I love this movie so much

Really Surprised!

I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

An old-fashioned movie made with new-fashioned finesse.

"Giants of Rome" is in some aspects a strangely premised sword and sandal movie. The main reason for that is that the central characters - the men on a mission - are Romans working for Caesar and the Roman Empire, fighting the inhabitants of what is now modern day France. If you ask me, that is almost akin to a movie about Nazis on a mission to penetrate and destroy some part of Allied forces, given that the Romans were conquerors and enslavers of foreign empires. But even if you can stomach that premise, chances are you'll still not find the movie to be very good. The action sequences all seem to be directed in a way to both be identical to each other and not particularly exciting. Actually, much of the movie (particularly the central third of the movie) is rather slow- moving and not very exciting. In fact, it makes the disappointment of the revelation of the "secret weapon" even more than you might expect. The movie could have been a lot worse, I admit, but even sword and sandal movie fans might find this a bit of an ordeal to watch.

Despite being one of the late entries in the peplum genre, GIANTS OF ROME is one of the better historical adventures from the period – and that's mainly down to the plot. Instead of utilising the tired, unoriginal uprising/court intrigue-style plot, top Italian scriptwriter Ernesto Gastaldi opts for a storyline that's more akin to a WWII spy thriller than a standard historical adventure. This makes for a fresh-feeling adventure yarn full of intrigue and a surprisingly high body count. I've always enjoyed films where a select band of characters are whittled down one by one, whether it be a swords-and-sandal adventure flick or a backwoods slasher.Here, the characters are varied enough to remain different and interesting. Harrison, one of my favourite actors, is the clear-cut hero Claudius; instead of being a warm good guy, Harrison is a ruthless leader, in one scene allowing a boy to be tortured to death – all for the sake of the mission! Harrison's coldness makes him an atypical protagonist and the film's all the better for focusing on his ruthless characteristics. A varied bunch of actors support him, including Ettore Manni (almost unrecognisable without the beard), sexy love interest Wandisa Guida (great in GOLIATH AND THE DRAGON and just as good here), a teenage boy, a strongman barbarian-type (played by Rulph Hudson, unfortunately his only role) and a cool bald knife-throwing guy. Facing them is a bunch of druids (!) led by a guy who looks like that chap out of KNIGHTMARE.Although the dubbed dialogue is about average for this genre, what I enjoyed were a bunch of well-directed action scenes that never disappoint. There are some fine battles on horseback, and a great, claustrophobic climax in a cave where our surviving heroes are picked off one by one. An underwater attack on a couple of rafts is very well shot, as is the bit where the strongman meets his fate as he faces down a horde of attacking cavalry, using his axe to cut the horses' legs out from under them! As well as this, there's a crucifixion, a bit of self-imposed torture from Harrison, and even a traitor in the group to keep things moving nicely along. Antonio Margheriti is one of my favourite Italian directors and he does himself proud once again with this adventure flick. Fans of historical films will have a ball

Better than average sword and sandal time-filler with the underrated Richard Harrison starring as Claudius, solider of fortune selected with three others by Caesar to undertake a deadly mission to destroy a secret weapon that the Druids are using to repel Casear's forces. Along the way, the quartet become a quintet with the addition of the young and impressionable 'boy who wants to be a warrior' type (Guida), and then a "magnificent seven" when they encounter captured Romans Edua (Tessier) and her cowardly guard Drussus (Hersent), being tortured by the Druids.Unencumbered by the usual overdeveloped musculature, an athletic Harrison employs his trained acting to good effect as the aggressively loyal Roman solider who'll give to the last drop to secure Caesar the platform he needs to succeed. Ably supported by Italian leading man Ettore Manni and with good performances by the supporting cast, Anthony Dawson (aka Antonio Margheriti) delivers a consistently watchable, gritty and engaging picture, far more worthy than the paltry four stars it currently attracts.Some superb battle scenes, suspense, occasional light humour, romance and tragedy are complemented by colourful characters, given extra definition through Harrison and Manni's balanced performances. It's not "The Fall of the Roman Empire" by any stretch, but as a "Guns of Navarone" of Ancient Rome (you'll see the similarities with Stanley Baker and Gia Scala's characters in particular), it does okay and should entertain.

Weighing in fairly close to the end of the Italian Sword & Sandal phenomenon, this one is pretty easy to get through and offers several interesting sequences. Harrison plays one of four talented muscle-men assigned to reach and destroy the secret weapon of their enemy, the Druids. They are eventually joined by a few others, some of whom are more harmful than helpful in the end. Harrison is very handsome (vaguely similar to James Franciscus) and not as bulky as most of the other heroes of these types of movies. His chest is covered in all but a scene or two (though his costume is rather revealing in front!) He is adept enough at carrying the lead role, as he did in so many other films of varying genres. As in all of these films, the dubbing ranges from okay to dreadful, but this one is visually arresting enough and has an interesting enough story thrust to overcome that handicap. There's a prison break, a memorable sacrifice from one of Harrison's men, a nifty attack on two rafts and a fiery climax in the enemy camp. As in most of these films, there's a horde of extras, lots of swordplay and battling, plenty of beefcake in evidence and a curvy female for the hero to hug at the end.