The greatest movie ever!

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.

One of the best movies of the year! Incredible from the beginning to the end.

Inken,Lena and Victoria are three German teenager friends who are having problems with their sex life and this is making all of them very unhappy. Inken ,Victoria and Lena never had an orgasm and they are decided to find ways to have it:Inken broke up with her idiot boyfriend, Victoria enter in a lesbian web chat, and Lena tries to have lucky with the guy of her dreams.Reading that this movie was in the line of American Pie, I imagined it to be VERY VERY VERY silly. But it has some important elements: One of them, sure is to show that when you are unhappy or unsatisfied with something in your life, all the other parts hardly go well too; the remarkable part of the movie who makes this apology is when the girls, in the beginning of this movie ,are going very bad in the volleyball team, and, in the end,when they are satisfied, they won from the 'invencible' team of Cheyenne.

For some reason subtitle movies communicate better with me then movies in plain English. Madchen Madchen was seriously a crack up, but it was also serious in the sense that it dealt with teenage issues. Its not for everyone but give it a go, even just to give u a bit of a laugh. The characters were fantastic and communicate there roles to the audience well. This movie can also be a bit confusing as it is both serious and funny at the same time, but these two elements kind of complement each other. In my opinion I thought this movie was good, but still like I said not for everyones tastes. It does deal with teen issues to an extent but tends to exaggerates them a tad, issues such as sex, love, friendships, and bike riding are all part of this wacky take on teenage life in general.

So...let's see wot can I write 'bout this movie?! First of all: I guess I fell in love with Felicitas Woll (Victoria) and Karoline Herfurth (Lena)!!! That's sure, that's true!I never seen a comedy like that - I have to admit, this film matches with the quality of the American Pies. 'Mädchen, Mädchen' is the greatest erotic-teenage comedy nowadays.If I could, I would sooooooo kiss Lena's wonderful lips and Victoria's extraordinary sexy bootie! ;) And of course I would play with Inken's lovely tummy! ;) God, these chicks are sooooooo piercing!!!I think this film somehow gives us a portrait of this age we are living in. Guys and girlies both want to have multi-orgasms no matter how, no matter where. Both sexes do alot to do their bests for the very first time, but I think they always overrate it: I mean having sex with somebody is not a ritual-animal-sacrifice. And this film touches the spot: the better we wanna have big grooves the more doubtful we will achieve it. I say to all the young-virgin-teenage-dudes: just live your life, have good parties and stuff like that, but don't rush after the "Great Love" just because you need someone. Love and sex will surely find you's - sooner or later. :) Bye all Lokika

As an avid hater of the German movie scene I was most surprised to see this really hilarious, light comedy about young girls in their raid for the lost orgasm. Director Dennis Gansel, totally unknown til this movie, succeeds in creating likeable characters and a decent plot which of course is all about love, rejection and the unbearable pains of puberty and adolescence, and which is taking place in an environment which could be just next door - a fact that may be the answer to why this movie is so charming in its simpleness. The gags are well-dosed, but are not getting too rude like many American comedies nowadays (Scary Movie comes to mind).Most noticeable are the young faces Gansel introduces to the big screen: Diana Amft, Karoline Herfurth and Felicitas Woll are totally convincing in their roles and a wonderful diversion from the omnipresent but so unpleasant diva of German film Katja Riemann. Gansels film does not use anyone of the nearly incestous German film avantgarde, and that's what makes this movie so fresh and joyful to watch. A fresh breeze is what German film needs since Soenke Wortmanns stopped doing independent movies - maybe Gansel is here to revitalize German comedy?