Goodbye, Mr. Chips
Goodbye, Mr. Chips
| 26 December 2002 (USA)
Goodbye, Mr. Chips Trailers

In the later years of the nineteenth century Latin master Mr. Chipping is the mainstay of Brookfields boys boarding school, a good teacher and a kindly person but he is considered to be married to the job so that it is a surprise when, on a walking holiday, he meets and marries the vivacious Kathie,who becomes his helpmate at the school but sadly pre-deceases him. Just before World War One insensitive new headmaster Ralston tries to edge Chipping out but the boys rally and Sir John Rivers, an old pupil of Chipping's and now head of the board of governors, invites him to stay and,when the war breaks out and Ralston joins up, Chipping becomes the new head.

Reviews
KnotMissPriceless

Why so much hype?

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Ella-May O'Brien

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

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Brenda

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

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Marva

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

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Philby-3

Robert Donat won an Oscar for best actor in the 1939 film version of this story and set a hard mark to beat in his gentle portrayal of a dedicated English public (meaning private) school teacher. There was an unsuccessful musical version with Peter O'Toole in 1969 and a TV miniseries with Roy Marsden in 1984 which disappeared without trace. But James Hilton's novella (of only 17,000 words) tells a good story and Martin Clunes, a remarkably versatile actor, with the aid of some great make-up rises to the challenge of portraying the same character convincingly over 50 years or so.The early scenes have an idyllic feel to them, reflecting Hilton's nostalgia for the Victorian age. Things become nastier at the onset of the First World War with a new headmaster (played by the excellent Patrick Malahide) who wants to teach "practical" subjects and attract the nouveau riche, while cutting out scholarships for the poor. Chips, the shy but strong-minded Latin master, with the aid of the board of governors (most of whom he has taught), has little trouble in ousting this upstart, and, though in his sixties, he becomes the headmaster. But his triumph is blighted in two respects; his much loved wife (Victoria Hamilton) is not around to share it, having died in childbirth many years previously, and the steadily rising toll from the battlefields of France cuts a swath through the school's younger alumni. In fact it is a pretty sombre story, but Chips consoles himself with the thought that he has been a father to hundreds of boys.All of us have been to school (with the exception of Mrs Chips who was "privately educated") and most of us can remember at least one teacher who had a positive effect, even in a harsh environment. Perhaps we feel if we were taught by someone with Mr Chip's values we might have been better people. His is a story with a powerful resonance not confined to the draughty corridors of English boys' schools Apart from Martin Clunes, there are a number of other good performances including that of Conleth Hill as Max Staefel, the avuncular German master, John Wood as the old headmaster, and from several of the pupils. Victoria Hamilton lights up the screen for the short time she is on it and Patrick Malahide as the new headmaster gets us to dislike him from his opening lines.The bullying and fagging are exposed of course, and the superiority of Chip's more gentle disciplinary methods demonstrated. Hilton, whose own father was a headmaster, was not anti-public school but clearly thought the system could do with some reform. As if to show their support, both Harrow and Winchester College provided shooting locations for the film.

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vmealin

This is a very good film; beautifully acted. Martin Clunes was exceptional as Mr. Chipping, playing the part from a young man to an eighty year old most sensitively. Indeed, all the actors in this film played their parts well. The make-up department also deserves some kudos for their part in the transformation in age of Martin Clunes. I had seen the original version and while generally I have found that re-makes fall well below the standard of the original, this one to me, was far superior. The whole atmosphere of the film gave me a breath of the era in which it was set, and indeed made me almost sorry at the end to find myself back in 2006! I would recommend this film to any discerning viewer, with the "warning" that they must watch it with open mind and not view it with Martin Clunes previous TV characters clouding their enjoyment.

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Peter Schaumann

When I first saw the movie, I really didn't had any expectations about it, but i proved terribly wrong. This movie is probably THE best Mr. Chipping movie thats ever been made! (I know some people sticks to the first version, but frankly, it was a bit too sentimental for my taste). The 2002 edition was also made for the sentimental crowd, but it also had some harsh realities, like when the German teacher gets killed in war, and the students didn't care, 'cause he wasn't English. And I couldn't help myself not to shed a tear, when Chips dies in the end of the movie.9 out of 10

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orsonwelles-1941

When I saw the ad for this, I naturally assumed this remake of the 1939 classic would be a sentimental period piece with a soundtrack replete with Elgar and choirboys. Instead I experienced one of the harshest exposes of hazing in the British public school system since If. Nothing is left to the imagination, making this movie unsuitable for anyone under 13. However, unlike the exploitative Oliver Twist miniseries that Masterpiece Theater did a few years ago, the writers did not go overboard trying to create a realistic atmosphere. This allowed a fine cast to turn in some superb performances without being overwhelmed by the plot and that's what makes this the BBC's best effort since the 1983 version of "Jane Eyre".

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