Sorry, this movie sucks

Good films always raise compelling questions, whether the format is fiction or documentary fact.

The acting in this movie is really good.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Not scary, not thrilling, and filled with dull characters who are phoning it in all the way through. The kid was punch in the face annoying, and eventually I wanted the killer to win. Plus this is one that actually needs to be remade, as technology is a little more sophisticated in 2017 then 1993. I think we can do the virtual reality with the killer scene a whole lot better. Karen Allen was so attractive and likable in her early roles and seems really embarrassed to have ended up in a cheap serial killer flick. Rachel Talalay must also have regretted that as a woman director all she ended up doing was D grade horror movies rather than something interesting. Skip this one, thankfully it's hard to find, and it should stay that way.

I have to agree with several reviewers who tired of the special effects. By now, we cannot suspend disbelief enough after years of the internet, and the premise is tired and dated.Karen Allen, a decent actor, elevates the material a bit, as well as Chris Mulkey and a few amusing scenes with Jessica Walter, as the cantankerous mother in law.Other than that, the only memorable scene is when the dog disappears under the swimming pool tarp. You may want to skip this one unless you are easily led by sci-fi fiction. Recommended if you are completely bored on a rainy day. 4/10.

Ghost in the Machine, 1993 Imagine if you took Lawnmowerman 2 and made a crappy version, then splice it with a lame serial killer thriller. Wait, you think Lawnmowerman 2 is already a crappy movie? Boy, are you in for a treat. This is actually worse.This monstrosity revolves around a serial killer who's known as the "Address Book Killer." See, he steals an address book, then goes and kills everybody in it. No sh*t. And yet, his kill count isn't even up to 20… Kinda makes you wonder about the lifeless shut-ins he's stealing these things from. At any rate, on he's also a tech whiz because that apparently makes perfect sense (to the filmmakers at least) when he's rocketed into being a creature made entirely out of electrical current. Oh yeah, that's right. Just like in Lawnmowerman 2, this guy is reduced to being electrical impulses who kills people via their various electronics devices. Except here, he enters the electrical world by being, apparently, swallowed up by an X-Ray machine in a hospital during a thunderstorm. So, anyway, he starts stalking this woman and her kid and her address book inhabitants in bizarre and nonsensical ways. He shows up to terrorize the kid while he's playing a Virtual Reality video game. For no reason whatsoever, the kid's face appears on his VR counterpart, and while there aren't details of any sort in the images or game, somehow the ability to blast off an arm exists. Trust me when I say that VR games from circa 1993 were no where near this accurate. Actually, they also really lacked anything even remotely fun. Eventually, the kid and his Mom and some computer hacker genius (not kidding) pull the super-electro-killer out of the world of copper cables and into our world. He looks like a Jobe from the first Lawnmowerman in one of his all-CG forms… That is, if he was crappily crafted and animated by a blind man in a high school equipment closet. Of course, bullets don't hurt him, but magnets sure f*ck him up.This film really has no good merits, pretty much at all. Not since the ridiculousness of Wes Craven's "Shocker" has the world of science and technology been so thoroughly eviscerated and replaced by malevolent ignorance and fantasy. And this makes "Shocker" look competent. The endless early 90's Rap music doesn't help things, either. Of course, the inept script and mindless direction aside, the film also suffers with room-temperature acting, substandard atmosphere, and near endless stupidity. The violence and gore are decent enough. But, it's best to just avoid this one.2/10

The opening credits to "Ghost in the Machine" show over a background of simulated computer circuitry at a microscopic level. The effects are just about what you would expect from the original "Lost in Space" television series, and I'm thinking to myself that surely this movie was made no later than 1980. Then I check its info on my digital cable...danger, Will Robinson! It was made in 1993. Wow, I think to myself, I don't remember special effects being that bad back in my teenage days. But hold on, I remind myself, wasn't T2 made in 1991, even before this movie? Then it hits me: "Ghost in the Machine" just really really sucks. But by then it's too late and I'm sucked into it's riveting story line...if by riveting you mean mind numbingly retarded."Ghost in the Machine" takes place somewhere in Ohio, a location as befittingly bland and pointless as this film. (I actually forget exactly what town it takes place in because I performed a lobotomy on myself right after viewing this pile of crap.) The main premise is that some serial killer guy, about whom we are given no background information other than he sports the smile of a child molester and likes to drive into oncoming traffic, transfers his consciousness upon his death into a vast computer network into which apparently every computer in the country is hooked up to. Surely, had Al Gore's nefarious scheme to invent this so-called "internet" been thwarted, the subsequent tragic deaths of several innocents would have been avoided. But alas, Bill Clinton was elected, and the fun's just beginning.There exists a solemn, unspoken trust between filmmaker and viewer. This covenant is summed up by the concept of suspension of disbelief. (I'm going somewhere with this, just give me a second.) In other words, the viewer agrees to temporarily accept the reality posited by the film, and in exchange the filmmaker agrees to keep the story line roughly within the bounds of that reality. The writers of "Ghost in the Machine" saw fit to not-so-delicately urinate all over that covenant, and just when you think they couldn't possibly desecrate it anymore, they proceed to pull down their pants and spray diarrhea all over it.Just what exactly am I talking about? OK, OK, so the killer's consciousness is supposedly now in the form of computer data. I'll buy that. It starts gathering information about the people it wants to kill...everything's still cool. The moment I call bull is when the killer is able to enact its whims through whichever electronic device it chooses. Apparently there is no distinction between a data network and the power grid in this universe; the killer happily goes about terrorizing people with microwaves, dishwashers, and pool covers that have no data storage capacity to speak of and aren't even hooked up to the network in which his consciousness is stored. The filmmakers further insult the viewers' intelligence by giving the killer the ability to make these devices do things WHICH THEY ARE PHYSICALLY INCAPABLE OF DOING. For example, one poor schmuck is killed when the business end of a hair dryer spews 10 foot long flames. Another moron meets his doom when the killer fills AN ENTIRE ROOM WITH RADIATION FROM A MICROWAVE OVEN. I mean, if these devices were actually designed to do these things, the terrorists would have already won. I can take some level of stupid, but when I am looking for the nearest pane of glass to throw myself through, it's gotten bad.The heroes temporarily keep the killer at bay by putting tape over the electrical outlets in their house (I am NOT making this up). Apparently this guy can use a seemingly harmless kitchen appliance to roast human flesh but cannot make his way through a bit of weak polymeric adhesive material. I mean, have you ever heard of an electronic serial killer ghost stopped by mere tape? Yeah, I didn't think so. Needless to say, the heroes succeed in overcoming the killer in an ending so stupid that summarizing it will lower my IQ another ten points.The real question I have for the makers of "Ghost in the Machine" is this: if the killer can at a whim transfer himself from computer network to power grid to phone lines, why can't he go into other utilities as well? Why stop at electronics? Imagine if he were to get into the gas mains and emit poisonous mustard gas! Or, how about getting into the water lines and creating an army of angry steam zombies? Cable lines, air ducts, sewer systems...the sky's the limit here. I smell sequel. Just please remember me in the credits when you make "Ghost in the Machine 2: Now with 50% More Stupid." In conclusion, there are bad movies, there are awful movies, and then there's "Ghost in the Machine." If you get the urge to see for yourself how truly bad this movie is, I advise you find the nearest steel pipe and bang yourself in the head with it for ninety minutes. I guarantee a lot more entertainment and far less pain.