Self-important, over-dramatic, uninspired.

Nice effects though.

Load of rubbish!!

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

Whether attend me any day why they evry deceieve as if were at me whether me is liar bt they even sing songs what me adore pretening asif alike were injured by any obsticles bt only me was under controll even to clea tee was holiday why to jail me even rest days

There were comparisons of this film to "One Flew Over the Cuckoo's Nest". I was seeing similarties to "Animal House". Perhaps the characters could have been set in a sorority or girls school - they were richly developed and there might have been more escapades. I don't see that a book has to be faithfully adapted - it is just a movie to stand on its own merits.

In 1967, 18 year-old neurotic and volatile Susanna Kaysen (Winona Ryder), who attempted to commit suicide by downing a bottle of vodka and a bottle of aspirin, is rushed to a local hospital. Not only is her family life an unhappy one (despite the family's influence), but also she is confused as what to do with her life. She is in denial about her motives, and is also promiscuous. After she has survived emergency medical care, she is sent to Claymoore, a psychiatric institution in Belmont, Massachusetts. As Susanna stays for one and one-half years, her outside life has become interrupted. (Actually the title emanates from Vermeer's 17th century painting.)The hospital staff is headed by an administrator who appears to be a caring and decent man, Dr. Melvin Potts (Jeffrey Tambor) and an intelligent but detached psychiatrist Dr. Sonia Wick (Vanessa Redgrave). The supervisor on the ward is hardened nurse Valerie Owens (Whoopi Goldberg). Valerie calls Susanna "a lazy, self- indulgent little girl who is driving herself crazy."Placed in a women's ward, Susanna eventually receives her diagnosis: "borderline personality disorder." She is ambivalent and seems to deserve what she gets even though one knows that she does not really belong in Claymoore. When she tells boyfriend Toby (Jared Leto) that she has friends there, he replies, "They are eating grapes off the wallpaper." But Claymoore seems to give her the structure that she needs. Earlier, a nurse had warned her, "Do not drop anchor here." When tragedy ultimately strikes one of the inmates, Susanna seriously begins to self-examine herself and begins to cooperate with the therapists. Mentally she becomes less confused and healthier, and starts writing about her experiences. Although her book became the basis for the movie, the latter unfortunately takes many liberties. The movie, about behavior and character, is told dramatically via a series of episodes. These events include: female patient interactions; the girls breaking into the main office after hours and reading individual files; the Christmastime trip to the ice cream parlor; exercise classes; the attempt to escape; the final melodramatic confrontation in the basement. In reality, some of these events never really happened but were added in by Hollywood for dramatic effect. The other women Susanna meets at the hospital include: • Lisa Rowe (Angelina Jolie) – a rebel misfit, sociopath, and reckless; manipulative and cruel; doesn't care whom she hurts; becomes Susanna's friend. • Georgina Tuskin (Clea Duwall) – a shy and withdrawn person; suffers from schizophrenia; lives in the Land of Oz; doesn't really want to leave Claymoore; diagnosed as "pseudologica fantastica," a pathological liar; Susanna's roommate. • Polly Clark (Elizabeth Moss) – a schizophrenic but kindly burn victim who is also depressed with her face; will never leave Claymoore; called "Torch" by Lisa. • Daisy Randone (Brittany Murphy) – a deeply troubled individual with an anxiety disorder; harbors a dreadful secret. • Janet Webber (Angela Bettis) – an anorexic ballerina; easily irritated; called "Fatso" by Lisa. • Cynthia Crowley (Jillian Armenante) – a mentally-disturbed lesbian; severely depressed. Winona Ryder, who bears more than just a physical resemblance to the author of the book, is expressive and skillful at projecting mental states. She is always good. Angelina Jolie drives the movie and gives it life. Her demeaning of those around her left her a cold heart, dead inside. Jolie's haunting performance won her the Oscar for Best Supporting Actress. Despite some film flaws, there are the strong presentations by an impressive cast of highly talented young actresses. Also, the script contains some sharp insights into the complexities of mental illness.

I swear, this film would make you extremely angry, the doctors back then hadn't a clue on how they dealt with diagnosing an individual with mental illness. Not just the doctors but the parents, the priests and the therapists were all the same! They honestly were a disgrace for putting their loved ones in a Nuthouse just because they are in need of help. I mean everybody has problems, why on earth did they just stupidly diss this? It's like a lie where no one has problems but in fact 100% of us do! I'm glad all the asylums have closed up but there's still scars of the past for those poor people.Angelina Jolie, Brittany Murphy (RIP), Winona Ryder, Clea DuVall and many others involved in this film did a fantastic job on their roles! Also thanks to Susanna Kaysen even if she didn't like the film, she has really told her story beautiful for other people who has been in institutionalize for the wrong reasons.