on the imagination in both sound and spectacle. It predates "The Wild Bunch" at first with the stop motion on violence, but then goes for straight Western spectacle, providing Quinn another well suited role as a renegade thrust into the unlikely role of a priest of a village he can help display their humanity so aptly. Verneuil again shows quite a talent for widescreen. Ennio Morricone's score is helpful. The script flows well by James R. Webb from a book, "A Wall for San Sebastien" by William B. Flaherty. Photography by Armand Thirand is quite good. Halliwell's calls the film "undistinguished." How totally wrong they were this time, as this film, somewhat riveting, goes beyond the routine western and lives on in the spirit of your imagination.

This is a good albeit slow moving film and other reviewers have given accurate reviews of the film. My only reservation is the title makes it sound very B GRADE. I'm sure this film would have a stronger following if given the a title I have put or titled THE PRIEST OF SAN SEBASTIAN.There are many films in which a band of rebels want to take over a peasant village with violence and killing and as with this one I question, Why? Especially when in doing so they almost burn the village to the ground. But That's my issue.Anthony Quinn does a very good job of carrying the film and I just wish his character had more to say because his words at the end are quite poignant. When he does talk he is very strong, forceful and illuminating.I also feel the film needed another strong male lead in the village. Anthony Quinn in fact was too much of a strength and I got the feel that villagers would not be able to stand on their own two feet without him.The action scenes are quite inventive and makes me think this could be remade successfully.Anjanette Comer is very good and very beautiful. It's a pity she hasn't been in more films.

The original story written by William Faherty was called " 'A wall for San Sabastian' and later under the direction of Henri Vernevil changed to " Guns For San Sabastian. " The late great Anthony Quinn plays the titled character Leon Alastray, a fugitive outlaw and bandito running from the military police. Wounded and helpless, he takes refuge in a Catholic Church under the protection of Father Joseph (Sam Jaffe) and Sanctuary. With the good priest being sent to a forgotten mission, where it's residents live in fear of the Native American, Yaki Apache, Alastray stows away and arrives at the distant mission, where Father Joseph is murdered. Due to circumstances, Leon take's the old priest's place and serves as protector and counselor to the frightened populace. Among the heavies of the film, audience members will see a very young, Charles Bronson, Jorge Martínez De Hoyos and Jaime Fernández as 'Golden Lance.' The story is slow to develop, but does rise to the occasion when expected, to such a degree it has become a Western Classic. Fine casting and good story. Recommended. ****