Overrated and overhyped

The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

Watching it is like watching the spectacle of a class clown at their best: you laugh at their jokes, instigate their defiance, and "ooooh" when they get in trouble.

I consider myself well-educated but had never heard of this story until now. I had no idea that the right to have an attorney even if you cannot afford one was established so recently in 1963. I had heard of the attorney Abe Fortas, but didn't know his role in this story. The name that should be more well-known is Clarence Gideon, the man to thank for pursuing his right to a court-appointed attorney. The film simplifies the events that took place over more than two years, but it really holds your attention and shows the injustice of trials where the defendant could not afford an attorney and was often convicted without proper pursuit of the truth.

Found sitting in a bar drinking a beer with a ton of loose change in his pocket, the dour Henry Fonda is arrested and charged with a robbery in another bar where a pinball machine and pool table were emptied of its cash. He is not given an attorney and as a result, defends himself, quickly bringing in a guilty verdict. Incarcerated, Fonda spends every waking moment in the prison library studying the law, and every prisoner watches and waits as he handwrites a letter to the state supreme court to have the verdict overturned. What happens then is the turn around of laws, showing that on occasion, a man in a loosing situation can be the winner.Just a year before his spectacular Oscar Winning performance in "On Golden Pond", Fonda gave another bravura performance, showing that like many other great actors throughout history, giving a great performance can look extremely easy. While this television film looks liked a filmed stage play, it is certainly never stagey, and that is because you really are interested in seeing how justice is done, even if you are never sure of his guilt or innocence. Fonda is surrounded by a brilliant cast, including Jose Ferrer, Fay Wray, Dolph Sweet, Dolph Sweet, Sam Jaffe and Dean Jagger. Like other great trial dramas (most notably, Fonda's 1956 classic "The Wrong Man"), this is not about finding the guilty party, but simply seeing justice done as the American constitution has promised it would be.

Unfortunately, many will miss knowing about this if they just check on the actor's filmography on this site. It is not explicitly listed. You will have to look for it under Hallmark Hall of Fame.It is one of Fonda's finest performances reminiscing and rivaling his portrayal of an innocent accused in The Wrong Man. Here, at age 75 he portrays Clarence Gideon who was actually only 53 at the time of the trial in 1963. Obviously, not in health when this was filmed, Henry Fonda's age and frailty adds authenticity and pathos to the character's situation.It is a landmark movie (for TV) that celebrates a landmark Supreme Court decision that added protection to the rights of the accused by ensuring that they are provided proper legal counsel.

In another review, I stated that the "Hallmark Hall of Fame" series was never as good during the last twenty years or so as it had been during its glorious days in the 1950's and '60's. There was one brilliant exception, however, and this is it. "Gideon's Trumpet" can stand up proudly alongside all the other "Hall of Fame" episodes of the past as one of the finest made-for TV films ever made.It tells the true story of Clarence Earl Gideon, an ex-convict who, in the early 1960's, was accused of breaking into and robbing a convenience store in Florida. Claiming innocence, he was forced to serve as his own lawyer because states' laws at that time did not require an accused person to be automatically given a lawyer. Failing miserably at his own defense, he was sent to prison, where, as a model prisoner, he studied up on law and petitioned the U.S. Supreme Court for the right to be granted a lawyer.This phrase has already become a cliché from overuse, but Henry Fonda, in one of his last performances, does not play Clarence Gideon--he IS Clarence Gideon. He inhabits the role so completely that we never believe we are watching Henry Fonda; we believe we are seeing a poor, inarticulate, awkward, somewhat cranky, but basically kind man named Clarence Gideon. Fonda utterly lives the role in a way that he seldom does in his other films (although he was an excellent actor).The other actor who gives a memorable performance is José Ferrer, as Abe Fortas, who pleads Fonda's petition before the Supreme Court. As Fortas, Ferrer gets to do one of the things he does best, and which he had not done to my knowledge since playing "Cyrano de Bergerac"--deliver a long, impressive speech. I don't know how much of the speech was actually taken from the Court hearing and how much was written by the excellent screenwriters, but there are few things as satisfying as an actor who not only gives a great performance, but also delivers a long speech beautifully. The thrill of hearing Ferrer's rich, beautiful voice argue a case before the Supreme Court is enough reason for me to tune in to this film every time it is shown on TV.There is also a cameo from Fay Wray, as Fonda's longtime landlady, and the other Justices of the Court, all of whom are also excellent, consist of such familiar faces as John Houseman, Sam Jaffe, Dean Jagger, and other familiar character actors from television.This great production might strike some viewers brought up only on action films as boring--there is no action at all in it; it's like watching a filmed play--but, believe me, there is not a single boring moment in it, if you appreciate well-written characters and dialogue. And this film avoids all of the drippy sentiment that has plagued "Hallmark Hall of Fame" over the last six years or so. If only this anthology series had stayed on the level of "Gideon's Trumpet".